Easy Piano - Level 2 - Digital Download SKU: A0.1229549 By Bill Evans. By Bill Evans and Gene Lees. Arranged by Janet and Alan Bullard (The Janet and Alan Bullard Piano Series). 20th Century,Jazz,Standards. Score. 4 pages. Colne Edition / BullardMusic #825356. Published by Colne Edition / BullardMusic (A0.1229549). The Janet and Alan Bullard Piano Series contains a range of arrangements for easy piano, old and new.  Bill Evans (1929-80) was one of the most influential and imaginative jazz pianists, whose musical style owed as much to the classical tradition as to his jazz predecessors. Waltz for Debby (Debby being Evans' niece) is one of his most familiar pieces - its blend of clasical precision with jazz harmonies has made it a popular standard, performed by a wide range of musicians in many styles. Janet Bullard has a busy and thriving piano teaching practice and many years’ experience of teaching adults and children. Alan Bullard is a pianist, composer and arranger whose music is performed widely. Together they are the authors of the successful Pianoworks series of tutor and repertoire books for beginner pianists, published by OUP. www.bullardmusic.co.uk    BU015.

Piano Solo, Collection / Songbook - Advanced Intermediate - Digital Download Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Neo-Classical, Christmas, Children's Music, Recital, New Age. 50 pages. Published by Mainya Music Publishing (BMI)

Piano Solo - Level 4 - Digital Download SKU: A0.1135354 By Giveon. By Brandon Campbell, Britten Newbill, Giveon Evans, and Simon Gebrelul. Arranged by Steve Burks. Contemporary,Hip-Hop,Pop,R & B. Score. 6 pages. Steven L. Burks #735397. Published by Steven L. Burks (A0.1135354). This solo piano arrangement of the gorgeous ballad, At Least We Tried, performed by Giveon, is ideal for upper-intermediate and advanced players who like R&B music, and who are looking to augment their classical, jazz, and Broadway repertoire. The arrangement emulates the recording closely, which aids listeners in recognizability. It follows the form of the recording. Rehearsal numbers correspond with song sections. The performance time is approximately 3:39. There is a passage that recurs in measures 43-45, 88-90, and 125-131, which will require hand shifting and crossing; predetermined fingering and hand assignment are recommended. Also make note of the periodic clef changes on the upper stave. It is advised that players listen to the recording of the song while reading the score in order to get an overall feel for how it translates. I am a member of ASCAP. You can contact me at steve@steveburksmusic.com. Thanks.