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Easy Piano - Level 2 - Digital Download SKU: A0.1076560 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Standards. Score. 8 pages. Cathy Stamegna #680699. Published by Cathy Stamegna (A0.1076560). Jerome Kern’s first big hit (with Herbert Reynolds), this number from the 1914 Broadway musical, “The Girl from Utah,†helped change the trajectory of American love songs away from European influence (waltzes, flowery lyrics) and more toward the musical styles of the time. Its 4/4 meter shows influence of the American musical styles of the era (ragtime, fox trot) as well as a move toward American vernacular lyrics. It also became a World War I anthem, but has continued to be popular and has appeared in films and been recorded by many over the years (Frank Sinatra, Bing Crosby, Harry Bellafonte). a.k.a. “We’ll Never Tell Them.†Lyrics included for singing along.
They Didn’t Believe Me (Early Intermediate Piano Solo)
Piano Facile

$4.99 4.3 € Piano Facile PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1134936 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pages. Juan Maria Solare #652301. Published by Juan Maria Solare (A0.1134936). Juan María Solare: Bubbles, Floating Bubbles - a polyrhythmic etude Concert etude composed in Bremen (2-3 July) and Worpswede (5 July 2010). Duration: 4:30 (if the repetition -from bar 28 to the end- is being played; if not, 3 minutes). Bublles, Floating Bubbles - by Juan María Solare Bubbles, Floating Bubbles on Youtube: Bubbles, Floating Bubbles on Spotify: This composition is a concert etude, since it can be performed at a recital (and not only used to practice). The degree of virtuosity is relatively low, but nevertheless not suitable for absolute beginners. Technically, the main characteristic of this piece is the polyrhythm 2 against 3: the melody subdivides the quarter in 2, and the accompaniment plays triplets. In this sense, an answer to Carl Czerny's polyrhythmic studie in E major. Please use abundant pedal when playing this piece. The idea is to generate a cloud of sound, not a machinal pattern. The sound character of this piece should be closer to Debussy than to Scarlatti. The initial indication scorrevole (fleeting) should orientate the character and the sound quality, the touch. Fermatas and caesuras should add time to the bar, like breathing in. In bar 8 (end) the silence is only in he left hand: the note of the right hand shouldn't be interrupted. This is actually clear if one read the rhythms carefully, but my experience tells me that it is prudent to underline this particular point. In bar 16 (and similar places), left hand: it is the central melody what should be in foreground, not the bass. Imagine that the melody is played by a cello or viola, and the bass by a double bass (or better: a bassoon). Try to achieve a different timbre and to separate therefore both layers. The title refers to this poem: Sum venti ingenium breve Flos sum, scilicet, aeris …… Sum blandum, petulans, vagum, Pulchrum, purpureum, et decens, Comptum, floridulum, et recens. Richard Crashaw -Jacobean English poet- (1613-1649), Bulla (Bubble) I am the brief nature of the wind To be sure, I am the flower of air ...... I am charming, wanton, inconstant, Beautiful, gleaming, and noble, Ornate, somewhat blooming, and fresh.
Bubbles, Floating Bubbles (piano solo)
Piano seul
Juan María Solare
$3.00 2.59 € Piano seul PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.1450569 Composed by David Warin Solomons. Comedy,Contemporary. 4 pages. David Warin Solomons #1030211. Published by David Warin Solomons (A0.1450569). The pdf file contains the score and separate violin part.Instrumental re-working of my folksong based on the enjoyment of the deep fried banana in ScotlandYoung Hamish he went out to buy him some chipsand ordered a haddock and good saucy dipsHis eyes then did wander and he licked his lips'Cause he'd spotted a Scottish bananaOch aye! that'll do me!The deep fried banana's just right for my tea!So Hamish he emptied his wallet right thereand all for the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaNow everyone knows deep fried food does you goodProvided you have a wee apple for pudBut Hamish just kept all that under his hoodPreferring his Scottish banana.Och aye! that'll do me!Cos deep fried bananas are all I can see!So Hamish he picked up his package of foodincluding the Scottish banana.all for the Scottishall for the Scottishall for the Scottish bananaYoung Hamish went home now with all of his haulSat down on the sofa with TV and allHe opened the package and started to bawlThere was fish and chips but no banana!Och nay! I'll check where I wentIt surely was stolen by some passing gentOr else it escaped while my money was spentOh where is my Scottish banana?all for the Scottishall for the Scottishall for the Scottish bananaBut Hamish just couldn't account for his lossHe looked in the heather, he looked in the mossHe questioned a passing great white albatrossBut nary a sign of banana!Oh nay, where can it be?Bananas don't vanish, bananas don't flee!So Hamish he turned and then quite suddenlyHe slipped on his Scottish banana!all for the Scottishall for the Scottishall for the Scottish banana.
The Scottish banana for violin and piano
Violon et Piano

$5.50 4.74 € Violon et Piano PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.596605 Composed by Juan María Solare. 20th Century,Contemporary,Instructional,World. Score. 5 pages. Juan Maria Solare #6091679. Published by Juan Maria Solare (A0.596605). Juan María Solare: Fraternidad del asombro (Brotherhood of amazement * Bruderschaft des Staunens) A community united by its reverence for wonder, by its tendency towards non-routine, towards the unexpected, towards that perplexity that prompts reflection. The harmony of this piece is based on presenting a chromatic field (the twelve notes) subdivided into three diatonic fields (of 4 notes each). This work was composed in Bremen (Germany) in February 25-26, 2020.Duration: ca. 3:45   Una comunidad unida por su reverencia del asombro, por su tendencia hacia la no rutina, hacia lo inesperado, hacia esa perplejidad que impulsa la reflexión.   La armonía de esta obra se basa en presentar un campo cromático (las doce notas) subdividido en tres campos diatónicos (de 4 notas).   Obra compuesta en Bremen (Alemania), 25-26 febrero 2020. Duración: ca. 3:45    Eine Gemeinschaft, die durch ihre Ehrfurcht vor dem Staunen, durch ihre Tendenz zur Nicht-Routine, zum Unerwarteten, zu dieser Verwirrung, die zum Nachdenken anregt, vereint ist.   Die Harmonie dieses Stückes basiert auf der Darstellung eines chromatischen Feldes (die zwölf Noten), das in drei diatonischen Feldern (von jeweils vier Noten) unterteilt ist.   Dies Stück entstand in Bremen (Deutschland) vom 25. bis 26. Februar 2020. Dauer: ca. 3:45    
Fraternidad del asombro [piano solo]
Piano seul

$2.50 2.16 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.918243 Composed by Emily Nafius. 20th Century,Contemporary,Jazz,Pop,Standards. Score. 4 pages. Emily Nafius Music #5995145. Published by Emily Nafius Music (A0.918243). A modern, meditative original composition, suitable for students and advanced musicians alike.Composer’s Note:Nojoqui Falls (pronounced NAW-ho-wee) is a seasonal waterfall in Santa Barbara County, California, in the interior foothills of the Santa Ynez Mountains. It is the subject of stories from the Chumash, a Native American people who have lived along California’s central coast for thousands of years. When the area experiences extreme drought, sometimes the waterfall reduces to a trickle. But it is a beautiful, shady place with a magical quality, and the water always returns.For interested students or teachers, here are a few pedagogical notes:Pedal ad lib is appropriate for this piece. Unless a player has very large hands, the right hand will need to cover most of the top notes in the bass clef (the C ostinato). This can be a welcome challenge for students, as they will need to balance this with sustaining and shaping the top melody notes. Some of the middle C ostinato notes are indicated as optional, since they are already struck as melody notes during the same beat. (But they are still notated in case another instrument plays the melody.) It might feel awkward to strike some of the other C ostinato notes that are rhythmically nearby, but it can also be a good way to practice leaving that sustained melodic note ringing while striking the same note soon after with a much quieter dynamic, which requires both control and skilled use of the pedal.About the Composer:Emily Nafius is a pianist in Southern California with her musical roots in jazz. As a soloist or sideman, she has performed at numerous music venues around California in an eclectic mix of styles, and recorded with a variety of singer-songwriters and rock bands. Her work as an accompanist spans classical, jazz, and musical theatre, receiving praise for her theatre work as a pianist and ensemble leader. She has maintained a teaching studio for over fifteen years, instructing musicians of all ages.
Nojoqui Falls - for Solo Piano
Piano seul

$3.99 3.44 € Piano seul PDF SheetMusicPlus






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