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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 4 - Digital Download SKU: A0.1301307 Composed by J. P. Rameau. Arranged by James Haynor. Renaissance. 10 pages. James Haynor #890946. Published by James Haynor (A0.1301307). Jean Philippe Rameau (1683-1764) was a French theoretician of music and a composer. His theoretical works provided the scientific basis for the development of traditional, functional harmony in the 18th century. His operas were the first national creations to rival those of Lully.Le Tambourin was originally a keyboard piece. Arranged here for Clarinet Quintet, it makes for a lively addition to any concert or recital. Makes a great quick encore.( Duration - 1:17 ).
Le Tambourin for Clarinet Quintet
Quintette de Clarinettes: 5 clarinettes

$10.00 8.66 € Quintette de Clarinettes: 5 clarinettes PDF SheetMusicPlus

Voice and piano - Medium - Digital Download SKU: MQ.8492-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-22E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Op. 21, No. 4: Dans les bois from Songs of Gouvy, V2 (Downloadable)
Piano, Voix

$3.00 2.6 € Piano, Voix PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano.  Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.†La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.†For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
Voix duo, Piano

$12.95 11.21 € Voix duo, Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.1075938 Composed by Jean-Philippe Rameau. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part. 11 pages. Piacere Music Sheets #680108. Published by Piacere Music Sheets (A0.1075938). Opus/Catalog Number: RCT 2, No. 8 Key/Tone: D minor Movements/Sections: Vif/Spirited Year/Date of Composition: 1724 Difficulty: Grade 5/12 (Intermediate) Obs.: This piece was originally composed for the harpsichord as part of the Pièces de clavecin. This score is an arrangement for viola with piano accompaniment. The viola part is to be played in the first, second and third positions. Included: Full score and separated parts for each instrument.
Rameau - Tambourin in D minor - Intermediate
Alto, Piano

$5.95 5.15 € Alto, Piano PDF SheetMusicPlus

Oboe (or soprano) and cor anglais - difficult - Digital Download SKU: S9.Q53053 Seven poems by Philippe Jaccottet. Composed by Heinz Holliger. This edition: performance score. Oboe Library. Downloadable, Performance score. Duration 25 minutes. Schott Music - Digital #Q53053. Published by Schott Music - Digital (S9.Q53053). French.From soft cantilenas to bird-like multiphonic twittering, Heinz Holliger transfers the mood of the underlying texts into an instrumental dialogue. An intriguing addition to the contemporary oboe repertoire.Von weichen Kantilenen bis hin zu vogelartigem Multiphonic-Zwitschern überträgt Heinz Holliger die Stimmung der zugrundeliegenden Texte in ein Zwiegespräch (so der Titel der neuen ECM-CD) der Instrumente, schon jetzt ein opus summum zeitgenössischen Oboenspiels.
Airs

$17.99 15.57 € PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1153119 Composed by Andrea Morricone and Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional,Wedding. Score and parts. 28 pages. FRC Music #753363. Published by FRC Music (A0.1153119). Cinema Paradiso (for 2 Flutes, Oboe, 2 Clarinets in Bb and String Orchestra). Cinema Paradiso is a 1988 Italian drama film written and directed by Giuseppe Tornatore. The film stars Jacques Perrin, Philippe Noiret, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio, and was produced by Franco Cristaldi and Giovanna Romagnoli, while the music score was composed by Ennio Morricone along with his son, Andrea. It won the Academy Award for Best Foreign Language Film at the 62nd Academy Awards. This arrangement written for chamber orchestra is well suited for small performances, weddings and receptions. You, your orchestra and your audience will love hearing and playing this beautiful piece by Morricone. Intermediate.Format: Concert, 9 x 12 inches.28 pages.
Cinema Paradiso
Orchestre de chambre

$49.99 43.27 € Orchestre de chambre PDF SheetMusicPlus






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