Piano Solo - Level 1 - Digital Download SKU: A0.1002023 Composed by Beautiful things. Contemporary. Score. 1 pages. Beautiful things #6350317. Published by Beautiful things (A0.1002023).

Piano Solo - Level 4 - Digital Download SKU: A0.1043803 Composed by Jaz Dörren. 20th Century,Classical,Contemporary,Film/TV,Romantic Period. Score. 2 pages. Jaz Dörren #648477. Published by Jaz Dörren (A0.1043803). Fourth poem (Part 1) of a two-piece work for the intermediate/advance student and concert pianist, designed for strengthen skills in both hands, contributing specially to the development and control of the left hand. Written with a modern vision and romantic spirit, abundant in interpretive content, with harmonies that are in continuum motion; sometimes evading the original key and modulating to another key: ranging from tonal to dissonant. Passionate, with contrasting dynamics and reminiscent of jazz. In addition both Part 1 and 2 can be played together or separately; each have something very unique to say.

Piano Solo - Level 2 - Digital Download SKU: A0.1125255 Composed by Friedrich Kuhlau. Arranged by Public Domain. Baroque. Score. 3 pages. John Travos #726036. Published by John Travos (A0.1125255). Kuhlau Sonatina Op. 20 No. 1.1 in C Major. High-quality printable including finger numbers.

Piano Solo - Level 3 - Digital Download SKU: A0.910945 Composed by F. Mendelssohn-Bartholdy, Franz Schubert, Frederic Chopin, and Giacomo Puccini. Arranged by Reimund Merkens. Classical,Opera,Romantic Period. Score. 33 pages. Reimund Merkens #6428529. Published by Reimund Merkens (A0.910945). This is my piano book Beautiful medodies for Piano - Volume 1 with some great classical piano works from different composers, like F. Chopin, F. Schubert, G. Puccini, F. Mendelssohn-Bartholdy. I specially arranged the scores for piano to be played by intermediate or advanced intermediate piano players and piano students of grade 4 or above. The songs are a bit simplified in comparison to the original version, sometimes I changed the key to make it easier to read and sometimes I changed it to make it technically easier to play.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1404109 By F.Chopin. By F.Chopin. Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #987254. Published by pfkaorimusic (A0.1404109). Composer: F.Chopin Song: Valse (Waltz)/op.64-1 Key: Desdur (sax inB♭) Orchestration: soprano sax & piano Level: Intermediate (There are individual differences in level) *with part score *This is an arrangement of the 1st edition.In this arrangement, the melody is passed to the piano at the beginning. The ending that appears first (not as a tuplet) is the ending.In the second version, the melody is passed to the piano around the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the soloist harmonizes. Only the last six notes of the 24-note tuplet are played by the soloist and the piano, each eighth note.Please choose according to your preference.I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1404440 By F.Chopin . By F.Chopin . Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #987518. Published by pfkaorimusic (A0.1404440). Composer: F.Chopin Song: Valse (Waltz)/op.64-1 Key: Desdur (sax inB♭) Orchestration: soprano sax & piano Level: Intermediate (There are individual differences in level) *with part score *This is an arrangement of the 2nd edition.In this arrangement, the melody is passed to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the soloist harmonizes. Only the last six notes of the 24-note tuplet are played by the soloist and the piano, each eighth note.In the first version, the melody is passed to the piano at the beginning. The ending that appears first (not as a tuplet) is the ending.Please choose according to your preference.I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.

Piano,Violin - Level 3 - Digital Download SKU: A0.785677 By Grant Horsley. By C Debussy. Arranged by Grant Horsley. 20th Century,Instructional,Romantic Period,Standards,Wedding. 17 pages. Grant Horsley #5199817. Published by Grant Horsley (A0.785677). Arabesque No 1 Debussy- Violin and Piano- Intermediate ( Flute and Piano and Clarinet and Piano versions are also available) This beautiful piece originally for piano solo has been carefully arranged for Violin and piano. It has been kept in the original key. The violin range is 2 octaves. Bowing has been left to the performer It is really lovely to play at weddings, recitals, concerts etc. Placed at top end Intermediate. The you tube link has the whole score for you to judge The full score is 9 pages long -Violin 3 pages, Piano 6 and the piece is nearly 5 mins in length. Price is for score and parts.

Flute,Piano - Level 3 - Digital Download SKU: A0.1404912 By F.Chopin . By F.Chopin . Arranged by pfkaori. Classical. Score and part. 7 pages. Pfkaorimusic #987944. Published by pfkaorimusic (A0.1404912). Composer: Chopin Song: Valse op.64-1 Key:Fdur Orchestration: Flute & Piano Level: Intermediate (There are individual differences in level) *Part score included *This is an arrangement of the 2nd edition.In this arrangement, the melody is passed to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the soloist harmonizes. Only the last six notes of the 24-note tuplet are played by the soloist and the piano, each eighth note.In the first version, the melody is passed to the piano at the beginning. The ending that appears first (not as a tuplet) is the ending.Please choose according to your preference.I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.[Other keys] Desdur→.

Easy Piano - Level 1 - Digital Download SKU: A0.949584 Composed by Anonymous. Arranged by Henrique F Mangoni. Folk,Standards. Score. 10 pages. Henrique Franke Mangoni #6425251. Published by Henrique Franke Mangoni (A0.949584). Folk, france, child piano, children piano, beginner piano, easy pianoFive french folk songs arranged for piano. Perfect for the beginner student, young or old. Learn the piano technique and the music of other cultures at the same time!Follow me on instagram to know more about my work! (@hfmusica)

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-41E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-41E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-41E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-22E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Easy Piano - Level 2 - Digital Download SKU: A0.659090 Composed by Peter Ilyich Tchaikovsky. Arranged by MPS. Classical. Score. 3 pages. Classic Piano sheetz #6294981. Published by Classic Piano sheetz (A0.659090). Tchaikovsky - Theme from Piano Concerto No.1(Easy Piano Version).

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-26E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.