Piano Solo - Level 2 - Digital Download SKU: A0.1415224 By Various. By Chandrabose and M. M. Keeravani. Arranged by Cathy Pate. 21st Century,Bollywood,Film/TV,Hindi,Multicultural,World. Score. 4 pages. Aiwo Production #996957. Published by Aiwo Production (A0.1415224). Naatu Naatu is a lively and energetic theme song from the Indian movie RRR. Composed by M. M. Keeravani, the song features catchy beats and folk-inspired melodies. Sung by Amit Trivedi and Anirudh Ravichander, Naatu Naatu celebrates the spirit of unity, brotherhood, and rebellion, resonating with the film's themes of freedom and patriotism. The song is accompanied by vibrant choreography and colorful visuals, capturing the essence of traditional Indian culture and showcasing the camaraderie between the characters. Naatu Naatu has gained popularity among fans of the movie for its infectious rhythm and spirited performance.

Composed by Charles C. Sonntag. Civil War--Union, Emancipation, Victories, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23069). - - - Johns Hopkins University Sheridan Libraries

Concert Band - Level 4 - Digital Download SKU: A0.1000466 Composed by John K. Evans. 20th Century,Contemporary,Holiday,March,Patriotic. Score and Parts. 134 pages. John K. Evans #5293993. Published by John K. Evans (A0.1000466). Desert Storm March is a standard march written to honor the U.S. Military members who participated in Desert Shield and Desert Storm (Aug 1990 - March 1991). This march was composed while the composer, a member of the USAF, was actually deployed to Riyadh, S.A. for Desert Storm. Download consist of 1 Score, 6 Flutes, 6 Clarinets, 4 Alto Sax, 4 Tenor Sax, 3 Tuba and 2 each of all other parts. Parts include Baritone TC. Duration is about 3 minutes. Grade 3+.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158189 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 40 pages. Https://gildedmusicpress.com/ #758465. Published by https://gildedmusicpress.com/ (A0.1158189). The majority of the composition is boisterous, upbeat, exciting, and western! Though perhaps overly romanticized, those thrilling impressions are brought to the modern observer in the monuments and tributes all along the Lewis and Clark Trail. Indeed, from the Gateway Arch in Saint Louis to Floyd’s obelisk; from numerous visitors’ centers to historic markers throughout the more than 7000 miles traversed, Lewis and Clark and the others are kept in grateful memory for their inspiring work of opening the gateway to the west. Many working brass quintets throughout the nation joined a consortium of performances for the fall of 2019—particularly near September 23, as that was the date the expedition ended in Saint Louis, Missouri, where it also began. With the images of the Lewis and Clark Expedition in mind, the compositional process occurred quickly, and a draft of the full-length work was printed for a reading with Offutt Brass one week after it was begun. A final product was to be delivered to the consortium members by the end of April for enough time to bring the work to life in the fall. Within the music itself are several hidden meanings which, though imperceptible upon listening, are significant nonetheless. It will be noted that there is little rest for the players. For the span of 4’40�, out of nearly 1000 measures of collective music, there is a total of 99 complete measures of rest shared between the performers. Throughout the expedition 33 key personnel participated, three of whom famously ring in the ears of all Americans: Meriwether Lewis, William Clark, and the well-known Shoshone guide, Sacagawea. To acknowledge the arduous nature of this enormous undertaking, what little rest there is in this composition multiplies the number of explorers with the three most famous names.

Brass Ensemble - Level 5 - Digital Download SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Alexander Burden #3560127. Published by Alexander Burden (A0.899867). Genre: MarchLength: 2:48Instrumentation: Alto Saxophone and EuphoniumKing Cotton is a military march composed in 1895 by John Philip Sousa, for the Cotton States and International Exposition (1895). The expression King Cotton in general refers to the historically high importance of cotton as a cash crop in the southern United States. This fun arrangement and challenging arrangement for alto saxophone and euphonium is sure to be a crowd favorite and includes altissimo passages in the saxophone part.The Composer:John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era, known primarily for American military and patriotic marches. Because of his mastery of march composition, he is known as The March King, or the American March King due to his British counterpart, Kenneth J. Alford also being known by the former nickname. Among his best-known marches are The Stars and Stripes Forever (National March of the United States of America), Semper Fidelis (Official March of the United States Marine Corps), The Liberty Bell (used as the theme for Monty Python's Flying Circus), The Thunderer and The Washington Post.The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.

Instrumental Solo,Oud,Piano - Level 3 - Digital Download SKU: A0.1490299 By Esther Phillips. By John Lennon and Paul McCartney. Arranged by Constance and Rich Shelengian. Latin,Pop,Rock. Score and individual part. 7 pages. Constance Shelengian #1067139. Published by Constance Shelengian (A0.1490299). Arranged for Oud and Piano. Separate oud part included after score.The wistful tune And I Love Her is well-suited to the plaintive tones of the Middle Eastern oud. In this arrangement, the oud melody uses ornamentation techniques including tremolo, slides, hammer on, and vibrato. The interesting piano accompaniment is delightful to play, with varied rhythmic patterns, syncopated block chords, flowing arpeggiated patterns, and sustained harmonies in different octaves.

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1298789 By Housefires. By Brett Younker, Karl Martin, Kirby Kaple, Matt Redman, and Pat Barrett. Arranged by Brian Buda. Christian,Contemporary,Praise & Worship,Religious,Wedding. 58 pages. Budaful music #888658. Published by budaful music (A0.1298789). This is an intermediate to moderately-advanced level string quartet arrangement of 'Build My Life'. It's a very tender and heartfelt setting that follows the basic structure of the Pat Barrett worship song in a classical style. See the 2nd page for some performance notes on this 'choose your own adventure' arrangement! It's designed to work very well in a wedding prelude but it's also fitting in church services and other performances. The shortened version would work well as an offertory. Keep that bridge going as long as you want with optional added repeats! Available in 2 keys in this 1 chart: G and F.Double Bass part included but it is optional.A compatable piano solo (SMD) version is also available.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.811822 Composed by W. A. MOZART (1756 - 1791). Arranged by Pat Spence. Classical,Concert,Graduation,Holiday,Wedding. Score and parts. 100 pages. Piper Publications #6657067. Published by Piper Publications (A0.811822). The Divertimento, originally for an orchestra (flute, oboe, bassoon, 4 horns and strings) was completed in June 1772 in Salzburg.  It was probably written for an outdoor performance and Mozart certainly made full use of the opportunity to display his remarkable talents both to his prospective patrons and his talented fellow musicians who would have performed this extensive six movement piece.There are six movements, Allegro, a substantial sonata form piece; Adagio, a  sophisticated piece written for strings only; a gem of a Menuetto with three trios; Allegretto; a Menuetto with 2 trios and a final Adagio - Allegro molto - Allegro assai forms the grand finale. The scale and sophistication of this piece is far beyond that of the early symphonies which Mozart composed around the same time.The arrangement is suitable for advanced and advanced intermediate players.In editing and arranging the Divertimento for flute, oboe, clarinet, bassoon and horn it has been necessary to add phrase marks (shown in dashed lines) and extra staccato dots - not indicated. The lack of dynamic markings especially in the latter movements has been remedied in parentheses ( ). Some octave transpositions both up and down have been necessary and the glory of the four horn sections of the original have been re-scored as sympathetically as I am able.I do hope that quintet players will enjoy this arrangement of a very remarkable piece.

Unison/two-part chorus - early intermediate - Digital Download SKU: C7.CGA1551 Composed by Terre Johnson. General. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1551. Published by Chorister's Guild - Digital (C7.CGA1551). UPC: 749193028186.The Light of Hope trilogy from Mark Patterson is a wonderful way to begin the church year with your children's choir or small adult choir. This trilogy includes short anthems for the first three seasons of the church year: an Advent piece anticipating the light of Christ, a Christmas piece celebrating the birth of the promised Savior, and an Epiphany round compelling all to share Christ's light with the world. Each anthem includes parts for 4 or 5 handbells or handchimes. A must-have for your choral library!

Small Ensemble - Digital Download SKU: A0.990701 Composed by Shalom Music Publishing. Patriotic,World. Score and parts. 3 pages. Patricia E Tyson #6191067. Published by Patricia E Tyson (A0.990701).

String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1390492 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Timothy Jaques. Contemporary,Pop,Rock. 41 pages. Timothy Jaques #974019. Published by Timothy Jaques (A0.1390492). This arrangement is a great way to involve a soloist or unison choir with a string orchestra playing pop music. It is a good choice for helpijg to break the stereotypes around string groups. It is also an effective showcase piece, and if you're brave enough to add some choreography, it is bound to leave your audience on the edge of their seats!The arrangement is realatively easy and quick to learn, as it is built around a few core rhythmic patterns. There may be a little more effort for beginners, but it is well within their capabilities, and the key of A Minor has been chosen deliberately to be as accessible as possible to both singers and string players.

Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta                                                                                                                  composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo.  The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion.  Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.  

Harp - Level 4 - Digital Download SKU: A0.976446 Composed by Scott Anthony Shell. 20th Century,Contemporary. Score. 8 pages. Tikadori Music #2066815. Published by Tikadori Music (A0.976446). For Solo Pedal Harp -- Composed in 2015 -- Approx. duration 7:45 --PROGRAM NOTES:Piece for Harp #1 begins abruptly with an invitation to the listener to take an inner journey into a potentially uncomfortable place. The discomfort dissipates into a more celebratory feel, which leads into the final contemplative mood to end. Compositionally, besides trying to challenge the performer, I am interested in exploring the counterpoint that results from overlapping patterns of different durations, as well as opposing rhythms within these patterns, which can be heard throughout the different sections. The final section of the piece introduces a 3rd contrapuntal layer, which further challenges the performer in that each voice is played on a different part of the string. (Harmonics on top, PDLT or close to the table in the middle, and sustained bass on the bottom.) In combination with the complex rhythmic and metric structure, this is probably the most difficult section, especially when trying to express a calm, contemplative soundscape.

Piano Solo - Level 1 - Digital Download SKU: A0.1465689 Composed by Peggy Carter. 21st Century,Children,Contemporary,Contest,Festival,Instructional. Score. 5 pages. Peggy Carter #1044300. Published by Peggy Carter (A0.1465689). Hills and Valleys: C position This Level 1 piano solo offers legato, and staccato techniques with expressive elements using dynamic contrast and tempo changes. The piece stays on the “home keys” except for the F#. Players will anticipate the F# accidental, parallel motion and will discover the use of half notes, quarter notes, and 8th notes with one dotted quarter note. They will enjoy the contrasting rhythms in each hand.     2.   Up and Down: G position  Also Level 1, this piano solo offers legato and staccato techniques and uses   Dynamic contrast with scale patterns and arpeggios. Explores half notes, quarter notes, and 8th notes in each hand. Encourages creative expression. Stays on “Home keys” except for one right hand crossover with 2nd finger.Both pieces include a Warm Up to refresh the player's techniques needed in each piece. Good choices for Guild Auditions, recitals, or competitions. Teachers and students will have fun with these two lively pieces that explore scale and arpeggio patterns.