Woodwind Ensemble,Woodwind Quartet Flute - Level 1 - Digital Download SKU: A0.945205 Composed by Trad. Irish. Arranged by Davide Bonomo. Contemporary,Holiday,Spiritual,Standards. 15 pages. Davide Bonomo #6327005. Published by Davide Bonomo (A0.945205). This arrangement is for Flute Quartet 2 C flutes, Alto flute and Bass FluteThe audio file you can find  on this page it's the same arrangement but for 3Cflutes and Alto fluteDifficulty: EasyIn the downloadable file you will find:Scoreextracted partI share you a YouTube link of the same arrangement but for 3C flutes and Alto flute in order to listen how this arrangement playsYouTube Link https://www.youtube.com/watch?v=D833qWQJ85EPlease, if you want this arrangement for different ensemble and  for any information, or for any question:davide.bonomo.it@gmail.com.

Piano Solo - Level 4 - Digital Download SKU: A0.887978 Composed by Graham Yates. Concert,Contemporary,Standards. Score. 12 pages. Graham Yates #6027709. Published by Graham Yates (A0.887978). These short piano solos were commissioned as part of the second annual Christmas in July showcase in 2020. Each composition encodes the donor’s first name (praenomen) as a musical motif, which is stated before the start of each piece. It also serves as a sketch that is loosely based on some aspect about the subject: 1. The classical-style Katies kleine Sonatine is a pun on Katie Cline and Eine kleine Nachtmusik; 2. Garrett is a proudly unusual character and his piece is vaguely atonal at times; 3. Jennie is a generous and deep soul, in a way that reminded me of Beethoven’s Andante cantabile from the Pathétique sonata; 4. Barbara’s second commission was an occasion for me to explore a Chopinesque etude style and unlikely harmonies; 5. Jamie is boisterous, fiercely devoted, strong-minded, and plays ukulele. The pieces can, of course, be enjoyed on their own merit.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Ma?gorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Ma?gorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Ma?gorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.

Level 5 - Digital Download SKU: A0.553830 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. 73 pages. RayThompsonMusic #4854771. Published by RayThompsonMusic (A0.553830). Arranged double wind quintet/bass/tuba English Dances,One of the flutes plays piccolo throughout Op. 27 and 33, are two sets of light music pieces, composed for orchestra by Malcolm Arnold in 1950 and 1951. Each set consists of four dances inspired by, although not based upon, country folk tunes and dances. Each movement is denoted by the tempo marking, as the individual movements are untitled. This is set 2 I. Allegro non troppo II. Con brio III. Grazioso IV. Giubiloso - lento e maestoso.

Composed by Traditional. Arranged by Bragi Thor Valsson. Praise & Worship, Sacred. 2 pages. Bragi Thor Valsson #6463863. Published by Bragi Thor Valsson

Brass Quartet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.792813 Composed by Various. Arranged by Ran Whitley. Baroque,Classical,Renaissance. 102 pages. Gordon Cherry #6640477. Published by Gordon Cherry (A0.792813). Ran Whitley has arranged 12 Baroque Masterpieces called Go For Baroque! A Primer for Young Players for 4-part Brass Ensemble. They are perfect works for players just under Intermediate and through Intermediate stages of musical proficiency. They are about 1.5 minutes in length each written specifically for young performers with limited ranges and technical levels.The works included are:1. ALLEMANDE - Gervaise2. RIGAUDON - Purcell3. TANZ - Franck4. MINUET - Scarlatti5. TRIUMPHANT MARCH - Handel6. GAVOTTE - Telemann7. VOLTA-Byrd8. SPRING - Vivaldi9. PASTORALE - Corelli10. CANON - Tallis11. RONDE - Susato12. CHORALE PRELUDE - BachThere are many parts included in order to accommodate groups as small as 4 players up to the sky-is-the-limit: Part 1 in B-flat, Part 2 in B-flat & F, Part 3 in Bass, Treble clef and B-flat treble, Part 4 in Bass Clef, and 8 basso (Tuba).

Composed by David McKeown. Blues, Easter, Pop, R & B, Rock. 2 scores. 3 pages. David McKeown #6293913. Published by David McKeown

2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)