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Organ - Level 2 - Digital Download SKU: A0.1438694 Composed by Vidas Pinkevicius. Christian,Classical,Contemporary,Religious,Sacred. Score. 4 pages. Secrets of Organ Playing #1018768. Published by Secrets of Organ Playing (A0.1438694). This gentle meditation is based on the American hymn tune FOUNDATION which has a melody, entirely written in Major Pentatonic mode. Therefore this mode fits this piece very well. The tune is heard in the right hand part, and left hand with pedals play asynchronous ostinato figures around it, creating colorful harmonies. The piece touches G major, Bb major, Gb major, A major and G major areas. This composition will be very effective in liturgical organ playing and concert programs whenever peaceful music is desired.
Meditation on Foundation, Op. 265 (Organ Solo) by Vidas Pinkevicius
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Organ - Level 3 - Digital Download SKU: A0.1495663 Composed by Phil Lehenbauer. Classical,Contemporary,Holiday,Traditional,Wedding. Score. 8 pages. Phil Lehenbauer #1072186. Published by Phil Lehenbauer (A0.1495663). This original work is meant as a joyful, rhythmic postlude, with driving rhythyms from start to finish.  The work alternates between 6/8 and 3/4 time throughout, but is composed to fit well under the fingers.  This was written in thanks to Lithuanian organist Vidas Pinkevicius, who has been a huge proponent of my works.  It was written and recorded on a two manual instrument.  It was recorded here with no registration changes, but there are plenty of options for that with multiple keyboards and presets!  I hope you enjoy playing it, and that it adds some joy to your services!
Postliudas Pinkevicius (postlude for organ), organ work by Phil Lehenbauer
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Organ - Level 3 - Digital Download SKU: A0.1446399 Composed by Ausra Motuzaite-Pinkeviciene. Christian,Classical,Contemporary,Religious,Sacred. Score. 9 pages. Secrets of Organ Playing #1026215. Published by Secrets of Organ Playing (A0.1446399). This is an optimistic and powerful work based on the beloved Old Hundredth hymn tune. The piece is put together using two contrasting ideas - a fanfare-like acclamation and hymn tune in the pedals surrounded with toccata figuration in the hands. The composition will be very effective in liturgical organ playing as a postlude and in concert programs whenever joyful and loud music is desired, at the beginning or at the end. Dedicated to James Flores.
Fanfare Toccata on Old Hundredth, Op. 24 (Organ Solo) by Ausra Motuzaite-Pinkeviciene (2024)
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Organ - Level 2 - Digital Download SKU: A0.1463874 Composed by Ausra Motuzaite-Pinkeviciene. Contemporary,Folk,Multicultural,Religious,Sacred,World. Score. 4 pages. Secrets of Organ Playing #1042648. Published by Secrets of Organ Playing (A0.1463874). This is an original meditation based on Lithuanian folk song Saulele, motule. The text of the song talks about little shepherds begging the Mother sun to rise. Dedicated to my Dad for his 82nd birthday. This tune which you will hear stated as a single line at the beginning is a very dear melody with deep symbolic meaning to my dad who grew up in a rural society and who still had memories of little boys serving as shepherds guarding the flock at night. Sunrise would be their favourite time of the day, after the dark hours have passed.
Prayer to the Sun, Op. 26 (Organ Solo) by Ausra Motuzaite-Pinkeviciene
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Organ - Level 3 - Digital Download SKU: A0.1412256 Composed by Ausra Motuzaite-Pinkeviciene. Christian,Classical,Contemporary,Religious,Sacred. Score. 7 pages. Secrets of Organ Playing #994469. Published by Secrets of Organ Playing (A0.1412256). This accessible and joyful piece is based on Gregorian chant tune for the Solemnity of Christ the King Christus vincit! Christus regnat! Christus imperat!. It is written in the 5 part rondo form ABABA where the main theme alternates with the secondary theme and visits many interesting keys and colourful harmonies. It will be very effective in liturgical and concert organ playing whenever fast and loud music is desired. Dedicated to Carson Cooman.
Litany on Christus vincit, Op. 18 (Organ Solo) by Ausra Motuzaite-Pinkeviciene
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