Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1035089

Composed by Cole Porter. Arranged by Dave Gingras, John E. Dosher. Broadway,Jazz. Score. 4 pages. DAVID LEE GINGRAS #5286979. Published by DAVID LEE GINGRAS (A0.1035089).

I've Got You Under My Skin is a song written by Cole Porter in 1936. It was introduced that year in the Eleanor Powell musical film Born to Dance in which it was performed by Virginia Bruce. It became a signature song for Frank Sinatra, and, in 1966, became a top 10 hit for the Four Seasons. This is a contemporary arrangement making extensive use of a root-based chord-blocking method John and I have used in many of our arrangements. We hope you like it!

C Instrument - Level 4 - Digital Download

SKU: A0.1205908

By Danny Zeitlin. By Cole Porter, Dennis Jay Zeitlin, and John Coltrane. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #804099. Published by John Fries (A0.1205908).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  What Is This Thing Called Love? is a 1929 popular song written by Cole Porter, for the musical Wake Up and Dream. It was first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most often played.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1205910

By Danny Zeitlin. By Cole Porter, Dennis Jay Zeitlin, and John Coltrane. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Score. 1 pages. John Fries #804101. Published by John Fries (A0.1205910).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  What Is This Thing Called Love? is a 1929 popular song written by Cole Porter, for the musical Wake Up and Dream. It was first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most often played songs.

Piano Solo - Level 3 - Digital Download

SKU: A0.1095280

Composed by Cole Porter. Arranged by Robert Blond. Broadway,Musical/Show,Pop. Score. 4 pages. Robert blond #699296. Published by robert blond (A0.1095280).

Cole Porter standard performed by Mary Martin in 1938 Broadway musical Leave It to Me. Piano solo adheres throughout to composer's melody; suitable for sing-a-longs. Innovative combination of playful narrative with minor key and descending chromatic runs. Contrasting tempos: rhumba, swing, rubato. Use of rootless and tritone chords. Transition filler is a nod to 1953 hit by The Four Lads entitled Istanbul (Not Constantinople)..

String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - Digital Download

SKU: A0.1253494

Composed by Cole Porter. Arranged by H.P. Gyldfeldt. 20th Century. 8 pages. H.P. Gyldfeldt #847183. Published by H.P. Gyldfeldt (A0.1253494).

A classical American piece of music, special arrangement for Tenor Saxophone and String Orchestra. The string parts are highly professional - can also be played by String Quartet + bass. I have used my own compositorial ideas and mainly the standard chords. - I composed this arrangement for advanced professional musicians and it is going to be performed at a special concert for Chamber Orchestra and Tenor Saxophone as soloist in a cross-over repertoire. It is definitely enjoyabel for the musicians and there is good space in the piece for the Soloist's improvisation.  - Alternatively a part is also available for Alto Saxophone.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download

SKU: A0.1459167

Composed by Bill Danzeisen. Arranged by Will Corbin. Broadway,Latin,Musical/Show,Pop. 24 pages. Will Corbin #1038137. Published by Will Corbin (A0.1459167).

A song doesn't get more traveled than this one. American Cole Porter wrote it in 1935 while on a South Pacific cruise between Indonesia and Fiji aboard a British liner. Its roots are in a Latin dance from the French Caribbean islands of Guadeloupe and Martinique. So it's somewhere between a minuet and a samba. The name of the dance, beguine, is Creole (probably pejorative) for white woman.
The song was first performed in a Broadway musical called Jubilee. It didn't get much traction until Artie Shaw recorded it with his big band, in a purely swing mode, in 1938; it became the 3rd best-selling recording of the year and set off a new dance craze. Check out the drummer in the YouTube video of Shaw's band performing the song, with special attention to the drummer. It's a young and relatively quite subdued Buddy Rich.
This arrangement, for two trumpets, horn, trombone and tuba, sticks pretty close to a Latin feel except for a swing break in the middle.
If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.

C Instrument - Level 1 - Digital Download

SKU: A0.1512163

By Tony Bennett. By Bart Howard. Arranged by Marcelo Borba. Broadway,Classical,Historic,Jazz,Musical/Show,Singer/Songwriter. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #1087204. Published by Marcelo Borba (A0.1512163).

**Fly Me to the Moon** (originally titled **In Other Words**) Fakebook

is one of the most iconic songs of the 20th century, especially associated with jazz and pop, and made famous by various artists, including Frank Sinatra. The song was written in 1954 by composer and lyricist Bart Howard, and since then, it has become a classic.

### Origin and Composition
Bart Howard wrote the song intending to create something simpler and more direct, in contrast to the more complex songs popular at the time. Inspired by the style of Cole Porter, he crafted a romantic and engaging melody. Initially, the song’s title was **In Other Words**, and the phrase Fly me to the moon was just part of the lyrics, but over time, the phrase became so memorable that the title was informally changed to **Fly Me to the Moon**.

### First Recording and Success
The song was first recorded in 1954 by singer Kaye Ballard, but it gained wider recognition when **Peggy Lee** performed it on a television show. Numerous artists recorded their versions over the years, but the most famous recording came in 1964, when **Frank Sinatra** included his version arranged by Quincy Jones on the album *It Might as Well Be Swing*, accompanied by the **Count Basie Orchestra**.

### Connection to Space Exploration
Interestingly, the song’s popularity coincided with the space exploration era. Sinatra’s recording became particularly symbolic when NASA adopted the song during the Apollo program. Sinatra's version was played during the Apollo 10 mission and was also part of the Apollo 11 playlist, the first mission that took humans to the moon in 1969.

### Cultural Impact
Fly Me to the Moon is a timeless song, re-recorded by countless artists in various genres and styles, including jazz, bossa nova, and even pop. Its romantic lyrics and the theme of traveling to the moon captured the imagination of generations, connecting romance, adventure, and exploration into a single package.

This song is a symbol of American popular culture and the optimism of the space race era, and it is constantly associated with Sinatra's legacy and classic jazz.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download

SKU: A0.1488827

By Tony Bennett. By Bart Howard. Arranged by Richard Jones. Jazz,Standards. Brass Band. 28 pages. Richard Jones #1065680. Published by Richard Jones (A0.1488827).

Not many pieces about space can also be said to have been played in space, but 'Fly Me to the Moon' can claim to be one of those. Originally entitled 'In Other Words', the song was written by Bart Howard in 1954 and dedicated to his partner of 58 years Thomas Fowler. Howard, a career musician and notable piano accompanist had collaborated with many other artists, including Cole Porter, but sadly had never gained individual acclaim. A publisher once suggested that his songs were too complex and when Howard was encouraged to write a simpler tune he produced Fly Me to the Moon in 20 minutes; and the rest is history.

Notable artists have covered the song, including Tony Bennett, Peggy Lee, Paul Anka, Nancy Wilson, the pop band Westlife and transcribed into Urdu by the artist Alamgir. Howard estimated that before 1964 there had been over 100 versions of the song had been recorded. 

However, it was Frank Sinatra that made it a global success in 1964. With the legendary composer/arranger Quincy Jones and jazz icon Count Basie, Sinatra produced a sensationally swinging version of the song that captured listeners attention, and later NASA, who would use it on Apollo 10 and 11 missions. It was performed by Diana Krall at the 40th Anniversary of the landings and also, in a more somber setting, at the funeral of space legend Neil Armstrong.