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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1407765 By Samuel Rogers (1763—1855). By Carlo Alfredo Piatti (1822—1901). Arranged by Michele Galvagno (* 1987). 19th Century,Classical,Romantic Period. Score. 28 pages. Artistic Score Engraving di Galvagno Michele #990389. Published by Artistic Score Engraving di Galvagno Michele (A0.1407765). Here comes the second episode of our publishing journey through Carlo Alfredo Piatti’s (1822—1901) production for voice and piano involving the cello. It is called A Farewell, and it is based on the poem of the same name by British poet Samuel Rogers (1763—1855).This edition includes a thorough research on the poem and a complete analysis of the piece, alongside thorough Critical Notes marking the differences between this version and the one without cello that Piatti realised later (published as ASE 0061). The original text of the poem, marked with the few edits Piatti made, is included in the preface.The full score is accompanied by a cello and voice part (ASE 0056) or by the voice part alone (ASE 0061). Score: IV + 16pp (ASE 0056); IV + 12pp (ASE 0061)Cello part (ASE 0056 only): 4 ppVoice part: 4 pp.
A Farewell - Song for Voice, Piano, and Violoncello Obbligato
Piano, Voix
Samuel Rogers (1763—1855)
$12.00 10.3 € Piano, Voix PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.1304518 Composed by Edvard Grieg. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #893534. Published by Rodrigo Faleiros (A0.1304518). Unleash the captivating charm of Edvard Grieg's In the Hall of the Mountain King with our baritone sax solo arrangement. This rendition contains a piano accompaniment and maintains the essence of the original while ensuring accessibility for players of all levels. Whether you're a beginner or a seasoned pro, this piece offers a memorable solo experience, combining the essence of Grieg's masterpiece with suitability for all skill levels, making it perfect for personal enjoyment, recitals, or competitions.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
In the Hall of the Mountain King (for baritone sax solo w/ piano accompaniment)
Saxophone Baryton, Piano

$4.99 4.28 € Saxophone Baryton, Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.549794 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3538993. Published by jmsgu3 (A0.549794). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most memorable melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five indeed rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Flute & Piano
Flûte traversière et Piano

$32.95 28.29 € Flûte traversière et Piano PDF SheetMusicPlus

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.  Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
Saxophone Alto et Piano

$32.95 28.29 € Saxophone Alto et Piano PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.525271 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Contemporary,Instructional,New Age. Score. 4 pages. James M Stevens Music ASCAP #135807. Published by James M Stevens Music ASCAP (A0.525271). Written January 9, 2022, this is a an original piano composition in the mode of B Locrian. Locrian is a rarely used mode because unlike all the other modes its tonic (first chord) is not major or minor, but diminished. Also, it is different in that it does not have a solid dominant because the distance to the 5th is a tritone or what in Medieval times was considered the “devil in music†and avoided it at all cost. So at times it can be a little unsettling, but I’ve blended this in with a somewhat impressionist feel with lots of colors in the harmony while all staying within the Locrian. James Michael Stevens is a prolific composer residing in Nashville, TN.
The Modal Piano No. 3 - B Locrian
Piano seul
James Michael Stevens
$4.99 4.28 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.912491 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 4 pages. Thomas R. Schadl #3569713. Published by Thomas R. Schadl (A0.912491). Passacaglia On EGD For Piano follows the dance style that exists in a triple time. The feature in the theme consists of notes that start in a forward direction, followed by its retrograde direction.  Here is how the theme is organized. The first four bars contains EGDC#EBF#A. The notes of the next four bars are arranged this way: AF#BEC#DGE.To perform this work, one may apply the damper pedal for each note of the theme from bars 1-8. Apply the damper pedal for each quarter-note beat from bars 9 to 48. From measures 49-72, the pedal may not be used to allow clarity of the theme; however, the pedal may be used from bars 73 to the end of the piece.Structure of the six-note row:E     G D    D# G#  FC#   E B     C F   D F#   A E      F A# GF    G# D#    E A   F#C    D# A#    B E   C#D#  F# C#    D G  E E to E diagonal row                                         F to D# diagonal rowX0     E                                                      Y0 FX1     C# G                                                   Y1 G# DX2     F# E D                                                  Y2 D# F GX3     F A B  D#                                    Y3 D C A# F#X4     C G# E  C G#                                 Y4 G B F A C#X5     D# D# D#  F F F                            Y5 E E E E E EX6     F# A# E A# D                                       Y6 C# A D# B GX7    C# B A  G                                       Y7 F# G# A# DX8    D E F#                                                   Y8 F# D# C#X9    G C#                                                      Y9 C F#X10  E                                                          Y10 D#The purpose of writing this piece, based on EGD, is to show how a simple motive is expanded by applying various compositional techniques.
Passacaglia On EGD For Piano
Piano seul

$4.99 4.28 € Piano seul PDF SheetMusicPlus






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