Piano Solo - Level 4 - Digital Download SKU: A0.915027 Composed by Anthony Williams. Contemporary,Jazz,Pop. Score. 7 pages. Anthony Williams #6115081. Published by Anthony Williams (A0.915027). Dream Patches is a beautiful, flowing yet energetic solo piano piece by Anthony Williams. It is best suited for an advanced-intermediate pianist looking to expand his/her solo repertoire. The piece goes through various styles and techniques and will provide a fun and exciting challenge. It also includes an improvisational part, with both written chord changes and a pre-written solo. Check out the audio and the YouTube Link to get to know the piece - Music speaks louder than words! For any questions I'm always happy to help, just contact me via e-mail: tonywilliamspiano@gmail.com

Choral Choir (SSA) - Digital Download SKU: A0.846741 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 12 pages. Keep Calm and Keep Singing #453430. Published by Keep Calm and Keep Singing (A0.846741). The Ballad of William Taylor (or Willy Taylor), Bold William Taylor or The Female Lieutenant (as it is sometimes called) tells the story of a woman who is deserted on her wedding day by William Taylor because he has been pressed ganged and sent away to sea. She decides to follow after him and disguises herself as a man in order to sign up. Her identity is discovered when her tunic bursts open during a battle revealing her womanhood! She tells the Captain she is looking for William Taylor and he tells her where to find him. However, William Taylor has found a new lady. Clearly upset that William Taylor has forgotten her so easily our heroine draws a pair of pistols and dispatches both her disloyal lover and his new lady! In some versions the Captain is so impressed with her that he either marries her himself or makes her a ship’s commander or both! In this arrangement for SSA the middle voice is always on the tune in the verses whereas the higher and lower harmony voices either sing the melody or their harmony part. It is important these counter- melodies do not overpower the tune and the words otherwise the story is lost. Try to bring out the melody in the chorus. In fact you might like to try having all the voices on the melody for the first chorus to establish it. Also works with mixed voices by adding men to the alto part for the verses and the melody line for the chorus. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase. Easy level Duration: 2'30.

By Patch William. Folk. Piano/Vocal/Guitar. 9 pages. Published by Hal Leonard - Digital Sheet Music

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.996006 Composed by Dave Flippo. Jazz,World. Score and Parts. 5 pages. David William Flippo #4786471. Published by David William Flippo (A0.996006). An Indo-Jazz Composition with a floating drone. Originally recorded with lots of electronic patches, but also great with acoustic instruments. Includes C and Bb lead sheets. See the comprehensive list of Dave Flippo compositions at www.flippomusic.com/sheetmusic - organized by style and groove.

Handbell - Level 3 - Digital Download SKU: A0.953729 Composed by Elisha Albright Hoffman, Leila Taylor Morris, Virginia Harmony, and William A. Ogden and Daniel B. Towner. Arranged by G. R. Adkison. Christian,Sacred. Score. 7 pages. Gary Ray Adkison #14567. Published by Gary Ray Adkison (A0.953729). Jesus: Savior is a 110 measure, 4-5 octave bell choir arrangement, which also uses 3 octaves of OPTIONAL handchimes, although bells can be substituted for the chimes. It is a medley of the Christian hymns: Are You Washed in the Blood, Let Jesus Come into Your Heart, Amazing Grace! How Sweet the Sound, He is Able to Deliver Thee and At Calvary. The obvious theme is Jesus as Savior, as portrayed in these hymns. There are numerous bass runs, descant lines, and, in the upper bells, doubled melodic lines. The melody is in the bass clef, in the chorus of Let Jesus Come into Your Heart. The harmonies used are often more exotic than those in the original hymn compositions. The shake technique is occasionally used. There is an extra tag ending in the last 2 measures. The MP3 audio file provided is in a piano patch/voice, but suffices to demonstrate how the arrangement is generally meant to sound. This is probably a 3- (3 minus) difficulty rating.

Handbell - Level 2 - Digital Download SKU: A0.953727 Composed by William B. Bradbury and John B. Dykes. Arranged by G. R. Adkison. Christian,Sacred. Score. 5 pages. Gary Ray Adkison #14257. Published by Gary Ray Adkison (A0.953727). Holy God Medley is a medley of the Christian hymns: He Leadeth Me, O Blessed Thought and Holy, Holy, Holy arranged for 4-5 octave handbell choirs. It starts with a two measure introduction, followed by He Leadeth Me, O Blessed Thought. This is fairly up-tempo, with a surprise modulation going into the chorus. In the chorus, there are bass runs, a brief descant line, and doubling of the melody into the high bells. There are then two verses of Holy, Holy, Holy. The first verse is slow and is in ¾ time, instead of the normal common meter. It is also soft and *very* plain, as a setup for the last verse, which is faster, and grows in volume to the end, with much fuller chords, and uses the normal common meter that the original hymn uses. There is another surprise modulation halfway through this verse. Very full chords are used, with a brief bass clef downward arpeggio in the next to last measure, to emphasize the ending. The first verse of Holy, Holy, Holy can be performed with handchimes, if desired, although the arrangement is not scored as such. The audio demonstration clip provided is in a piano voice (patch) but suffices to demonstrate how this arrangement is generally meant to sound. I believe that this is probably a 2+ (2 plus) arrangement in degree of difficulty.

Handbell - Level 2 - Digital Download SKU: A0.953733 Composed by Frank M. Davis, Henry Smart, John Hughes, Robert Lowry, William B. Bradbury, and and George A. Young. Arranged by G. R. Adkison. Christian,Sacred. Score. 10 pages. Gary Ray Adkison #14705. Published by Gary Ray Adkison (A0.953733). God: Our Leader Medley is a 120 measure arrangement for 4-5 octave handbell choir and 3 octaves of OPTIONAL associated handchimes, although the handchime parts can also be played by handbells. The overall theme is the leadership of God in the life of the Christian. This is a medley of 7 Christian hymns. The first 4 are requests---requests to God to lead us. The last 3 are descriptions of God leading us (responses by God). The 1st request is presented by the handchimes playing Savior Lead Me. This is a simple, easy to play section in the key of D. Still in D, the 2nd request is Lead on, O King Eternal. After a false modulation, the 3rd request is Savior, Like a Shepherd Lead Us. This features a few bass runs. After a modulation to the key of G, the 4th request starts with Guide Me, O Thou Great Jehova. Also featuring some bass runs, it also makes use of descant lines. The 1st response, also in G, is All the Way My Savior Leads Me. This section is not in the original 3/4 time, but in 4/4 time, although near the end it reverts to the normal 3/4. It makes heavy use of fills and a brief descant line. The 2nd response is a 6/4 version of God Leads Us Along in the key of C. Again, there is a brief descant line. The last response is He Leadeth Me, also in C, that features two descant passages, and bass runs in the last two lines. After the first section of the overall arrangement, the chords used are often significantly more interesting than the chords normally used with these 7 hymns. This arrangement uses various dynamic and tempo markings, in order to achieve musical contrast, and still be true to the character of the original hymns. (The MP3 audio demonstration file provided is in a piano patch (voice), although the actual arrangement is for (and, of course, will sound better with a) handbell choir.) This arrangement is probably a level 2+ (2 plus) degree of difficulty.

Percussion Ensemble - Level 4 - Digital Download SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score and parts. 72 pages. Jilly Paige Cooke #5797561. Published by Jilly Paige Cooke (A0.984036). Paul Williams's beloved tune from the Jim Henson Company's timeless Christmas special Emmet Otter's Jug-Band Christmas is now available as an arrangement for percussion ensemble!Originally performed in December 2019 by the University of Iowa School of Music's percussion studio, under the direction of Dr. Dan Moore, this lively, jazzy arrangement was lovingly crafted by Iowa Percussion's own Jilly Cooke, a music education major who was a junior at the time of this arrangement's premiere. As a lifelong fan of the Muppets (and a promising aspiring puppeteer herself), Cooke cleverly weaves in numerous references to various tunes and styles that have influenced her musical preferences and career (with notes in the score to bring out these musical quotes). Beginning with a faithful adaptation of the original gospel-waltz ballad feel from the TV special, the arrangement swiftly transitions into a toe-tapping, New Orleans-style second-line groove with a solo section and a witty trade-off section in the middle.Instrumentation of 8 players includes: Vibraphone 1 (preferably includes E3), Vibraphone 2, Marimba 1/Accordion (optional use of amplified Melodica), Marimba 2 (preferably includes F2), Bass Marimba (premiere performance used Bass MalletKAT, optional use of Bass Guitar and/or Keyboard Patch), Piano, Drum Set, and Auxiliary Percussion (includes Mark Tree, Suspended Cymbal, Triangle, and important gospel-style Tambourine).