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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Dan Jones (www danjonesguitarist
$4.95 4.24 € Guitare notes et tablatures PDF SheetMusicPlus

Small Ensemble Horn,Piano - Level 1 - Digital Download SKU: A0.880689 Composed by Bates. Arranged by Lisa Nelson. Folk,Holiday,Patriotic. Score and parts. 31 pages. Lisa Nelson #6423749. Published by Lisa Nelson (A0.880689). This trio for beginning players lets every single player have their moment in the spotlight by sharing the solo melody in the first verse.  The piano feature in verse 2 provides a brief break for young players, and the unexpected harmonies in verse three provide just the right amount of momentum to drive to the end for this simple, yet pleasing ensemble piece for players just starting their musical journey!  The piano accompaniment provides a reliable pitch center and gives harmonic/rhythmic interest to this well-loved patriotic tune. The key signature, range and rhythms are beginner-friendly, while briefly featuring every player using evenly-leveled parts. The accompaniment also gives the beginning player who is still developing endurance periodic rests.  Audio file provided features a trumpet trio playing this same arrangement.
America the Beautiful Horn Trio with Piano Accompaniment - Beginning
Accompagnement Piano

$15.00 12.84 € Accompagnement Piano PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Piano Accompaniment - Level 1 - Digital Download SKU: A0.880687 Composed by Bates. Arranged by Lisa Nelson. Folk,Holiday,Patriotic. Score and parts. 31 pages. Lisa Nelson #6423745. Published by Lisa Nelson (A0.880687). This trio for beginning players lets every single player have their moment in the spotlight by sharing the solo melody in the first verse.  The piano feature in verse 2 provides a brief break for young players, and the unexpected harmonies in verse three provide just the right amount of momentum to drive to the end for this simple, yet pleasing ensemble piece for players just starting their musical journey!  The piano accompaniment provides a reliable pitch center and gives harmonic/rhythmic interest to this well-loved patriotic tune. The key signature, range and rhythms are beginner-friendly, while briefly featuring every player using evenly-leveled parts. The accompaniment also gives the beginning player who is still developing endurance periodic rests.  Audio file provided features a trumpet trio playing this same arrangement.
America the Beautiful Alto Sax Trio with Piano Accompaniment - Beginning
Accompagnement Piano

$15.00 12.84 € Accompagnement Piano PDF SheetMusicPlus

Small Ensemble Clarinet,Piano - Level 1 - Digital Download SKU: A0.880686 Composed by Bates. Arranged by Lisa Nelson. Folk,Holiday,Patriotic. Score and parts. 31 pages. Lisa Nelson #6423743. Published by Lisa Nelson (A0.880686). This trio for beginning players lets every single player have their moment in the spotlight by sharing the solo melody in the first verse.  The piano feature in verse 2 provides a brief break for young players, and the unexpected harmonies in verse three provide just the right amount of momentum to drive to the end for this simple, yet pleasing ensemble piece for players just starting their musical journey!  The piano accompaniment provides a reliable pitch center and gives harmonic/rhythmic interest to this well-loved patriotic tune. The key signature, range and rhythms are beginner-friendly, while briefly featuring every player using evenly-leveled parts. The accompaniment also gives the beginning player who is still developing endurance periodic rests.  Audio file provided features a trumpet trio playing this same arrangement.
America the Beautiful - Clarinet Trio with Piano Accompaniment - Beginning
Clarinette et Piano

$15.00 12.84 € Clarinette et Piano PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.947255 Composed by John Philips. Blues,Jazz. Score and parts. 25 pages. John Philips Music Service #1996111. Published by John Philips Music Service (A0.947255). This is a simple 12 bar boogie for string orchestra that is fun to play and will let the players have a good time while they perform. There is nothing past an eighth note---no hemidemiquavers--..-The Heritage Series is written to be easy to play and easy to listen to. They all have familiar tunes, sound full, have easy ranges and involve nothing more complicated than an eight note. The object is to produce music and not to display technique. The harmonies, lines and logical counterpoints make these arrangements play well with modest technique. Markings are at minimum to keep things simple. String Bass and Piano must be used to make these arrangements work. The optional acoustic guitar (NOT ELECTRIC) will help the rhythm section. Electric bass could be substituted. If you use an electric bass player, sometimes they can be converted to an upright bass or cello player player( –a devious but legal way to get more players in your school orchestra). There is a 3rd Violin part that is really a treble clef viola part if you have no viola players, or to bolster what you have.
"VIOLA BOOGIE"
Orchestre à Cordes

$15.00 12.84 € Orchestre à Cordes PDF SheetMusicPlus

Small Ensemble Piano Accompaniment,Trombone - Level 1 - Digital Download SKU: A0.880690 Composed by Bates. Arranged by Lisa Nelson. Folk,Holiday,Patriotic. Score and parts. 49 pages. Lisa Nelson #6423751. Published by Lisa Nelson (A0.880690). This trio for beginning players lets every single player have their moment in the spotlight by sharing the solo melody in the first verse.  The piano feature in verse 2 provides a brief break for young players, and the unexpected harmonies in verse three provide just the right amount of momentum to drive to the end for this simple, yet pleasing ensemble piece for players just starting their musical journey!  The piano accompaniment provides a reliable pitch center and gives harmonic/rhythmic interest to this well-loved patriotic tune. The key signature, range and rhythms are beginner-friendly, while briefly featuring every player using evenly-leveled parts. The accompaniment also gives the beginning player who is still developing endurance periodic rests.  Audio file provided features a trumpet trio playing this same arrangement.
America the Beautiful Trombone Trio with Piano Accompaniment - Beginning
Accompagnement Piano

$15.00 12.84 € Accompagnement Piano PDF SheetMusicPlus

Small Ensemble Piano,Trumpet - Level 1 - Digital Download SKU: A0.880688 Composed by Bates. Arranged by Lisa Nelson. Folk,Holiday,Patriotic. Score and parts. 31 pages. Lisa Nelson #6423747. Published by Lisa Nelson (A0.880688). This trio for beginning players lets every single player have their moment in the spotlight by sharing the solo melody in the first verse.  The piano feature in verse 2 provides a brief break for young players, and the unexpected harmonies in verse three provide just the right amount of momentum to drive to the end for this simple, yet pleasing ensemble piece for players just starting their musical journey!  The piano accompaniment provides a reliable pitch center and gives harmonic/rhythmic interest to this well-loved patriotic tune. The key signature, range and rhythms are beginner-friendly, while briefly featuring every player using evenly-leveled parts. The accompaniment also gives the beginning player who is still developing endurance periodic rests.  
America the Beautiful Trumpet Trio with Piano Accompaniment - Beginning
Accompagnement Piano

$15.00 12.84 € Accompagnement Piano PDF SheetMusicPlus

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.873898 By Bobby Darin. By Albert Lasry and Charles Trenet. Arranged by Petey C. Contemporary. Score and parts. 14 pages. Petey C. #6342295. Published by Petey C. (A0.873898). This is an edit for trombone of an arrangement I made for horn quartet, with a couple tiny changes. Geared toward university students and professionals. May be a bit difficult for beginners and even intermediate players. The key has been altered to make it in a slightly more comfortable range for trombone, although it maybe sits a bit high in the melodic parts and a bit low in the bassline at times. Melody and bassline get switched around a lot between parts. Makes it more fun and interesting, but requires some skill in all ranges by all players. Doesn't go below a low E, so you should be able to play without a trigger, but I've been told it can get squirrelly down there without one for some players, so... yeah.I had some consultation with a couple trombone player friends about how to best adapt my horn quartets to trombone, but I'm not a trombone player, I'm a horn player, so if you purchase this and notice any errors (notational, range, clef, etc.) that could be pretty easily fixed, let me know! I'll do my best to update this arrangement and correct any issues. I'm easily reachable by email, and my email address is on my website, peteyc.com. .
Beyond The Sea
Bobby Darin
$12.99 11.12 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - Digital Download SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
Entrainment (2009)

$7.99 6.84 € PDF SheetMusicPlus

Percussion Ensemble - Level 1 - Digital Download SKU: A0.862019 Composed by Jayne Groves, Matt Moore. Contemporary. Score and parts. 18 pages. M Moore & J Groves #6018647. Published by M Moore & J Groves (A0.862019). Players: 4-20 | Duration: 2:50For some time our students have been requesting that we write a second chair piece. Finally, we have obliged with Splashed Out, a follow up piece to Double Stacked (2011).This splashy performance piece, inspired by the genre and rhythms of Reggaeton can be played by ensembles of 4-20 players and is also suitable as a whole class item.RequirementsChair 1 – two plastic chairs per playerChair 2 – two plastic chairs per playerLow Drum – one low drum per player (floor tom or bass drum)Splash cymbals – 3 contrasting splash cymbals for one player Doubling:Chairs 1 & 2 may be doubled multiple times.The low drum may be doubled at a proportion of 1 low drum to 4 chairsThe splash part is a solo part and should not be doubled.
Splashed Out
Ensemble de Percussions

$35.46 30.35 € Ensemble de Percussions PDF SheetMusicPlus






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