This is a cover version of Ella Mai's Boo'd Up as performed on the Allen Music YouTube Channel: https://www.youtube.com/watch?v=n9mxCcIZV3c

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As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . 

Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com.

An advanced intermediate a cappella cover of Jess Glynn’s Kill The Lights performed by DJ Cassidy/Alex Newells. Meant to have a 70s Bee Gees vibe, it's high energy, a good show opener, and lends itself to choreography. Vocal Percussion is considered a key component and is highly encouraged.

Range: low - (tessitura) - high
T1: Ab4 - (Bb4) - Eb5
T2: Eb4 - (Gb4) - Bb4
T3: Ab3 – (Db4) – Gb4
Bari: Db3 - (Ab3) - Eb4
Bass: Ab2 - (Eb3) - Eb4

As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . 

Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com.

- Intermediate a cappella cover of Betty Who's Beautiful with gender neutral lyrics.
- Fantastic message that we're all beautiful creatures.
- Starts with a slow solo beginning then transitions to uptempo.
- Vocal percussion is notated and encouraged.
- Vamp section inserted for a speech or rap segment.
- Video of the arrangement: https://youtu.be/M1THkkPigV0

As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . 

Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com.

An advanced-intermediate level solo (due to the range requirements) with a cappella backup of the classic rock song, very close to the original with a few ‘color’ chords thrown in. Written for male-type voices, top parts need very high falsetto. Vocal Percussion is considered a key component, though not notated, for a fully developed production. YouTube link shows a duet rendition.

Range: low - (tessitura) - high
Solo: G3 - (F4) - D5 - suggest riff-capable rock voice
T1: D4 - (G4) - G5
T2: E3 - (E4) - B4
Bari: E3 - (G3) - D4
Bass: F2 - (D3) - D4

As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . 

Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com.

An advanced intermediate-level a cappella cover of the classic Justin Timberlake song, close to the original funky style with an extended ending, good to get the audience clapping along. Written for male voices, some with high falsetto. Includes a breakdown section for basses in the middle. Also includes shout-out to 'Jus-tin' which can be tailored to most any two-syllable combo--we do 'New York!' Vocal percussion is considered a key component, though not notated, for a fully developed production.

Video of the arrangement: https://youtu.be/tkyQTUK4rsQ

Range: low - (tessitura) - high
T1: C4 - (G4) - E5
T2: A3 - (E4) - G4
Bari: F3 - (A3) - E4
Bass: F2 - (D3) - C4

SSATB version of the arrangement as performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . 

Questions for the arranger? Volume pricing? Complementary Midi tracks? Contact Timorell at tonewallnyc@gmail.com.

Lush, intimate, intermediate-level a cappella piece for SSATB voices and solo, with lots of suspended chord structures. Some challenging rhythms but a delicious arrangement of an incredibly impactful song.

Ranges:
Solo: F#4 - D5
S1: C#4 - F#5
S2: D4 - D5
A: G3 - A4
T: D3 - F#4
B: G2 - E4

As performed by TONEWALL, the charismatic queer a cappella band of the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website #queeracappella . 

Questions for the arranger? Volume pricing? Contact Timorell at tonewallnyc@gmail.com.

A reimagining of the Miley Cyrus country hit, the piece is an intermediate-level a cappella cover with a soft, hopeful bass solo beginning that breaks into fast tempo rendition, woven into the gospel-style hit of Bach's Joyful, Joyful. More gospel than country music themed in style. Written for male voices, some with high falsetto. Vocal percussion is considered a key component, though not notated, for a fully developed production.