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Violin Solo - Level 5 - Digital Download SKU: A0.970720 Composed by Mike Strand. Concert,Jazz. 3 pages. Michael M. Strand #4830627. Published by Michael M. Strand (A0.970720). By Mike Strand, ASCAP This is a lead sheet for a jazz combo or ensemble, a good basis for a variety of arrangements, improvisations, or contrafacts. The audio sample is my melody from Finale PrintMusic, combined with an iReal Pro swing accompaniment. I’ve designated the melody for solo violin, an instrument that I would like to see and hear more often in jazz ensembles.  You will hear a violin carry the melody in the audio sample. Playing the solo on violin solves a possible difficulty in performance. Problem:  This piece may be too challenging for many wind instrument players (brass, woodwind). Solution:  This piece is well suited to a non-wind instrument player!  Violin springs to mind. Violin is especially appropriate here:  This tune has lots of notes; similar to a solo violin partita prelude or up-tempo dance movement by J. S. Bach.  A wind instrument player told me that finding spots for taking a breath was a challenge. This is not to discourage wind players from experimenting with the piece, adjusting it in places if necessary.  A wind player may include more breathing spots for relief in his or her improvisation! Note for composers:  I adapted this piece from the 5th (swing) movement of my Partita II, for solo violin, also for sale on this site.
Loop the Loop
Violon
Mike Strand, ASCAP 

This is a lead sheet for a jazz combo or ensemble, a good basis for a variety of arrangements, improvisations, or contrafacts

The audio sample is my melody from Finale PrintMusic, combined with an iReal Pro swing accompaniment
$3.00 2.52 € Violon PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King.   Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound   Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes.   Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
The Sense of a Place Will Remain
Chorale SATB

$7.95 6.68 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.811820 Composed by Friedrich Schwindl (1737 - 1786). Arranged by editor Pat Spence. Classical,Concert,Graduation,Standards,Wedding. Score and parts. 40 pages. Piper Publications #6563273. Published by Piper Publications (A0.811820). The set of six Divertimenti were first published c. 1775 by B. Hummel et fils. They were obviously very popular - as was most of Schwindl’s music during his life - and widely copied by other musicians. This led to this Divertimento and No. 5 in G major later being widely attributed to C. P. E. Bach and catalogued as  H.641 and H. 642 respectively.Schwindl was a virtuoso violinist, flute player and keyboard player and wrote well for these instruments. The Divertimenti were written for flute or violin, violin 2, viola and cello continuo, though by the 1770s the keyboard was becoming surplus to requirements as the string quartet and the flute quartet became recognised as stand alone ensembles.Each Divertimento has three movements, here they are Largo, Allegro and Rondeau - tempo di men(uetto). Players of intermediate standard and above will enjoy this piece.This edition has been prepared from the c. 1775 Hummel edition. Editings are clearly shown using parentheses ( ) or dashed lines. Eighteenth century players would have added additional ornaments and dynamics during their performances and contemporary players should feel free to do the same.
SCHWINDL: DIVERTIMENTO IN D MAJOR OPUS 7 No. 6 for flute, violin, viola & cello

$20.00 16.82 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1493096 By Kellie Pickler. By Joan Javits, Phil Springer, and Tony Springer. Arranged by Tabitha Beaven. 20th Century,Christmas,Pop. Score. 4 pages. Tabitha Beaven #1069769. Published by Tabitha Beaven (A0.1493096). Part of a 'Pop Song Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #LayerUp is designed to be experimented with, taking short elements and layering them to create a new groove. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and Version 2 is designed as a round with up to 5 group entry points. There is a 2 bar intro and outro provided to round things off. We know that rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. A note range is provided at the start of each line to understand which lines would best suit groups within your vocal group at the treble pitch or an octave lower.  Chords are provided if you want to provide a simple accompaniment on piano / guitar / ukulele or other! Most important is to have fun with a #PopLayerUp! And if you share your group on social media, please add the hashtags #PopLayerUp #PopRound and tag @tunefultabitha - would love to hear what you come up with!#Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp.
Santa Baby
Piano, Voix et Guitare
Kellie Pickler
$5.99 5.04 € Piano, Voix et Guitare PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1490864 Composed by Enrique Granados. Arranged by Kan Saito / Japan Duo Notes. 19th Century,Classical,Contest,Festival,Folk,Multicultural,World. Score. 2 pages. Japan Duo Notes #1067648. Published by Japan Duo Notes (A0.1490864). Title: Andaluza by Enrique Granados – Flute Duet ArrangementDescription:Explore the passionate rhythms and rich melodies of Enrique Granados’s Andaluza with this expressive flute duet arrangement. Originally part of Granados’s Twelve Spanish Dances (Danzas Españolas), Andaluza—also known as Playera—captures the vibrant spirit of Andalusian folk music. This arrangement for two flutes brings the fiery and emotive character of the original piece to life, offering a dynamic and engaging performance experience.Key Features:Composer: Enrique GranadosArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis flute duet arrangement of Andaluza maintains the essence of Granados’s original composition, translating its passionate melodies and intricate rhythms into a captivating dialogue between two flutes. Ideal for recitals, chamber music performances, and cultural events, this piece allows flutists to delve into the expressive and rhythmic nuances that define Spanish music.Why Choose This Arrangement?Authentic Adaptation: Faithfully captures the rhythmic vitality and emotional depth of Granados’s Andaluza, reimagined for two flutes.Versatile and Expressive: Perfect for a variety of performance settings, including formal recitals, chamber music concerts, and themed cultural events.Musically Rewarding: Designed for intermediate to advanced flutists, offering a blend of technical challenge and expressive opportunity.Add the fiery elegance of Spanish music to your flute repertoire with this stunning arrangement of Enrique Granados’s Andaluza. It’s an ideal choice for flutists who appreciate the rich cultural influences of Andalusian music and wish to perform a piece that is both passionate and evocative.Keywords: Enrique Granados, Andaluza, Playera, flute duet, flute sheet music, Granados arrangements, Spanish music, Andalusian music, flute ensemble, intermediate flute music, advanced flute duet, classical music, concert flute duet, recital music.
Andaluza / Enrique Granados
2 Flûtes traversières (duo)

$4.99 4.2 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1495585 By Jessie J Featuring B.O.B. By Bobby Ray Simmons, Jr., Claude Kelly, Jessica Cornish, and Lukasz Gottwald. Arranged by Tabitha Beaven. 21st Century,A Cappella,Pop. Score. 5 pages. Tabitha Beaven #1072102. Published by Tabitha Beaven (A0.1495585). Part of a 'Pop Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #PopLayerUp is designed to be experimented with, taking elements of a song and layering them to see what new harmonies and rhythms can be created. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with parts, dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and building something new - it has two different endings provided. Version 2 is a single part flow with five entry points and an finish section ('long-form round'). Rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. Group leaders are encouraged to mess around with it, try different layers together and have fun creating something new from something familiar. Huge scope for adding fun body percussion beats to keep time. Most important is to have fun with a #PopLayerUp or #PopRound! And if you share your group on social media, please add the hashtags and tag @tunefultabitha - would love to hear what you come up with!#PopSongLayerUp #PopRound #Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp #VocalWarmUp #ChoirLeaders #ChoirDirectors #MusicTeacher #ChoirTeachers #MusicEducators #MusicEducation.
Price Tag
Piano, Voix et Guitare
Jessie J Featuring B O
$5.99 5.04 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1503559 Composed by Theodore Michael Shapiro. Arranged by Tabitha Beaven. 20th Century,A Cappella,Advent,Christmas,Pop. Score. 4 pages. Tabitha Beaven #1079020. Published by Tabitha Beaven (A0.1503559). Part of a 'Pop Song Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #LayerUp is designed to be experimented with, taking short elements and layering them to create a new groove. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and Version 2 is designed as a round with suggested 4 group points.We know that rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. A note range is provided at the start of each line to understand which lines would best suit groups within your vocal group at the treble pitch or an octave lower.  Chords are provided if you want to provide a simple accompaniment on piano / guitar / ukulele or other! Most important is to have fun with a #PopLayerUp! And if you share your group on social media, please add the hashtags #PopLayerUp #PopRound and tag @tunefultabitha - would love to hear what you come up with!#Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp.
Last Christmas
Piano, Voix et Guitare

$5.99 5.04 € Piano, Voix et Guitare PDF SheetMusicPlus






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