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Full Orchestra - Level 4 - Digital Download SKU: A0.1454722 Composed by Al Stillman and Elmer Bernstein. Arranged by John Langley / Studio Orchestrations. Film/TV,Historic,March,Patriotic,Thriller. 106 pages. Www.studio-orchestrations.com #1033795. Published by www.studio-orchestrations.com (A0.1454722). The Great Escape (1963) is one of the great American epic war adventure films starring some of the greatest actors of the age like Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, Donald Pleasence, James Coburn, David McCallum, Gordon Jackson, among many others.  The soundtrack was composed by Elmer Bernstein who had enjoyed great acclaim for his music for the 1960 epic The Magnificent 7 (also starrring Steve McQueen).  The Great Escape March theme is regarded as one of the best loved war film themes harnessing both a British and an American patriotic flavour in its themes.  Its bitter sweet jauntiness successfully catches the mood of the film, the optimism and indominatable spirit of the prisoners always hell bent on trying to escape, and the German march theme also makes a brief appearance to reflect all the voices in the narrative of the story.  Other film composers have used a similar approach using a jaunty march theme like Bernstein does - notably The bridge over the river Kwai and A bridge too far - while other composers have tried (arguably) less successfully to encapsulate appropriate pathos alongside that optimism in the 'optimistic' themes.This arrangement is a great bite sized orchestral excerpt appropriate for any concert of film music, or military war/historic themes. INSTRUMENTATION:FlutePiccolo2 Oboes2 Clarinets2 Bassoons4 Horns4 Trumpets3 TrombonesTubaTimpani3 Percussion [Bass Drum/Cymbals/2 Side Drums]StringsFeel free to browse other similar titles on this website written by John langley and Paul Campbell at www.studio-orchestrations.com
The Great Escape March
Orchestre

$100.00 86.55 € Orchestre PDF SheetMusicPlus

Handbell,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1194957 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Blues,Historic,Instructional,Jazz,Standards. Score and individual part. 9 pages. Allen/Myer Musicals #794155. Published by Allen/Myer Musicals (A0.1194957). This sultry song from Orchestra Wives is best known through the lyrical smoothness of the voice of Etta James. The arrangement before you, using nearly the maximum number of handchimes in the upper register, should be performed with great freedom, befitting the words. This arrangement may also accompany a singer. Challenging the bass ringers to provide smoothness, these tones may be best rendered using the RiverBells Wedges (construction of which is available at riverbells.org. The price below allows you purchase of one (1) copy of the full score.
At Last
Cloches
Celine Dion
$4.99 4.32 € Cloches PDF SheetMusicPlus

Flute Solo - Level 2 - Digital Download SKU: A0.1194979 By Celine Dion. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Blues,Historic,Instructional,Jazz,Standards. Individual part. 3 pages. Allen/Myer Musicals #794159. Published by Allen/Myer Musicals (A0.1194979). This sultry song from Orchestra Wives is best known through the lyrical smoothness of the voice of Etta James. The arrangement before you, using nearly the maximum number of handchimes in the upper register, should be performed with great freedom, befitting the words. This arrangement may also accompany a singer. Challenging the bass ringers to provide smoothness, these tones may be best rendered using the RiverBells Wedges (construction of which is available at riverbells.org. The price below allows you purchase of one (1) copy of the flute part.
At Last
Flûte traversière
Celine Dion
$4.99 4.32 € Flûte traversière PDF SheetMusicPlus

Handbell,Instrumental Solo - Level 4 - Digital Download SKU: A0.1093359 By Etta James. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Blues,Jazz. Individual part. 7 pages. Allen/Myer Musicals #697435. Published by Allen/Myer Musicals (A0.1093359). This sultry song from Orchestra Wives is best known through the lyrical smoothness of the voice of Etta James. The arrangement before you, using nearly the maximum number of handchimes in the upper register, should be performed with great freedom, befitting the words. This arrangement may also accompany a singer. Challenging the bass ringers to provide smoothness, these tones may be best rendered using the RiverBells Wedges (construction of which is available at riverbells.org. The price below allows you purchase of 10 copies.
At Last
Cloches
Etta James
$49.99 43.27 € Cloches PDF SheetMusicPlus

Instrumental Solo - Level 4 - Digital Download SKU: A0.1200054 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional,Jazz,Standards. Individual part. 28 pages. Allen/Myer Musicals #798864. Published by Allen/Myer Musicals (A0.1200054). This marvelous 1941 song was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun ValleySerenade.  It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.  The song was an extended production number, and became the No. 1 song across the United States on December 7, 1941, and remained at No. 1 for nine weeks on the Billboard Best Sellers chart.  It opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody.  This is followed by the vocal introduction of four lines before the main part of the song is heard.  The main song opens with a dialog between a passenger and a shoeshine boy.  The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.  This is a very intriguing adaptation, with or without voice.  The price indicated allows you to purchase ten (10) copies of the handbell version.
Chattanooga Choo Choo
Floyd Cramer
$49.99 43.27 € PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 8.65 € Orchestre à Cordes PDF SheetMusicPlus


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