Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.592484 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6359911. Published by David McKeown (A0.592484). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Violin and one Viola. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Violin and Viola.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements.

Marimba, crotales, vibraphone - Digital Download SKU: BJ.1282I Composed by Daniel Fjellström. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1282I. Published by Bo Ejeby Forlag - Digital (BJ.1282I). 8.27 x 11.7 inches.Nordic Spring takes you on a ramble through moods and tones inspired by the brilliant, astringent and melancholic poetry of Edith Sodergran. The two percussion parts take turns accompanying the choir and painting contrasts with their own melodies and an extended instrumental interlude. Spring is represented by the marimba, the vibraphone and the crotales, that create a tonal world based on the Chinese philosophy of the Five Elements: Spring (wood), Summer (fire), Late Summer (earth), Autumn (metal), and Winter (water). These phases generate or give birth to one another in one order, while they control or undo each other in the reverse order. Nordisk var was commissioned by the Vocal Art Ensemble of Sweden, conducted by Jan Yngwe, and the Rhythm Art Duo - Daniel Berg and Fredrik Duvling, with financial support from Korcentrum Syd (Southern Choral Centre), Lund University. The piece is dedicated to these two ensembles that also performed it at its world premiere on May 19, 2015 at the venue Artisten in Gothenburg. - Daniel Fjellstrom Instrumental score. Separately available: full score (1282P) and vocal score (1282K).

Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.592469 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6359877. Published by David McKeown (A0.592469). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Alto and one Tenor Saxophone. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Alto and Tenor Saxophone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements .

Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.592479 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6359899. Published by David McKeown (A0.592479). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Trumpet and one Tenor Saxophone. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Saxophone.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements .

Small Ensemble Guitar,Low Voice - Level 2 - Digital Download SKU: A0.576361 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 6 pages. David Warin Solomons #17937. Published by David Warin Solomons (A0.576361). Poem and music written in memory of an adventure in the Vosges mountains, dedicated to Jean Sarocchi, who shared the adventure and the philosophy. The sound sample is my own performance. The pdf file contains the score with the one voice and also the score with two two voices There is also a version with full guitar notation available A video of the piece can be seen at: https://www.youtube.com/watch?v=6KUNE4hdbaE.

Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano. 

Voice, recorder and percussion - Digital Download SKU: S9.Q47192 Minor: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Songs - Orff Schulwerk - pieces. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 4. Schott Music - Digital #Q47192. Published by Schott Music - Digital (S9.Q47192). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fourth volume: Songs and pieces using the full range of the aeolian, dorian and phrygian modes. Accompaniements are founded on drone bass with the later addition of simple chords.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1380761 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. Score. 14 pages. Barabba Music #965547. Published by Barabba Music (A0.1380761). This piece was a birthday gift for my father, who has written several books about business. I chose to include texts from Russell Ackoff and Abraham Maslow, authors who have influenced dad’s work. In the process of working on this piece, it became clear to me, that there is an enormous amount of “philosophy� in the study of business that overlaps with an improved understanding of the bigger issues of life. I have always admired my father’s direct approach to the world, and hope to someday live up to Maslow’s “Acceptance of the Mysteries of Life� as well as he has. For more information visit www.jasonbarabba.com.

Large Ensemble B-Flat Clarinet,Bassoon,Cymbals,Flute,Glockenspiel,Horn,Oboe,Percussion,Snare Drum,Vibraphone - Level 5 - Digital Download SKU: A0.924834 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913101. Published by stanleymhoffman.com (A0.924834). A Dissertation Musical Composition Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Music In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy byStanley M. Hoffman 12/92. This nocturne features lyrical melodic writing and a chromatic musical language. The tone colors are exquisite. Duration: 20:00

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1004794 Composed by Leslie Kleen. Contemporary. Octavo. 32 pages. Music From Riverside #4368538. Published by Music From Riverside (A0.1004794). Lucretius was a Roman Poet from the first century BC.  The discovery of his large poem, De Rerum Naturawas instrumental in the beginnings of the Renaissance.  These four songs are settings of portions of that poem which has been translated into English by A.E. Stallings:1. You Might, As you commence philosophy2. It is vital in what order I array the different letters3.  Sun and moon and sea and all the rest4. Time changes the nature of the whole world

Voice, recorder and percussion - Digital Download SKU: S9.Q53825 Major: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orchestration - Orff Schulwerk - keys. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 3. Schott Music - Digital #Q53825. Published by Schott Music - Digital (S9.Q53825). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this third volume: The instrumentation and range of keys are inceased. The settings include the chords on the fourth and fifth notes of the major scale.

Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.592487 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 4 pages. David McKeown #6359919. Published by David McKeown (A0.592487). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for two Trumpets. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements .

Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.592449 Composed by David McKeown. 20th Century,Contemporary,Standards. Score and parts. 4 pages. David McKeown #6359835. Published by David McKeown (A0.592449). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Clarinet and one Alto Clarinet. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Clarinet and Alto Clarinet.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements.

Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.592476 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6359891. Published by David McKeown (A0.592476). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for one Trumpet and one Clarinet. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Clarinet.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements .