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Piano and voice - Digital Download SKU: LV.5853 Composed by Ernest Hogan & Billy Kersands. Arranged by Geo. W. Hetzel. African Americans, Dialects, Crimes, Symbols, Heaven. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5853). What am You Gwine to Tell Massa Peter When You Meet Him at de Gate? Song and Chorus. Words and Music by Ernest Hogan and Billy Kersands. Arranged by Geo. W. Hetzel. Published 1893 by Broder & Schlam, 26, 28, 30 O'Farrell St. in San Francisco. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include African Americans, Dialects, Crimes, Symbols, Heaven. First line reads Come all you colored people, who have got a soul to save..
What am You Gwine to Tell Massa Peter When You Meet Him at de Gate? Song and Chorus
Piano, Voix

$5.99 5.72 € Piano, Voix PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1335136 Composed by John Burkett. Arranged by John Burkett. Christmas,Classical,Contemporary,Sacred. Score. 5 pages. John Burkett #918841. Published by John Burkett (A0.1335136). This soothingly undulating setting for piano of the Christmas carol tune St. Louis is intended for competent keyboardists who serve as either a pianist or organist, or both, for a church.  In addition to the score, I have provided a full-length recording to aid the prospective buyer in the decision-making process.  This setting is one among several arrangements of Christmas carols in my Christmas Carol Series.  Also, please search the Sheet Music Plus or Sheet Music Direct website for other hymn arrangements of mine, some for piano and some for organ.
Prelude on St. Louis ('O Little Town of Bethlehem')
Piano seul

$8.50 8.11 € Piano seul PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694).     British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century.    While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes.    Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments.     This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
St. Peter (In Christ There Is No East or West)
Ensemble de cuivres

$12.95 12.36 € Ensemble de cuivres PDF SheetMusicPlus


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