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Flute,Piano - Level 3 - Digital Download SKU: A0.727496 Composed by Joseph Hart. Arranged by Carol Troutman Wiggins. Christian,Folk,Religious,Sacred,Traditional. Score and part. 4 pages. Carol Troutman Wiggins #4595869. Published by Carol Troutman Wiggins (A0.727496). COME, YE SINNERS, POOR AND NEEDYFlute & Piano DuetComposed by Joseph Hart in 1759, this hymn has been used for many years as a closing hymn or as a hymn of invitation used during the altar call in Christian churches. The text is as follows:Come, ye sinners, poor and needy, weak and wounded, sick and sore; Jesus ready stands to save you, full of pity, love and power. I will arise and go to Jesus; he will embrace me in his arms; in the arms of my dear Savior, O there are ten thousand charms. Arranged for flute and piano, it may also be used with other soprano C instruments.Intermediate level flute part and accompanimentMinor keyBegins with flute melody then transitions to a descant stylePerfect for preludes, offertories, and postludes as well.Piano Rehearsal Track available on this site.
Come, Ye Sinners, Poor and Needy (Flute & Piano)
Flûte traversière et Piano

$9.99 8.64 € Flûte traversière et Piano PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
Mendelssohn: Wedding March for Alto Sax & Piano
Saxophone Alto et Piano

$32.95 28.5 € Saxophone Alto et Piano PDF SheetMusicPlus

Small Ensemble Piano,Violin - Level 4 - Digital Download SKU: A0.572607 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,New Age,Sacred,Wedding. 8 pages. James M Stevens Music ASCAP #3667511. Published by James M Stevens Music ASCAP (A0.572607). This is a an original composition for Violin & Piano in a romantic and lyrical style in the key of C major. There is a separate violin part in the score and the piano can serve as a stand alone solo. The track as heard is available under Serenade at Eventide Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. 2018 Holiday Contest Entry https://www.youtube.com/watch?v=GrWU4lguRyk
Serenade at Eventide - Violin & Piano
Violon et Piano

$6.99 6.05 € Violon et Piano PDF SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1368922 Composed by Gaetano Donizetti. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. 18 pages. John A. Dempsey #953263. Published by John A. Dempsey (A0.1368922). An opulent, unforgettable air that exudes beauty, drama and mystique, Donizetti's Una Furtiva Lagrima (from the opera L'Elisir d'Amore or The Elixir of Love) makes a haunting, heartfelt piano trio for two flutes and piano.  The melody soars!  Recommended for recitals, concerts and more.  Key: A minor / modulates to A major.  14 pages of music (that includes separate two-page parts for cello 1 and cello 2).
Una Furtiva Lagrima (One Furtive Tear): Trio for Two Cellos and Piano
Violoncelle, Piano

$11.99 10.37 € Violoncelle, Piano PDF SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
Hautbois, Piano (duo)

$32.95 28.5 € Hautbois, Piano (duo) PDF SheetMusicPlus

Bassoon,Piano - Level 4 - Digital Download SKU: A0.1497061 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Lent,Multicultural,Romantic Period,Wedding,World. Score and part. 19 pages. Sheet Music To Play Editions #1073479. Published by Sheet Music To Play Editions (A0.1497061). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Bassoon and Piano. With Full Score and Individual Parts. Enjoy it!Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Liebestraum No.3 - Bassoon and Piano (Full Score and Parts)
Basson, Piano (duo)

$9.99 8.64 € Basson, Piano (duo) PDF SheetMusicPlus

Bassoon,Piano - Level 3 - Digital Download SKU: A0.844596 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 10 pages. Phil Beaman #4110711. Published by Phil Beaman (A0.844596). An original 21st Century piece which fuses influences from nearly every genre and period.  The Nocturne showcases the performer's tone quality, particularly in the upper register. The melody has hints of Contemporary Classical, Post-Romantic, and New Age, but overall is Minimalist. The Piano Accompaniment in this section is entirely a 2 chord ostinato in the Right Hand only.  The Rondo has continuity from the Nocturne in that the Piano Accompaniment continues with Right Hand only chords. This section is heavily rhythmic with West Indian/Caribbean rhythms and some pulsing Rock influence, yet still with characteristics of Contemporary Classical.  This Nocturne and Rondo makes a great Audition piece to show your musicianship. Or a formal Recital performance piece. Nocturne - 64 mm, Andante, 4:30-5 min.Rondo - 61 mm, Allegro, 1:45-2 min. 7 page score, 3 page solo partTemporary recording of piano reduction of score.
Nocturne and Rondo-Bassoon and Piano
Basson, Piano (duo)

$7.99 6.91 € Basson, Piano (duo) PDF SheetMusicPlus






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