Piano,Viola - Level 4 - Digital Download SKU: A0.1389880 By PETERSON-BERGER. By W. Peterson-Berger. Arranged by Klas Krantz. Classical,Romantic Period. Score and part. 4 pages. Amadeus Music #973481. Published by Amadeus Music (A0.1389880). Wilhelm Peterson-Berger (1867-1942), Östersund, Sweden) was a Swedish composer and music critic. As a composer, his main musical influences were Grieg and Wagner as well as Swedish folk idiom.

Lever Harp - Level 3 - Digital Download SKU: A0.1198695 By Petula Clark. By Tony Hatch. Arranged by Laurie Peterson. 20th Century,Pop. Score. 5 pages. Laurie Peterson #797773. Published by Laurie Peterson (A0.1198695). This hit song from 1964 and sung by Petula Clark is for intermediate level double strung harp for 22+ strings (minimum G to G). It is in the key of G (with F#s). There are 2 lever changes in the right hand near the end of the song (F-sharp to F-natural and B-natural to Bb) and you're given 4 measures to do them to make them manageable. If you don't have a lever to change to Bb, you can skip it and go to the ending section. I love this song...it's a winner!

Pedal Harp - Level 3 - Digital Download SKU: A0.1452836 Composed by Erik Satie. Arranged by Laurie Peterson. 19th Century,Classical,Contest,Festival,Film/TV. Score. 7 pages. Laurie Peterson #1032118. Published by Laurie Peterson (A0.1452836). Wonderful, evocative piece in F-minor arranged for pedal harp. There are several pedal changes in this intermediate-level piece and because the tempo is fairly slow, the pedal changes are easily achieved. This piece has found its way into movies such as Chocolat and the popular streaming series, The Queen's Gambit..

Harp - Level 2 - Digital Download SKU: A0.928333 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5993785. Published by Karen Peterson (A0.928333). WATCH THE D DORIAN VERSION: You are viewing the arrangement for lap harp, which is in the key of A dorian. To hear the D dorian version played on a larger harp, go to www.youtube.com/watch?v=l0-Kg0LifaUOverview: This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Key and range: A dorian (one sharp). 21x2 strings. G below middle C through F. (LARGER HARPS: For harps with C below middle C or lower, get the D dorian version here: www.sheetmusicplus.com/title/rorie-lament-for-double-strung-harp-digital-sheet-music/21815669)Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided. Treble clef is used for both staves, with 8va for very high notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.com

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1405639 By Charlie Parker. By Charlie Parker. Arranged by Nick Peterson. 20th Century,Jazz. 77 pages. Nick Peterson #988700. Published by Nick Peterson (A0.1405639). Get ready for a bebop blitz with 'Bebop Blitz: A Dynamic Journey through Donna Lee,' an electrifying arrangement that ignites the stage with the timeless jazz classic. From its explosive opening bars to its exhilarating conclusion, this arrangement captures the heart and soul of bebop with relentless energy and innovation.Launching with a swinging piano solo, 'Bebop Blitz' wastes no time diving headfirst into the exhilarating world of 'Donna Lee.' As saxophones, trumpets, and trombones join forces in a captivating sax soli, the iconic melody of 'Donna Lee' takes flight, passing seamlessly between sections of the band and sparking blazing improvisations that showcase the ensemble's virtuosity.But this isn't your grandfather's bebop; 'Bebop Blitz' injects the classic with modern twists and turns that keep listeners on the edge of their seats. A dynamic build section sees lightning-fast bebop lines ricocheting between trumpets, trombones, and saxophones, building tension and excitement with each electrifying phrase.As the arrangement hurtles towards its climactic conclusion, the energy escalates to a fever pitch with thunderous drum solos, blazing brass punches, and driving rhythms that leave audiences breathless. Finally, the ensemble unites for a heart-pounding finale, bringing 'Bebop Blitz' to an electrifying close.With its fusion of tradition and innovation, 'Bebop Blitz' is a testament to the enduring power of bebop and a celebration of the relentless spirit of jazz. Whether performed on stage or enjoyed at home, this arrangement is sure to captivate audiences with its dynamic energy and relentless groove..

Pedal Harp - Level 4 - Digital Download SKU: A0.1209104 By Pyotr Tchaikovsky. By Pyotr Tchaikovsky. Arranged by Laurie Peterson. 19th Century,Classical,Romantic Period. Score. 7 pages. Laurie Peterson #807218. Published by Laurie Peterson (A0.1209104). This arrangement of the Czardas (Hungarian Dance) from the famous ballet Swan Lake is from Act III, Scene 20. It is for late intermediate/early advanced pedal harp. There is a slower opening section and a faster dance section. It is arranged so you can play just the slow section, just the faster section or both (and you aren't obligated to play too fast!) You can find many videos on YouTube of an orchestra playing the Czardas to give you an idea of the piece if you're not familiar with it. It's awesome!

Piano Solo - Level 4 - Digital Download SKU: A0.1039496 By Oscar Peterson. By Oscar Peterson. Arranged by My Sheet Music Transcriptions - mysheetmusictranscriptions.com. Blues,Jazz. Score. 10 pages. My Sheet Music Transcriptions - mysheetmusictranscriptions.com #644452. Published by My Sheet Music Transcriptions - mysheetmusictranscriptions.com (A0.1039496). This is the piano part sheet music transcription and arrangement of Hymn To Freedom as played by jazz pianist Oscar Peterson. Advanced level of difficulty.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.942961 Composed by Geoffrey Peterson. A Cappella,Contemporary,Opera,Sacred. Octavo. 4 pages. Geoffrey Peterson #5873293. Published by Geoffrey Peterson (A0.942961). Micah 6:8 for SATB chorus a cappella is a reharmonization of Giacomo Puccini's famous melody O mio babbino caro (Oh, my dear papa) from his opera Gianni Schicchi. The text is What does the Lord require of you? To do justice, to love kindness, and walk humbly with your God..

By Leonard Cohen. Arranged by Peterson Piano Academy. Pop. Score. 2 pages. Peterson Piano Academy #6121913. Published by Peterson Piano Academy

Harp - Level 3 - Digital Download SKU: A0.1515425 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Laurie Peterson. 20th Century,Broadway,Film/TV,Musical/Show. Score. 5 pages. Laurie Peterson #1089780. Published by Laurie Peterson (A0.1515425). From the original 1964 movie Mary Poppins, this arrangement is for lever or pedal harp and is in the key of G Major. It is intermediate level with several clearly marked lever/pedal changes on a D#. Enought time is given for those changes that you don't need to rush. It is to be played gently like a lullaby and sounds beautiful on harp.

By Journey. By Jonathan Cain, Steve Perry, and Neal Schon. Arranged by Karen Peterson. Film/TV. Score. 6 pages. Karen Peterson #5993791. Published by Karen Peterson

By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Laurie Peterson. Contemporary, Film/TV, Pop. Score. 5 pages. Laurie Peterson #772591. Published by Laurie Peterson

Cornet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.1388992 Composed by Edvard Grieg. Arranged by Gary Blake Peterson. 19th Century,Chamber,Classical. Score and individual part. 5 pages. Gary Blake Peterson #972475. Published by Gary Blake Peterson (A0.1388992). Edvard Grieg (1843-1907) is considered one of the leading Romantic era composers, and is Norway’s most well-known. His Norwegian Dance No. 2 alternates between the charming and the virtuosic. It is arranged here for cornet and piano from the original piano score.

Composed by Edgar Allan Poe and James Horner (1953-2015). Arranged by Laurie Peterson. 20th Century, Film/TV, Holiday. Score. 5 pages. Laurie Peterson #719432. Published by Laurie Peterson

Piano Solo - Level 5 - Digital Download SKU: A0.942951 Composed by Geoffrey Peterson. Contemporary. Score. 8 pages. Geoffrey Peterson #3915779. Published by Geoffrey Peterson (A0.942951). Three Hopper Paintings was written in the early 1990s. The three movements are connected by a ten-note theme. Much of the music, both melodic and harmonic, is derived from this. In my early twenties at the time, and having recently spent some months in Vienna studying the atonal and twelve-tone works of Arnold Schoenberg, I was greatly influenced by the music and compositional techniques of the Second Viennese School. The first movement, Nighthawks, is brooding and mysterious attempting to capture those qualities depicted in the painting. The music takes its cue from the early atonal piano works of Schoenberg. Rooms by the Sea has an impressionistic quality. With some exceptions, the music is predominantly in the sound world of Debussy. Some artistic license is taken with the last two chords to portray a sudden sea breeze closing the door shut. House by the Railroad is musically the most literal representation of the three paintings. The sustain pedal is left down for almost the entire movement to simulate the rumbling of an oncoming train. Allegedly, the house in Alfred Hitchcock's Psycho was inspired by it. Ironically, I lived in a small carriage house a few hundred feet from an active railroad when I composed the work.