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Organ - Level 2 - Digital Download SKU: A0.1168505 Composed by Vidas Pinkevicius. Contemporary,Multicultural,World. Score. 3 pages. Vidas Pinkevicius #768840. Published by Vidas Pinkevicius (A0.1168505). This is a gentle meditation on the popular Ukrainian folk song Oy Vershe Miy, Vershe (Ой верше мій, верше), transl. Oh my poem, poem. The tune is presented 3 times throughout the piece - the first time in the key of E minor on a solo stop, the second time in the key of G minor, also on a solo stop and the last time in a chordal texture. The meditation ends quietly as it started. Phrases of the song are connected with interesting ostinato motives which unify the piece. This composition will be very effective in all kinds of occasions where support for Ukraine is needed. Dedicated to Nadiya Velychko.
Meditation on Ukrainian Folk Song "Oy Vershe Miy, Vershe", Op. 227 (Organ Solo) by Vidas Pinkevicius
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Organ - Level 2 - Digital Download SKU: A0.1162578 Composed by Vidas Pinkevicius. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 5 pages. Vidas Pinkevicius #762951. Published by Vidas Pinkevicius (A0.1162578). This is a meditation on the beloved Gregorian chant tune Adoro te devote written in the key of C major. The tune which features a solo reed stop moves to Eb major area in the second verse before coming back to C major. Gentle refrain played on string stops helps to unify the piece. This composition will be very effective for liturgical organ playing and recital programs whenever contemplative music is desired. Dedicated to the memory of Aleksas SpeiÄys.
Meditation on Adoro te devote, Op. 221 (Organ Solo) by Vidas Pinkevicius
Orgue

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Organ - Level 2 - Digital Download SKU: A0.1149197 Composed by Vidas Pinkevicius. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 4 pages. Vidas Pinkevicius #749328. Published by Vidas Pinkevicius (A0.1149197). This is a Meditation on the hymn tune Franconia. It is a gentle composition which is written in the key of D major. The chorale tune is presented twice in the right hand part and it alternates with the phrases of the refrain. In the first verse the melody is played by a solo voice but the second time the texture thickens into three-note chords. It also reaches climax because the range and dynamic level increases but the piece ends quietly as in the beginning. This composition will be very effective in liturgical organ playing and recital programs.
Meditation on Franconia, Op. 208 (Organ Solo) by Vidas Pinkevicius
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