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Piano,Violin - Level 5 - Digital Download SKU: A0.1446732 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 19 pages. Keith Terrett #1026498. Published by Keith Terrett (A0.1446732). Liebesfreud for Solo Violin & Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
Liebesfreud for Solo Violin & Pianoforte
Violon et Piano
Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962)
$8.99 7.8 € Violon et Piano PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.746694 Composed by Lew Pollack. Arranged by Keith Terrett. 20th Century,Folk,Jazz,Traditional. 26 pages. Keith Terrett #2856819. Published by Keith Terrett (A0.746694). Arrangement of That's a Plenty for String Orchestra. That’s a Plenty arranged for String Orchestra, is a 1914 ragtime piano piece composed by Lew Pollack. Lyrics by Ray Gilbert (born 1912) were added decades later. A number of popular vocal versions have been recorded, but the tune remains more performed as an instrumental. The composition started out as a rag, but is nowadays played as a part of the Dixieland jazz repertoire. The song has been recorded by numerous artists, and it is considered a jazz standard. The first recording was in 1917 by Prince’s Band, and the New Orleans Rhythm Kings recorded their rendition in 1923.Television comedian Jackie Gleason used it in his shows in the 1950s and 1960s. Among the hundreds of later recordings of this standard, particularly notable versions include: Freddy Martin and His Orchestra recorded a version of That’s A Plenty in 1950. Sheet music from the 1950 version featuring Freddy Martin on the cover has the lyrics printed inside. It was recorded by Albert Nicholas, clarinet, with The Big Chief Jazz Band in Oslo on August 29, 1955. Released on the 78 rpm record Philips P 53038. The Pollack and Gilbert song is not to be confused with a 1909 song of the same name by Henry Creamer and Bert Williams. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
That's a Plenty for String Orchestra
Orchestre à Cordes

$12.99 11.27 € Orchestre à Cordes PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1454233 Composed by John Sheeles (1688-1761). Arranged by Konrad Harley (1986-). Baroque. Score. 3 pages. Konrad Harley #1033365. Published by Konrad Harley (A0.1454233). Based on the melody by John Sheeles (1688-1761) in The Musical Miscellany, Vol. IV (London: John Watts, 1730), p. 88. Arranged by Konrad Harley (1986-), 2024. Words by Sappho (c.630 – c.570 BCE), tr. Ambrose Philips (1674–1749).Text: O Venus! Beauty of the Skies,To whom a thousand Temples rise;Gaily false in gentle Smiles,Full of Love-perplexing Wiles;O Goddess! from my Heart removeThe wasting Cares and Pains of Love;The wasting Cares and Pains of Love.Thou once didst leave Almighty Jove,And all the Golden Roofs above:The Car thy wanton Sparrows drew,Hov'ring in Air they lightly flew;As to my Bow'r they wing'd their way,I saw their quiv'ring Pinions play,I saw their quiv'ring Pinions play.Celestial Visitant, once moreThy needful Presence I implore!In Pity, come and ease my Grief,Bring my distemper'd Soul Relief;Favour thy Suppliant's hidden Fires,And give me all my Heart desires,And give me all my Heart desires.
Sappho's Hymn to Venus
Piano, Voix

$3.00 2.6 € Piano, Voix PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.597276 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Holiday,Sacred,Wedding. Score and Parts. 20 pages. Flavio Regis Cunha #5002105. Published by Flavio Regis Cunha (A0.597276). Ode for the Birthday of Queen Anne (HWV 74) is a secular cantata composed by George Frideric Handel to a libretto by Ambrose Philips, of which the first line, Eternal source of light divine, provides an alternative title for the work. It was probably composed during January 1713 for a performance on 6 February 1713, although there is no record of the performance having actually taken place. It was originally written in the key of D major for a tenor or alto soloist.
ETERNAL SOURCE OF LIGHT DIVINE - HWV 74) for Soprano, trumpet, Strings and Harpsichord
Orchestre de chambre
George Frideric Handel
$18.99 16.48 € Orchestre de chambre PDF SheetMusicPlus






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