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Franz Wohlfahrt : Les gammes Tomplay, Vol. 2 – N° 2 Mi bémol majeur
Violon
Téléchargez la partition Violon Les gammes Tomplay, Vol. 2 – N° 2 Mi b&e…
0.99 € Violon PDF Tomplay

Franz Wohlfahrt : Les gammes Tomplay, Vol. 2 – N° 2 La bémol majeur
Alto seul
Téléchargez la partition Alto Les gammes Tomplay, Vol. 2 – N° 2 La b&eac…
0.99 € Alto seul PDF Tomplay

Brass Quartet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.792813 Composed by Various. Arranged by Ran Whitley. Baroque,Classical,Renaissance. 102 pages. Gordon Cherry #6640477. Published by Gordon Cherry (A0.792813). Ran Whitley has arranged 12 Baroque Masterpieces called Go For Baroque! A Primer for Young Players for 4-part Brass Ensemble. They are perfect works for players just under Intermediate and through Intermediate stages of musical proficiency. They are about 1.5 minutes in length each written specifically for young performers with limited ranges and technical levels.The works included are:1. ALLEMANDE - Gervaise2. RIGAUDON - Purcell3. TANZ - Franck4. MINUET - Scarlatti5. TRIUMPHANT MARCH - Handel6. GAVOTTE - Telemann7. VOLTA-Byrd8. SPRING - Vivaldi9. PASTORALE - Corelli10. CANON - Tallis11. RONDE - Susato12. CHORALE PRELUDE - BachThere are many parts included in order to accommodate groups as small as 4 players up to the sky-is-the-limit: Part 1 in B-flat, Part 2 in B-flat & F, Part 3 in Bass, Treble clef and B-flat treble, Part 4 in Bass Clef, and 8 basso (Tuba).
Go For Baroque! A Primer for Young Players for 4-part Brass Ensemble
Quatuor de Cuivres

$32.50 27.9 € Quatuor de Cuivres PDF SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
Harmonic Spaces (four-hands piano)
2 Pianos, 4 mains

$10.00 8.59 € 2 Pianos, 4 mains PDF SheetMusicPlus

Pennequin : Les gammes Tomplay, Vol. 2 – N° 13 Sol majeur
Violoncelle
Téléchargez la partition Violoncelle Les gammes Tomplay, Vol. 2 – N° 2 S…
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Piano - very easy to easy - Digital Download SKU: S9.Q779424 50 Classical Arrangements. Arranged by Hans-Guenter Heumann. Arrangements - piano - collection. Best of Classics. Downloadable. Schott Music - Digital #Q779424. Published by Schott Music - Digital (S9.Q779424). English • German.This representative selection of 50 famous masterpieces will delight beginners and those returning to the piano with very easy to easy arrangements for piano. Hans-Günter Heumann has arranged the most popular compositions from four centuries, from baroque to classical modernism. With fingerings, tempo suggestions and notes on the execution of ornaments in a modern and reader-friendly print. Excellent for lessons or auditions and for anyone who plays the piano as a hobby.
Best of Easy Piano Classics 2
Piano seul

$15.99 13.73 € Piano seul PDF SheetMusicPlus

Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7541-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7541-E. Published by E. C. Schirmer Music Company - Digital (MQ.7541-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.†The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).
Three Sacred Songs: 2. The Shepherd Lad (Downloadable)

$1.95 1.67 € PDF SheetMusicPlus

Large Ensemble - Level 5 - Digital Download SKU: A0.553828 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. Score and parts. 33 pages. RayThompsonMusic #4854111. Published by RayThompsonMusic (A0.553828). English Dances, Op. 27 and 33, are two sets of light music pieces, composed for orchestra by Malcolm Arnold in 1950 and 1951.Each set consists of four dances inspired by, although not based upon, country folk tunes and dancesEach movement is denoted by the tempo marking, as the individual movements are untitled.There are 4 mvts in each suite.This is the 1st movement of the second suite.It was used from 1969 to 2008 as the theme music for the long-running UK television programme What the Papers Say, and was used again for the revived version of the programme on BBC Radio Four.It is arranged for double wind quintet/bass/tuba.One of the flutes plays piccolo throughout.
English Dances, Set 2, Op. 33: No. 1. Allegro Non Troppo

$12.99 11.15 € PDF SheetMusicPlus






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