Piccolo, 2 Flöten, 2 Oboen, Englischhorn, 2 Klarinetten in B, Bassklarinette, 2 Fagotte, Kontrafagott, 4 Hörner, 2 Trompeten, 3 Posaunen, Tuba, Schlagwerk, Streicher orchestra - Digital Download SKU: S9.Q24164 Of Themes by Carl Maria von Weber for Orchestra (1943). Composed by Paul Hindemith. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q24164. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q24164). German • English.Paul Hindemith komponierte Symphonic Metamorphosis während seines amerikanischen Exils (1940–1953). Das Werk verrät durch seine kraftvolle und nach außen gekehrte Faktur die Identifizierung des Komponisten mit den Idealen seiner neuen Heimat. Hindemith verwendet Themen von Carl Maria von Weber, die er bis zur Unkenntlichkeit weiterentwickelt und verändert. Mit über 1.200 Titeln aus Orchester- und Chorliteratur, Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen großen Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Violoncellos and other Bass Instruments (Bassoon, Bass Clarinet in Bb, Tenor Saxophone in Bb. Tenor Horn in Bb, Trombone) - Digital Download SKU: S9.Q19883 (In Praise of Music). Composed by Paul Hindemith. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q19883. Published by Schott Music - Digital (S9.Q19883). We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Music stands for this dialogue to make contemporary music for amateurs accessible not only in theory but also in practice. Dame Music was composed during his stay in the USA after he had been asked for an American edition of his composition Frau Musica. Musik zum Singen und Spielen auf Instrumenten nach einem Text von Luther, Op. 45 No. 1 from 1928. In 1942 he wrote the successful American version Dame Music for which Hindemith also revised some instrumental parts. The vocal setting was adopted without any changes and its text translated into English. With great success: Within just a few years, Dame Music had been included in the repertoire of amateur musicians in the United States.

Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - Digital Download SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestra�, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.

Gr Fl, Ob, Klar (B), Bass-Klar (B), Fag - Hr (F), Tr (C), Pos - Solo-Kl - Vl, Vla, Vc, Kb flute, oboe, clarinet, bass clarinet in Bb, bassoon, horn, trumpet in C, trombone, piano, violin, viola, cello and double bass - Digital Download SKU: S9.Q21213 Composed by Paul Hindemith. Arranged by Giselher Schubert. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 36/1. Ernst Eulenburg & Co. GmbH - Digital #Q21213. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21213). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of 'Chamber Music No. 1', the audience even demanded a repetition of the third and fourth movements. But the title of the series of works consisting of seven compositions altogether is misleading: the individual pieces actually have concertante soloistic features. No. 2, on the other hand, resembles a piano concerto. The scores are based on Vol. VI/1 (PHA 401) of the Hindemith Complete Edition, edited by Giselher Schubert.

Solo-Orgel, kl. Flöte, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), 2 Fagotte, Horn (in F), Trompete (in C, Posaune, Violoncelli, Kontrabässe organ and chamber orchestra - Digital Download SKU: S9.Q21371 For organ and chamber orchestra. Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 46/2. Ernst Eulenburg & Co. GmbH - Digital #Q21371. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21371). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. But the title is misleading: The individual pieces actually have concertante soloistic features instead of submitting to chamber music traditions. Chamber Music No. 7 is centred on the organ. Written for the broadcaster Frankfurter Sender, the work took then virulent music recording and broadcasting problems on the radio into account in its instrumentation for chamber music and the elaboration of the musical setting. The scores are based on Vol. IV/3 (PHA 403) of the Hindemith Complete Edition, edited by Giselher Schubert.

Digital Download SKU: S9.Q780183 Exercises in Three-Part Writing. Book. Op. 3. Schott Music - Digital #Q780183. Published by Schott Music - Digital (S9.Q780183). English.Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician. Parts 1 and 2 of Unterweisung im Tonsatz were already translated into English during Hindemith's lifetime, when he was in exile in America during the Nazi era. The long-awaited translation of Part 3 with exercises for three-part composition completes the English edition The Craft of Musical Composition.Parts 1 and 2 of the Unterweisung im Tonsatz were already translated into English during Hindemith's lifetime, when he was in exile in America. The translation of part 3 with exercises for three-part composition completes the English edition of The Craft of Musical Composition.

Solo-Viola d'amore, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), Fagott, Horn (in F), 2 Trompeten (in C, zweite Trompete ad libitum), Posaune, 3 Violoncelli, 2 Kontrabässe viola d'amore and chamber orchestra - Digital Download SKU: S9.Q21080 For viola d'amore and chamber orchestra. Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 46/1. Ernst Eulenburg & Co. GmbH - Digital #Q21080. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21080). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of Chamber Music No. 1, the audience even demanded a repetition of the third and fourth movements. But the title is misleading: The individual pieces rather bear concertante and soloistic markings than bow to chamber music traditions. Chamber Music No. 6 focuses on the viola d'amore which, despite its virtuoso handling, is challenged by a few individual instruments separated from the orchestral setting. The scores are based on Volume IV/3 (PHA 403) of the Hindemith Complete Edition edited by Giselher Schubert.

Solo-viola, gr. flute, oboe, 2 clarinets (in Eb and B), bassclarinet (in Bb), 2 bassoons, contrabassoon, horn (in F), 2 trumpets (in C), 2 trombones, basstuba, 4 cellos, 4 double basses - Digital Download SKU: S9.Q21079 Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 36/4. Ernst Eulenburg & Co. GmbH - Digital #Q21079. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21079). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of 'Chamber Music No. 1', the audience even demanded a repetition of the third and fourth movements. But the title of the series of works consisting of seven compositions altogether is misleading: The individual pieces rather have concertante soloistic features. No. 1 is characterised by 'instruments', like a can filled with sand and a siren, as well as the rich use of percussion. The scores are based on Vol. IV/2 (PHA 402) of the Hindemith Complete Edition, edited by Giselher Schubert.

Edited from the Edition Paul Hindemith. Sämtliche Werke by Luitgard Schader. Composed by Paul Hindemith (1895-1963). This edition: Sheet music. Copyright 1990 Schott Music GmbH & Co. KG, Mainz. Downloadable. Duration 12 minutes. Schott Music - Digital #Q3048. Published by Schott Music - Digital

2 (2. auch Picc.) · 2 · Es-Klar. · 1 · Bassklar. · 2 · Kfg. - 3 · 2 · 2 · 1 - P. S. (Trgl. · Tamb. · kl. Tr. · Holztr. · mittelgr. Tr. · gr. Tr. m. Beck. · Holzklatsche) (5 Spieler) - Str. (nicht unter 8 1. Vl.) orchestra - Digital Download SKU: S9.Q24868 Composed by Paul Hindemith. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Der Notentext dieser Ausgabe fußt auf der Paul Hindemith-Gesamtausgabe. Downloadable, Study score. Op. 38. Duration 12 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q24868. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q24868). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Edited from the text Edition Paul Hindemith. Sämtliche Werke. Composed by Paul Hindemith (1895-1963). This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q41650. Published by Schott Music - Digital

Mixed choir (SABar) - intermediate - Digital Download SKU: S9.Q6911 Composed by Paul Hindemith. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q6911. Published by Schott Music - Digital (S9.Q6911). German.Singing, especially singing in small groups, is a valuable and even the most natural musical activity - that is what Paul Hindemith (1895-1963) firmly believed: 'Everybody has got a voice ... A choir is the least demanding and at the same time best educational tool.' And that is why singing had always been part of his teaching activities, be it while trying and practising musical-theoretical tasks, be it while rehearsing old and modern choral settings. No wonder that the composer had dealt with choral music all his life, addressing himself to all different kinds of vocal ensembles: to mixed choirs, male-voice and children's choirs, professional choirs and trained singers. He developed his a-cappella style during his training with Arnold Mendelssohn and Bernhard Sekles at the Hoch Conservatoire in Frankfurt. As a consequence, the sketch books from his student days also contain three-part vocal settings on cantus firmi. The sacred choral works presented here (1. Christus, der ist mein Leben, 2. Erhalt uns, Herr, bei deinem Wort, 3. Nun komm, der Heiden Heiland, 4. Gott des Himmels) are not only interesting as compositional studies, but also as sonorous and catchy choral music which can be easily performed by any good church choir.

For violoncello and piano by Paul Hindemith. First version 1919. Composed by Fazil Say and Paul Hindemith (1895- 1963). This edition: score and part. Downloadable, Score and part. Op. 11. Duration 22 minutes. Schott Music - Digital #Q21530. Published by Schott Music - Digital

Viola and piano - difficult - Digital Download Edited after: Paul Hindemith, Complete Works, Vol. V/7. Composed by Paul Hindemith (1895-1963). Edited by Dorothea Baumann. This edition: Sheet music. Zeitgenossiche Musik, Bratsche, Piano. Copyright 1940 Schott Music GmbH & Co. KG, Mainz, Copyright renewed 1968/2009. Downloadable. Duration 23 minutes. Schott Music - Digital #Q1950. Published by Schott Music - Digital

Mixed choir (SSAAATTBBB) a cappella - advanced - Digital Download SKU: S9.Q20898 Composed by Paul Hindemith. Arranged by Clytus Gottwald. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q20898. Published by Schott Music - Digital (S9.Q20898). German.Lately, the 'choir pope' Clytus Gottwald has increasingly arranged late Romantic repertoire pieces for a cappella choir. He said: 'The idea to make music from around the turn of the 19th to the 20th century accessible to choirs in transcriptions emerged from the understanding that choral a cappella music had been underdeveloped at that time.' In order to realise this idea, Gottwald focussed on pieces from Wagner, Mahler via Ravel, Debussy to Messiaen and Holliger. This arrangement is based on an original piano song by Paul Hindemith on a poem by Else Lasker-Schüler, and its soft and expressive sound makes it particularly suitable for a choral setting.