Guitar - Digital Download SKU: A0.941289 Composed by Henry Mancini. Arranged by Dwight Sutton. Contemporary. Guitar Tab. 3 pages. Dwight Sutton #4592987. Published by Dwight Sutton (A0.941289). This is a pop-jazz fingerstyle arrangement by an artist with 59 years experience. It employs open-string chords as much as possible and has clearly defined melody, bass, and chords or counterpoint. It appears in both standard notation and tablature.

2 · 2 · ca · 2 · 2 · cbn - 4 · 3 · 3 · 0 - timp · perc (cym) (1 player) - str mixed choir (SATB/SATB), soloists (SATB) and orchestra - intermediate - Digital Download SKU: S9.Q21223 Oratorio. Composed by Sir Michael Tippett. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 66' 0. Ernst Eulenburg & Co. GmbH - Digital #Q21223. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21223). English • German • French.The oratorio 'A Child of Our Time' was Tippett’s artistic and emotional response to the events that led to the 'Kristallnacht' pogrom of November 1938. For his oratorio Tippett used as his formal and historical models the Bach Passions and Handel’s Messiah which share with this contemporary morality the subject of the death of an individual set against the universal background of human suffering. Tippett’s use of the spiritual as a contemporary equivalent for the Lutheran chorale of the Bach settings draws his audience more closely into the drama through the spirituals’ ‘unique verbal and musical metaphor’. By 1941, when Tippett had completed the composition of his oratorio, the practicalities of staging a performance during wartime were difficult to say the least. It was, however, through the direct agency of his lifelong friends and professional colleagues, Benjamin Britten and Peter Pears, that the work was first performed in London on 19 March 1944 under the direction of the former Schoenberg pupil Walter Goehr, and with Pears himself as the tenor soloist.

Piano and Keyboard,Vocal,Voice (Soprano Voice) - Digital Download SKU: HX.415804 By Peter Pears. This edition: scorch. Classical. Score. 3 pages. Hal Leonard - Digital #297387. Published by Hal Leonard - Digital (HX.415804).

Piano and Keyboard,Vocal,Voice (Tenor Voice) - Digital Download SKU: HX.415800 By Peter Pears. This edition: scorch. Classical. Score. 3 pages. Hal Leonard - Digital #297458. Published by Hal Leonard - Digital (HX.415800).

Voice and piano - Digital Download SKU: S9.Q5874 Song Cycle. Composed by Matyas Seiber. This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Digital #Q5874. Published by Schott Music - Digital (S9.Q5874). English.This substantial cycle was written for the tenor Peter Pears, and first performed by him in 1953 at the Royal Festival Hall, London, with the distinguished pianist Noel Mewton-Wood. It follws the example of Britten's Serenade in setting a variety of poets, and the set is framed by settings of the same words by Goethe in translation by Louis MacNeice, the unifying factor being presumably the quality of the poetry. The angry setting of Timor Mortis, using the well-known Dies Irae tune is the emotional hear of the cycle. John Turner 2010.

Autoharp/chromaharp - Beginning-Intermediate - Digital Download Composed by Meg Peterson. Autoharp and Chromaharp, Solos. Sacred. E-book. Mel Bay Publications - Digital Sheet Music #93617EB. Published by Mel Bay Publications - Digital Sheet Music

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1486292 Composed by Rachel J. Peters. 21st Century,Comedy,Opera. Score. 11 pages. Rachel J Peters #1063353. Published by Rachel J Peters (A0.1486292). Aria for dramatic soprano from the opera Three AmputatorsLibretto by Royce VavrekThree Amputators is an opera-in-progress after the story “The Three Army Surgeons” by the Brothers Grimm. The opera tells of three travelling doctors who seek lodging for a night, offering the establishment’s innkeeper a demonstration of their unbelievable skills: they can cut out parts of their own bodies only to reattach them later with the aid of a proprietary salve.  After one removes a hand, another their heart, and the third their eyeballs, an enigmatic cat appears on the scene to dine on the flesh and throw the course of the story into disarray. This is a contemporary interpretation of one of the Grimm’s most eccentric of tales. The character of the insatiable Cat is inspired by our national hero, Fran Lebowitz.The aria premiered in Norway. If you are performing it in any other country, you can claim a national premiere! Full score and parts can also be made available upon request for performances with orchestra. Visit www.racheljpeters.com for more information.DURATION: 4:30WORLD PREMIERE: Oslo Chamber Music Festival, 2023.

Piano Solo - Level 3 - Digital Download SKU: A0.1047103 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Martin Peter Harrington, and Tom Leonard. Arranged by Bernardo Pereira. Folk,Pop,Wedding. Score. 7 pages. Bernardo Pereira #651629. Published by Bernardo Pereira (A0.1047103). This arrangement of Photograph is a transposed version in F major. It presents the melody in the right hand and the accompaniment in the left hand. The melody is present in the first section while the left hand accompanies it with broken chords. On the chorus, the melody has notes that fill the harmony on the second layer. Then, the same structure from the first verse returns on the second part (bars 42-66). The chorus reappears harmonized in octaves. In the bridge (bars 83-90), the main melody is in octaves with a “crescendo� leading to the chorus. At the end of the song, the chorus reappears in a smooth and soft atmosphere with whole notes in the left hand. In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the previous idea from the final section. Fingering suggestions and chord symbols are available throughout the arrangement.

Piano Solo - Level 3 - Digital Download SKU: A0.1047114 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Martin Peter Harrington, and Tom Leonard. Arranged by Bernardo Pereira. Folk,Pop,Wedding. Score. 7 pages. Bernardo Pereira #651642. Published by Bernardo Pereira (A0.1047114). This arrangement of Photograph is a clean sheet music without chords symbols and fingerings. It is also transposed version in F major. The arrangement presents the melody in the right hand and the accompaniment in the left hand. The melody is present in the first section while the left hand accompanies it with broken chords. On the chorus, the melody has notes that fill the harmony on the second layer. Then, the same structure from the first verse returns on the second part (bars 42-66). The chorus reappears harmonized in octaves. In the bridge (bars 83-90), the main melody is in octaves with a “crescendo� leading to the chorus. At the end of the song, the chorus reappears in a smooth and soft atmosphere with whole notes in the left hand. In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the previous idea from the final section. Fingering suggestions and chord symbols are available throughout the arrangement.

Piano Solo - Level 3 - Digital Download SKU: A0.1046093 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Martin Peter Harrington, and Tom Leonard. Arranged by Bernardo Pereira. Film/TV,Folk,Pop,Wedding. Score. 7 pages. Bernardo Pereira #650622. Published by Bernardo Pereira (A0.1046093). This arrangement of Photograph is a clean sheet music without chords symbols and fingerings. It features the melody in the right hand and the accompaniment in the left hand. The melody is present in the first section while the left hand accompanies it with broken chords. On the chorus, the melody has notes that fill the harmony on the second layer. Then, the same structure from the first verse returns on the second part (bars 42-66). The chorus reappears harmonized in octaves. In the bridge (bars 83-90), the main melody is in octaves with a “crescendo� leading to the chorus. At the end of the song, the chorus reappears in a smooth and soft atmosphere with whole notes in the left hand. In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the previous idea from the final section.

Piano Solo - Level 3 - Digital Download SKU: A0.1046092 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, Martin Peter Harrington, and Tom Leonard. Arranged by Bernardo Pereira. Film/TV,Folk,Pop,Wedding. Score. 7 pages. Bernardo Pereira #650621. Published by Bernardo Pereira (A0.1046092). This arrangement of Photograph presents the melody in the right hand and the accompaniment in the left hand. The melody is present in the first section while the left hand accompanies it with broken chords. On the chorus, the melody has notes that fill the harmony on the second layer. Then, the same structure from the first verse returns on the second part (bars 42-66). The chorus reappears harmonized in octaves. In the bridge (bars 83-90), the main melody is in octaves with a “crescendo� leading to the chorus. At the end of the song, the chorus reappears in a smooth and soft atmosphere with whole notes in the left hand. In the last bar, the tonic chord suddenly appears as seventh chord in arpeggio. It contrasts with the previous idea from the final section. Fingering suggestions and chord symbols are available throughout the arrangement.

String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1271383 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 21st Century,Jazz,Standards. 14 pages. Keith Terrett #863780. Published by Keith Terrett (A0.1271383). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Saxophone Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.