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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1198799 Composed by J. Arcadelt. Arranged by Alessandro Macrì. Christian,Classical,Early Music,Film/TV,Sacred. 10 pages. Music Macri Editions #797882. Published by Music Macri Editions (A0.1198799). Questa celebre Ave Maria risale molto probabilmente al XVI secolo ed è tradizionalmente attribuita al compositore franco-fiammingo Jacques (o Jacob) Arcadelt (1505-1568) che fu anche magister puerorum (cioè: direttore del coro delle voci bianche) e successivamente maestro del coro della Cappella Sistina in Roma. In realtà, questo brano – nella versione che noi conosciamo e con le parole del saluto angelico – fu edito per la prima volta nel 1842 da Pierre-Louis Philippe Dietsch (1808 - 1865), un oscuro e modesto compositore francese, che riprendeva la chanson profana a tre voci Nous voyons que les hommes, questa sì composta da Jacques Arcadelt per sole voci femminili ed apparsa per la prima volta a stampa nel 1554 in Tiers livre de chansons, nouvellement mises en musique à quatre, presso l’editore Le Roy & Ballard, in Parigi. La parte del basso, in particolare, è interamente lavoro di Dietsch che ne ha anche modificato l’assetto ritmico per adattarlo al nuovo testo, e ha aggiunto la cadenza plagale con la parola conclusiva Amen. Vari musicisti, in seguito, si sono cimentati sia nel modificare le linee di battuta, sia le durate di alcune note, sia la stessa divisione delle sillabe, per tentare  di correggere quello che è considerato lo stress della parola latina.
Ave Maria
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$8.00 6.86 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1301423 Composed by J. P. Rameau. Arranged by James Haynor. Renaissance. 10 pages. James Haynor #891047. Published by James Haynor (A0.1301423). Jean Philippe Rameau (1683-1764) was a French theoretician of music and a composer. His theoretical works provided the scientific basis for the development of traditional, functional harmony in the 18th century. His operas were the first national creations to rival those of Lully.Le Tambourin was originally a keyboard piece. Arranged here for Woodwind Quintet, it makes for a lively addition to any concert or recital. Makes a great quick encore.( Duration - 1:17 ).
Le Tambourin for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$10.00 8.57 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.775934 Composed by Carson Cooman. Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2033027. Published by Musik Fabrik Music Publishing (A0.775934). Lullaby (after Rameau) (2009) for piano was composed in honor of the birth of Goldie Celeste Hunka and is also dedicated to her parents: pianist Marilyn Nonken and playwright George Hunka. The substrate of the music is an E–D tolling figure, whose continuous changes in placement and temperament drive the discourse. The overall tone is tender and gentle, even as the music continually tries to burst its confines. (Jean-Philippe Rameau’s harpsichord piece L' Entretien des Muses served as a template for a number of structural and textural aspects.).
Carson Cooman - Lullaby (after Rameau) for piano
Piano seul

$9.05 7.76 € Piano seul PDF SheetMusicPlus

Voice and piano - Medium - Digital Download SKU: MQ.8492-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-08E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-08E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Op. 45, No. 8: Mon bel et doux tourment from Songs of Gouvy, V2 (Downloadable)
Piano, Voix

$3.00 2.57 € Piano, Voix PDF SheetMusicPlus

Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.880824 By Jason Derulo & Jawsh 685. By Jacob Hindlin, Jacob Kasher Hindlin, Jason Derulo, Jason Desrouleaux, Joshua Christian Nanai, Joshua Nanai, and Philippe Greiss. Arranged by Marco Polo Ignacio. Pop. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6100673. Published by MARCO POLO IGNACIO (A0.880824). Savage Love (Laxed – Siren Beat), originally known as Savage Love, is a song by New Zealand music producer Jawsh 685 and American singer Jason Derulo. The song was officially released on 11 June 2020, following the resolution of sample clearance issues between the two artists.
Savage Love
Ligne De Mélodie, (Paroles) et Accords
Jason Derulo & Jawsh 685
$4.99 4.28 € Ligne De Mélodie, (Paroles) et Accords PDF SheetMusicPlus






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