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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548709 Composed by Martin Luther. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411721. Published by jmsgu3 (A0.548709). Out of the Depths I Cry to You by Martin Luther arranged for alto sax & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Alto Sax & Piano
Saxophone Alto et Piano

$24.95 21.36 € Saxophone Alto et Piano PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.740007 Composed by Erik Satie (1866-1925). Arranged by Len Rhodes. 20th Century,Concert,Graduation. Score and parts. 12 pages. Len Rhodes Music #5200099. Published by Len Rhodes Music (A0.740007). Satie - Trois Gnossiennes for piano transcribed, and NOW AVAILABLE for piano duet. The three pieces have been perfectly arranged for the late elementary/early intermediate pianist on the higher part (primo); and a teacher or more advanced pianist on the lower part (secundo).In no. 1. the melodic line is shared between the hands in the upper part - the acciaccatura's are included, but these can be omitted if too challenging. The lower player has the chord progression, as Satie intended, only shared between the hands.In no. 2, the melodic line is doubled in the upper part (hands an octave apart). The lower part has the chord progression. In no. 3, the melodic line is again shared between the hands in the upper part - the few acciaccatura's are included, but these can be omitted if too challenging. Bar 24- 34 is an example of Satie's innovative new scales, in this case a simple six-note scale, constructed with the notes from the E minor and F# major triad chords. Arranger's note: Erik Satie often added whimsical instructions to his music: Light as an egg, Here comes the lantern, Open your head,Muffle the sound, Work it out yourself, etc. I have included, and translated, those he applied to these pieces.Your download is all THREE pieces.
Erik Satie - Trois Gnossiennes, for piano duet
1 Piano, 4 mains

$7.95 6.8 € 1 Piano, 4 mains PDF SheetMusicPlus






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