EUROPE
1072 articles USA
0 articles DIGITAL
3168 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
3168 partitions trouvées


Organ - Level 2 - Digital Download SKU: A0.1182113 By Markus Dreja. By Johann Abraham Peter Schulz. Arranged by Markus Dreja. Christian,Contemporary,Religious,Sacred,Traditional. Score. 4 pages. Markus Dreja #781875. Published by Markus Dreja (A0.1182113). This organ-arrangement (Partita) is about the song Der Mond ist aufgegangen. First you hear a mystical chorale playing with fifths, then a cantus firmus in alto register, a cantus firmus in tenor register and finally the well-known chorale slightly improvised. The evening song is a poem by Matthias Claudius, which is one of the most famous works of German literature and is known as a Christian song under the title of the first verse Der Mond ist aufgegangen (Behold the moon has risen) in the setting by Johann Abraham Peter Schulz. Dieses Orgel-Arrangement (Partita) habe ich über das Lied Der Mond ist aufgegangen geschrieben. Zuerst hört ihr ein Quinten-Choralspiel, dann einen Cantus firmus in Alt Lage, einen Cantus firmus in Tenorlage und zum Schluss den bekannten Choral leicht improvisiert. Das Abendlied ist ein Gedicht von Matthias Claudius, das zu den bekanntesten Werken der deutschen Literatur gehört und unter dem Titel des ersten Verses Der Mond ist aufgegangen in der Vertonung von Johann Abraham Peter Schulz als christliches Lied bekannt ist.
Der Mond ist aufgegangen - 4 Partiten für Orgel über das bekannte Abendlied Orgue
Markus Dreja
$5.49 4.78 € Orgue PDF SheetMusicPlus

Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Brandon #742339. Published by Sy Brandon (A0.1141962). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
Allegories for Flute, Euphonium, and Percussion
$14.99 13.06 € PDF SheetMusicPlus

Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Published by Sy Brandon (A0.1141957). “Allegories†is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive†is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf†is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.†A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.†This short fable has the allegory of “timing is everything.†The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.†The race between the “Tortoise and the Hare†is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.
Allegories for Flute, Euphonium, and Piano
$14.99 13.06 € PDF SheetMusicPlus

Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.
Guthrie: Organ Prelude on In Nomine Orgue

$34.95 30.45 € Orgue PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4506 Composed by Jennie Stovin & A.T. Gorham. Courtship, Love, Marriage, Envy. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4506). She's a Charming Little Widow. Comic Song and Chorus. Jennie Stovin. A.T. Gorham. Published 1871 by J.L. Peters, 599 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Courtship, Love, Marriage, Envy. First line reads There is a little widow, and her eyes are large and gray.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
She's a Charming Little Widow. Comic Song and Chorus Chorale SATB

$5.99 5.22 € Chorale SATB PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2026

Accueil - Version intégrale