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Alto Voice,Guitar - Level 4 - Digital Download

SKU: A0.1402629

By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629).

This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)

The words are as follows

Mais moi, Narcisse aimé, je ne suis curieux
Que de ma seule essence ;
Tout autre n’a pour moi qu’un cœur mystérieux,
Tout autre n’est qu’absence.

Ô mon bien souverain, cher corps, je n’ai que toi !
Le plus beau des mortels ne peut chérir que soi...
  Douce et dorée, est-il une idole plus sainte,
De toute une forĂŞt qui se consume, ceinte,
Et sise dans l’azur vivant par tant d’oiseaux ?
Est-il don plus divin de la faveur des eaux,
Et d’un jour qui se meurt plus adorable usage
Que de rendre à mes yeux l’honneur de mon visage ?

Quitte enfin le silence, ose enfin me répondre,
Bel et cruel Narcisse, inaccessible enfant,
Tout orné de mes biens que la nymphe défend...

Formons, toi sur ma lèvre, et moi, dans mon silence,
Une prière aux dieux qu’émus de tant d’amour
Sur sa pente de pourpre ils arrĂŞtent le jour !...

Dieux ! de l’auguste jour, le pâle et tendre reste
Va des jours consumés joindre le sort funeste ;
Il s’abîme aux enfers du profond souvenir !
Hélas ! corps misérable, il est temps de s’unir...
Penche-toi... Baise-toi. Tremble de tout ton ĂŞtre !
L’insaisissable amour que tu me vins promettre
Passe, et dans un frisson, brise Narcisse, et fuit..


English translation by D W Solomons

But I, beloved Narcissus, am curious only
about my very being
everything else has nothing more than a heart of mystery
everything else is nothing but absence
Only what I own, my dear sovereign body, is what I have
The most beautiful of mortals cannot cherish anything more than itself
Sweet and golden, is there a more holy idol
within an entire forest, self-consumed and held
and set in the living azure by so many birds?
Is there a more divine gift than the favour of the waters
and a more adorable use of the dying day
than to return to me the honour of my face?

Please don't be silent, please dare to reply
Beautiful and cruel Narcissus, unreachable child 
owning what I hold dear but guarded by the nymph

Let the two of us, you on my lips and I in my silence
make a prayer to the gods that they should be moved by so much love
that they would keep the day held in its purple sunset

Gods! only the pale and tender parts remain of the august day,
It joins the fate of other days that were consumed
It goes down into the hell of deep memory
Alas, miserable body, it is time to become as one
Bend down - kiss yourself - tremble with all your being
The intangible love that you promised
has gone by, and in a shiver, shatters Narcissus and flees.

Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
David Warin Solomons
$5.50 5.28 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1402627

By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. 10 pages. David Warin Solomons #985851. Published by David Warin Solomons (A0.1402627).

This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)

The words are as follows

Mais moi, Narcisse aimé, je ne suis curieux
Que de ma seule essence ;
Tout autre n’a pour moi qu’un cœur mystérieux,
Tout autre n’est qu’absence.

Ô mon bien souverain, cher corps, je n’ai que toi !
Le plus beau des mortels ne peut chérir que soi...
  Douce et dorée, est-il une idole plus sainte,
De toute une forĂŞt qui se consume, ceinte,
Et sise dans l’azur vivant par tant d’oiseaux ?
Est-il don plus divin de la faveur des eaux,
Et d’un jour qui se meurt plus adorable usage
Que de rendre à mes yeux l’honneur de mon visage ?

Quitte enfin le silence, ose enfin me répondre,
Bel et cruel Narcisse, inaccessible enfant,
Tout orné de mes biens que la nymphe défend...

Formons, toi sur ma lèvre, et moi, dans mon silence,
Une prière aux dieux qu’émus de tant d’amour
Sur sa pente de pourpre ils arrĂŞtent le jour !...

Dieux ! de l’auguste jour, le pâle et tendre reste
Va des jours consumés joindre le sort funeste ;
Il s’abîme aux enfers du profond souvenir !
Hélas ! corps misérable, il est temps de s’unir...
Penche-toi... Baise-toi. Tremble de tout ton ĂŞtre !
L’insaisissable amour que tu me vins promettre
Passe, et dans un frisson, brise Narcisse, et fuit..


English translation by D W Solomons

But I, beloved Narcissus, am curious only
about my very being
everything else has nothing more than a heart of mystery
everything else is nothing but absence
Only what I own, my dear sovereign body, is what I have
The most beautiful of mortals cannot cherish anything more than itself
Sweet and golden, is there a more holy idol
within an entire forest, self-consumed and held
and set in the living azure by so many birds?
Is there a more divine gift than the favour of the waters
and a more adorable use of the dying day
than to return to me the honour of my face?

Please don't be silent, please dare to reply
Beautiful and cruel Narcissus, unreachable child 
owning what I hold dear but guarded by the nymph

Let the two of us, you on my lips and I in my silence
make a prayer to the gods that they should be moved by so much love
that they would keep the day held in its purple sunset

Gods! only the pale and tender parts remain of the august day,
It joins the fate of other days that were consumed
It goes down into the hell of deep memory
Alas, miserable body, it is time to become as one
Bend down - kiss yourself - tremble with all your being
The intangible love that you promised
has gone by, and in a shiver, shatters Narcissus and flees.

Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
Piano, Voix et Guitare
David Warin Solomons
$11.00 10.56 € Piano, Voix et Guitare PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download

SKU: A0.532891

Composed by Paul Wehage. Christmas,Contemporary,Instructional,Standards. Score and parts. 74 pages. Musik Fabrik Music Publishing #416509. Published by Musik Fabrik Music Publishing (A0.532891).

Starting from James Pierpont’s classic holiday song, this piece is a irreverental set of five variations which present the well-known in several unusual contexts: an exotic dance in a South American style, a Yiddish Waltz, a burlesque number which features a quartet of soloists. After a much more tame “Chorale-Prélude”, the fughetta on the verse (“Dashing Through the Snow”) leads to a finial exposition of the theme in a Toccata style. Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Trumpet I, II and III F Horn I, II, III, and IV Trombone I, II and III Baritone I and II Tuba Timpani Percussion 1: snare drum, hit hat cymbal, suspended cymbal, triangle Percussion II: two temple blocks, Bass drum, crash cymbals, three toms, triangle Percussion III: chimes, xylophone This contains the complete brass and percussion parts. The score and the woodwind parts are available seperately. The individual parts are also available seperately..

Paul Wehage : Concert Fantasy on Jingle Bells: theme and five variations on the carol by Pierpont f
Orchestre d'harmonie

$39.95 38.37 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.532973

Composed by Paul Wehage. Christmas,Contemporary,Instructional. Score and parts. 66 pages. Musik Fabrik Music Publishing #428011. Published by Musik Fabrik Music Publishing (A0.532973).

This Christmas Pastorale is a setting of two Provençal carols: “Venez, Bergers” and “Un Flambeau, Jeanette, Isabelle”, both of which date from around the 16th century. The two themes are first presented seperately and then combined to form a unique texture. The three percussion insturments may be placed in different positions in order to underline the conterpoint between the three parts. This item is the complete set of woodwind parts (pic22EH2 Eb3AclBscl Asx1-2 Tsx Bsx). The full score and the complete brass and percussion parts are available as two seperate items. The individual parts are also available as single items. Instrumentation : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Cornet I, II and III F Horn I - IV Trombone I, II and III Baritone I and II Tuba Timpani Percussion 1: snare drum Percussion II: triangle, tambour de Provence (or large tom) Percussion III: tambour de Basque (tambourine).

Paul Wehage: Christmas Pastorale on Old French Carols for concert band, complete woodwind parts
Orchestre d'harmonie

$39.95 38.37 € Orchestre d'harmonie PDF SheetMusicPlus

Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download

SKU: MQ.80-416-180E

Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 4 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-180E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-180E).

English. Psalms 19, 34.

From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010.  Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.

June 29: Saints Peter and Paul, Apostles, Vigil and Day (Downloadable)
Chorale SATB

$2.50 2.4 € Chorale SATB PDF SheetMusicPlus

English Horn,Piano - Level 4 - Digital Download

SKU: A0.862414

Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468894. Published by Musik Fabrik Music Publishing (A0.862414).

Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Deux Pièces : Invocation et Air Slave
Cor anglais, Piano

$20.00 19.21 € Cor anglais, Piano PDF SheetMusicPlus

English Horn,Piano - Level 4 - Digital Download

SKU: A0.1493039

Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039).

Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adčle du Temple de Mésičres, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des śuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386).  At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Trois pièces : Andante, Sérénade et Chant Serbe
Cor anglais, Piano

$18.95 18.2 € Cor anglais, Piano PDF SheetMusicPlus


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