Harp - Level 3 - Digital Download SKU: A0.928330 By Patsy Cline. By Willie Nelson. Arranged by Karen Peterson. Country. Score. 2 pages. Karen Peterson #5955415. Published by Karen Peterson (A0.928330). This Countrypolitan song made famous by Patsy Cline was written by a not-yet-famous Willie Nelson. The attitude of the protagonist has been described as variously bemused, bittersweet, and cathartic. What is it to you, and how can you bring that emotion into your playing?My double-strung arrangement sets accidentals in the LH prior to playing, allowing the song to proceed without lever flips. The optional lever flip at the very end can be easily eliminated, making this song a great opportunity to practice flipping on the right with an easy recovery if you can’t get it in time.Key and range: Bb major (two flats). 21x2 strings. C below middle C through B. Preset B natural, C#, E natural, and F#.Lever changes: One optional lever change on the right. Set four accidentals on the left before playing.Good for: Parties, performance.

Piano and voice - Digital Download SKU: LV.2875 Composed by J.G. Drake. Arranged by Wiliam C. Peters. Travel, Pride, Ships, Sadness. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2875). Sweet Florida Good Bye. Words & Air by J.G. Drake. Arranged for the Piano Forte by W.C. Peters. Published 1835 by George Willig, 171 Chesnut Street in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Travel, Pride, Ships, Sadness. First line reads Sweet Florida good bye to thee thou land of sun and flowers.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice (solo and trio) - Digital Download SKU: LV.11873 Arranged by Wiliam C. Peters. Clipper ships, Moonlight, Clouds, Sailors, Toasting, Homecomings, Families. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11873). Here's a Health To Thee Tom Breese. A Favorite Song & Chorus. Arranged by W.C. Peters. Published 1831 by Geo. Willig, 171 Chesnut St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and trio) instrumentation. Subject headings for this piece include Clipper ships, Moonlight, Clouds, Sailors, Toasting, Homecomings, Families. First line reads Here's a health to thee Tom Breese.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano - Digital Download SKU: LV.465 Arranged by J. Dunning. Mothers & children, Infants. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.465). Cradle Schottisch. Arranged By J. Dunning. Published 1864 by A.C. Peters & Bro., No. 94 West Fourth Str., opposite the Post Office, Successors to W.C. Peters & Son in Cincinnati. Composition of da capo with piano instrumentation. Subject headings for this piece include Mothers & children, Infants. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.19355 Composed by W.C. Peters. Portraits, Gardens, Architectural elements--Arches, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19355). Kind, Kind and Gentle is She. A Favorite Scotch Ballad. Written by Gabriel H. Barbour. Composed by W.C. Peters. Published [n.d.] by Hewitt & Jaques, 239 Broadway in New York. Composition of strophic with refrain with piano and voice instrumentation. Subject headings for this piece include Portraits, Gardens, Architectural elements--Arches, Courtship & love. First line reads Kind, kind and gentle is she, Kind is my Mary; the tender blossom o' the tree Can ne'er compare wi' Mary First line of refrain Sae kind, kind and gentle is she, Kind is my Mary.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice (solo and trio) - Digital Download SKU: LV.12034 Arranged by Wiliam C. Peters. Clipper ships, Moonlight, Clouds, Sailors, Toasting, Homecomings, Families. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12034). Here's a Health To Thee Tom Breese. A Favorite Song & Chorus. Arranged by W.C. Peters. Published 1831 by Geo. Willig, 171 Chesnut St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and trio) instrumentation. Subject headings for this piece include Clipper ships, Moonlight, Clouds, Sailors, Toasting, Homecomings, Families. First line reads Here's a health to thee Tom Breese.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

C Instrument - Level 4 - Digital Download SKU: A0.499945 By Lit. By Allen Shellenberger, Jay Popoff, Jeremy Popoff, and Kevin Baldes. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113190. Published by John Fries (A0.499945). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Four is a 1954 jazz standard. It was first recorded in 1954 by jazz trumpeter Miles Davis and released on his album Miles Davis Quartet. It is a 32-bar ABAC form. The song composition officially credits jazz trumpeter Miles Davis as the writer. However, there is some controversy that it may have actually been composed by someone else.

Piano Solo - Level 4 - Digital Download SKU: A0.1485941 By Andrew Peterson. By Andrew Peterson and Ben Shive. Arranged by Brian Buda. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 19 pages. Budaful music #1062992. Published by budaful music (A0.1485941). This is a lovely piano arrangement of Andrew Peterson's 'Is He Worthy?'. This powerful, rousing worship song is addion to any hymn players music binder. Beginning simply and softly, it gets progressively more advanced throughout. It has been arranged with two timings and 3 transpositions: C, B (original key), and Bb. See the performance options on the first page of music for more details. There are 2 optional endings to this arrangement, the first is moderately advanced and the second is more advanced. It was arranged in C, so some chords and fingerings might need to be adjusted in the other keys. For some, it may actually be easier in B since the black keys help determine fingerings. Is He Worthy? He Is.

Lever Harp - Level 3 - Digital Download SKU: A0.1408929 By Willie Nelson. By Johnny Christopher, Mark James, and Wayne Thompson. Arranged by Laurie Peterson. 20th Century,Country,Pop. Score. 5 pages. Laurie Peterson #991533. Published by Laurie Peterson (A0.1408929). This touching song is based on the recording by Willie Nelson (1982). It is for intermediate-level harp and can be played by lever or pedal harpists. It is in the key of G and has one lever change (C to C-sharp and back again) that is clearly marked the two times it appears. It can be played on a 34+ string lever harp or any pedal harp.It is to be played tenderly at a moderate tempo and is a beautiful song for your repertoire.

Harp - Level 2 - Digital Download SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5955365. Published by Karen Peterson (A0.928320). This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Range and key: D dorian (all naturals). 24x2 strings. C below middle C through E.Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in Rorie Dall's Sister's Lament: www.EnjoyTheHarp.com/s/rorie-dalls-sisters-lament-notes-enjoy-the-harp.pdfNotation: Chord symbols are provided. Treble clef is used for both staves, with 8vb for the low notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.comPerformance notes and history at www.EnjoyTheHarp.com/rorie-dalls-sisters-lament

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.787647 By Oscar Peterson. By Oscar Peterson. Arranged by Charles Lee. A Cappella,Jazz. Octavo. 4 pages. C Lee #4110065. Published by C Lee (A0.787647). A jazz arrangement of Oscar Peterson's tune. Optional soprano solo intro. 4 pages.

Piano and voice - Digital Download SKU: LV.18649 Composed by Tom Leamore. Arranged by Harry Petersen. Clothing & dress--kilts, Cartoons, Winter, Seasons, Soldiers, Guards, Immigrants--Ireland. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18649). It's All Right in the Summer. Written, Composed By Tom Leamore. Music Arranged by Harry Petersen. Published 1902 by Charles Sheard & Co., Anglo-American Music Publishers, 196 Shaftesbury Avenue, W.C. in London. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Clothing & dress--kilts, Cartoons, Winter, Seasons, Soldiers, Guards, Immigrants--Ireland. First line reads Twelve months ago I had no work and I did't know what to do.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.817122 Composed by Carl Maria von Weber. Arranged by Charles Decker. 19th Century,Classical,Contest,Festival,Historic,Multicultural,World. 19 pages. Charles Decker Music Press #3544797. Published by Charles Decker Music Press (A0.817122). Seeking a memorable fanfare for your trumpet ensemble or band trumpet section for your next concert or ceremony? Then open the program with this classic fanfare composed for valveless trumpets of the Weber's day that is very accessible for all levels of trumpeters and easily memorized. For a dramatic performance position the five pairs of trumpeters throughout the hall to create a surround-sound experience for the audience. The audio file is an actual trumpet ensemble performance of the entire work and not a computer playback of the score.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Kendor Music for more of my trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.535642 By ... Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Praise & Worship,Standards,World. Score and parts. 16 pages. Duration 99. J. Randolph Hall #6CDWTJgxAdiInYD7EaqHbz. Published by J. Randolph Hall (A0.535642). Key: G major.Peterson was an American composer in the 20th Century. Johann Sebastian Bach was a German composer from the Baroque era. Peterson's Heaven Came Down and Glory Filled My Soul is woven together with Bach's famous Jesus, Joy of Man's Desiring. I've made a few harmonic changes to help the piece flow smoother. Section A starts off with the Peterson refrain woven with the triplet feel part from Bach. Section B has Peterson's verse section woven with the choral part of Jesu. Section C returns with much of the recap of section A but with a conclusion. Felicimente (Italian) means to play happily or with much joy.