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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.722255 Composed by Jessel, Leon. Arranged by Anne L Christopherson GRSM ARCM. Graduation,Holiday,Patriotic,Wedding. Score and parts. 15 pages. Music-Scores.com #6131185. Published by Music-Scores.com (A0.722255). The Parade of the Wooden Soldiers, originally The Parade of the Tin Soldiers. Jessel was famous for his operettas until his music was banned by the Nazis, but this is one of his few pieces that lives on today. Used in the Betty Boop cartoon, and for Children's Hour on the BBC, this is beloved by marching bands and orchestras alike. For String Quartet.Duration: about 2 mins 30 seconds:Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
Parade of the Wooden Soldiers - String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$6.95 5.92 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1447115 Composed by Maurice Ravel. Arranged by Ralph Sauer. 20th Century. Score and part. 12 pages. Gordon Cherry #1026895. Published by Gordon Cherry (A0.1447115). L'enfant et les Sortilèges by Maurice Ravel is a one act opera first performed in 1925. This magical work took the composer over 8 years to write and seemed to be inspired by Gershwin and American operettas of the time. He described the style of the work as melody, bel canto, vocalises and vocal virtuosity. This is perfect for the soloist of this arrangement.Ralph Sauer has arranged Two Scenes from L'enfant et les Sortilèges for Trombone and Piano. This arrangement of about 8 minutes in length is appropriate for advanced performers and includes the famous passage that is often presented at auditions.
Two Scenes from L’Enfant et les Sortileges for Trombone and Piano
Trombone et Piano

$27.50 23.44 € Trombone et Piano PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1310928 Composed by Chiquinha Gonzaga. Arranged by César Madeira. Children,Classical,Latin,Ragtime,Romantic Period. Score and part. 9 pages. Sheet Music To Play Editions #899901. Published by Sheet Music To Play Editions (A0.1310928). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and Jurití, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Gaúcho (Corta-Jaca) - Soprano Sax and Piano (Full Score and Parts)
Saxophone Soprano et Piano

$6.99 5.96 € Saxophone Soprano et Piano PDF SheetMusicPlus

Viola Solo - Level 2 - Digital Download SKU: A0.1310157 Composed by Chiquinha Gonzaga. Arranged by César Madeira. 19th Century,Children,Contest,Festival,Latin,Multicultural,World. Individual part. 2 pages. Sheet Music To Play Editions #899292. Published by Sheet Music To Play Editions (A0.1310157). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. With Individual Viola Part with Chords. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and Jurití, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Gaúcho (Corta-Jaca) - Viola Solo - W/Chords
Alto (partie séparée)

$4.99 4.25 € Alto (partie séparée) PDF SheetMusicPlus

Chorus - Digital Download SKU: AX.00-PO-0002857 H.M.S. Pinafore: A Choral Salute - SATB. Composed by Sir Arthur Seymour Sullivan and W.S. Gilbert. Arranged by Philip Kern. Secular Choral. 25 pages. Alfred Music - Digital Sheet Music #00-PO-0002857. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002857). UPC: 038081142968.A rousing choral medley from one of Gilbert & Sullivan's most famous operettas that's perfect for today's choirs. Includes three mixed choir numbers and one each for the women (Never Mind the Why and Wherefore) and men (We Sail the Ocean Blue). Piano accompaniment has been especially adapted from the original score and remains true to the orchestral accompaniment.Movement and Staging; Recorded Acc. Available.
H.M.S. Pinafore: A Choral Salute
Chorale SATB

$4.25 3.62 € Chorale SATB PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Clarinet & Piano
Clarinette et Piano

$26.95 22.97 € Clarinette et Piano PDF SheetMusicPlus

Oboe Solo - Level 2 - Digital Download SKU: A0.1310152 Composed by Chiquinha Gonzaga. Arranged by César Madeira. 19th Century,Classical,Latin,Multicultural,Romantic Period,World. Individual part. 2 pages. Sheet Music To Play Editions #899287. Published by Sheet Music To Play Editions (A0.1310152). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. With Individual Oboe Part with Chords. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and Jurití, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Gaúcho (Corta-Jaca) - Oboe Solo - W/Chords
Hautbois (partie séparée)

$4.99 4.25 € Hautbois (partie séparée) PDF SheetMusicPlus

Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1310139 Composed by Chiquinha Gonzaga. Arranged by César Madeira. 19th Century,Children,Latin,Ragtime,Romantic Period. Score and part. 9 pages. Sheet Music To Play Editions #899277. Published by Sheet Music To Play Editions (A0.1310139). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. Arrangement for Flute and Piano. Full Score and Individual Parts with Chords. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and Jurití, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Gaúcho (Corta-Jaca) - Flute and Piano - W/Chords (Full Score and Parts)
Flûte traversière et Piano

$8.99 7.66 € Flûte traversière et Piano PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1310805 Composed by Chiquinha Gonzaga. Arranged by César Madeira. 19th Century,Children,Latin,Multicultural,Romantic Period,World. Score and part. 9 pages. Sheet Music To Play Editions #899778. Published by Sheet Music To Play Editions (A0.1310805). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and Jurití, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Gaúcho (Corta-Jaca) - Alto Sax and Piano (Full Score and Parts)
Saxophone Alto et Piano

$6.99 5.96 € Saxophone Alto et Piano PDF SheetMusicPlus

Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497155. Published by jmsgu3 (A0.549449). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Oboe d'Amore & Piano

$26.95 22.97 € PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.1446731 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Historic,Instructional,Multicultural,Romantic Period,World. 13 pages. Keith Terrett #1026497. Published by Keith Terrett (A0.1446731). Liebesleid for Solo Violin and Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
Liebesleid for Solo Violin and Pianoforte
Violon et Piano
Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962)
$8.99 7.66 € Violon et Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano

$26.95 22.97 € Saxophone Baryton, Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1397174 Composed by Jacques Offenbach. Arranged by César Madeira. 19th Century,Children,Classical,Opera,Romantic Period. Score and part. 5 pages. Sheet Music To Play Editions #980489. Published by Sheet Music To Play Editions (A0.1397174). Can-Can by Jacques Offenbach. Arrangement for Violoncello and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Jacques Offenbach (1819 – 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Offenbach - Can-Can - Cello and Piano (Full Score)
Violoncelle, Piano

$5.99 5.1 € Violoncelle, Piano PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1310055 Composed by Chiquinha Gonzaga. Arranged by César Madeira. 19th Century,Children,Contemporary,Latin,Romantic Period. Score. 3 pages. Sheet Music To Play Editions #899188. Published by Sheet Music To Play Editions (A0.1310055). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. Transcription for Piano Solo. With Full Score. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and Jurití, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Gaúcho (Corta-Jaca) - Piano Solo
Piano seul

$5.99 5.1 € Piano seul PDF SheetMusicPlus

English Horn,Piano - Level 3 - Digital Download SKU: A0.1397425 Composed by Jacques Offenbach. Arranged by César Madeira. 19th Century,Children,Classical,Film/TV,Romantic Period. Score and part. 13 pages. Sheet Music To Play Editions #980751. Published by Sheet Music To Play Editions (A0.1397425). Can-Can by Jacques Offenbach. Arrangement for English Horn and Piano. With Full Score and Individual Parts. Enjoy it!Jacques Offenbach (1819 – 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Offenbach - Can-Can - English Horn and Piano (Full Score and Parts)
Cor anglais, Piano

$8.99 7.66 € Cor anglais, Piano PDF SheetMusicPlus






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