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Saxophone Quintet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1182047 Composed by Claude Debussy. Arranged by Kenneth Abeling. 20th Century,Romantic Period. 20 pages. LINCOLN MUSIC PUBLICATIONS #781811. Published by LINCOLN MUSIC PUBLICATIONS (A0.1182047). Bergamasque Suite (L.75) 3. Clair de Lune by Claude Debussy transcribed for Saxophone Quintet by Kenneth Abeling. This is an easier advanced level transcription. While none of the individual parts are extremely difficult, the numerous instances of dove-tailing combined with rubato do make the piece challenging to perform. The playing time is approximately: 5:30 To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
Clair de Lune (for Saxophone Quintet SATTB)
Quintette de Saxophone: 5 saxophones

$14.99 12.79 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.764104 Composed by Samuel Sebastian Wesley. Arranged by Wesley D. Peters. Easter,Romantic Period,Sacred. 11 pages. Asbury Publishing #5301419. Published by Asbury Publishing (A0.764104). This wonderful arrangement of the hymn tune, AURELIA (which is also used for Hail to the Lord's Anointed and Jerusalem the Golden), concludes with a triumphant, fanfare-like third stanza. Careful consideration has been given to instrument ranges and playability. Works well as a call to worship, offertory, or postlude. It could also be used in a recital setting. It can be played by a saxophone quartet or a larger sax ensemble.Purchase includes 1 score and the following parts:1st Alto Sax (alternate part for Soprano Sax)2nd Alto SaxTenor SaxBaritone Sax.
The Church's One Foundation (Sax Quartet)
Quatuor de Saxophones: 4 saxophones

$12.99 11.09 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.824745 Composed by Edward Elgar. Arranged by Phil Rawle. 20th Century,Concert. 6 pages. Phillip Rawle #6448339. Published by Phillip Rawle (A0.824745). ‘Nimrod’ is the name given to the ninth and best-known variation in Edward Elgar‘s Enigma Variations, an orchestral work of 14 variations on an original theme composed between 1898 and 1899. Each variation is also a portrait of one of 14 members of Elgar’s family and circle of friends. A celebrated work in its own right, ‘Nimrod’ is a portrait of Augustus J. Jaeger, Elgar’s editor and publisher. The piece is arranged here for Saxophone Quartet - SATB
Nimrod - Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$5.00 4.27 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534105 Composed by Jacques Offenbach. Arranged by Paul Wehage. Opera,Romantic Period. 45 pages. Musik Fabrik Music Publishing #3113255. Published by Musik Fabrik Music Publishing (A0.534105). The Children's Maid is a one-act comic opera about a maid who has two suitors, a fireman and a chimneysweep. After much hestiattion, she decides to marry the trumpet player in the Royal Guards. In the Overture, there are many military themes as well as the French traditional lullabye Do, Do, L'enfant do. A great way to begin your concert!
Jacques Offenbach: "La Bonne D'Enfant" Overture, arranged for SATB saxophone quartet
Quatuor de Saxophones: 4 saxophones

$28.95 24.71 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
Machaut: La Messe de Nostre Dame for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$74.95 63.96 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1431199 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 54 pages. Jmsgu3 #1011662. Published by jmsgu3 (A0.1431199). BACH: Partita No. 2 BWV 826 Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio. Bach's Partita No. 2 in C minor, BWV 826, is an essential work for several reasons: Significance in Bach's Oeuvre It is part of Bach's monumental collection of six partitas (suites) for the keyboard, considered among music history's most famous and challenging suites. The partitas were published as Bach's Opus 1 in 1731, showcasing the diversity of forms and ingenious counterpoint in his keyboard writing.  Partita No. 2 was one of the earliest partitas to be published individually in 1727, highlighting its significance.  Musical Characteristics It opens with a grand Sinfonia movement akin to a French overture, followed by an expressive Andante aria-like movement.  The fugue movement has an intense subject spanning a minor 9th interval. It includes a double (ornamented variation) of the traditional Sarabande dance movement. The final Capriccio movement is a virtuosic and contrapuntal concerto-like piece testing the performer's technical prowess.  Overall, the partita exhibits a weighty, substantial, and momentous character compared to the first.  Influence and Legacy It expanded keyboard suites' technical and musical boundaries along with the other partitas.  Due to its artistic merit and challenges, it has remained a pinnacle of the keyboard repertoire, studied and performed by generations of musicians.  In summary, Bach's Partita No. 2 is a significant work that exemplifies the composer's mastery of counterpoint, variation forms, and virtuosic keyboard writing, solidifying the partitas' enduring importance in the canon of Western classical music.
Bach: Partita No. 2 BWV 826 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$42.95 36.65 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1433956 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 86 pages. Jmsgu3 #1014184. Published by jmsgu3 (A0.1433956). BACH: Partita No. 5 BWV 829 Contents: Praeambulum, Allemande, Courante, Aria, Sarabande, Menuet, Passepied, Gigue. Bach's Partita No. 5 in G major, BWV 829, is an essential work for several reasons: The Partitas, including BWV 829, were among the last keyboard suites composed by Bach and are considered his most technically demanding. They were published individually starting in 1726, then collected together as Clavier-Übung I in 1731, the first of Bach's works published under his direction. Partita No. 5 in G major, BWV 829, is particularly notable for its free-ranging structure, unlike the strictly organized English and French Suites. Additionally, the tonalities of the six Partitas form a deliberate sequence of intervals going up and down, with Partita No. 5 in G major completing this tonal scheme. This intervallic sequencing suggests Bach carefully structured the collection as a cohesive whole. Finally, Partita No. 5 is considered an exercise in spiritual delight for its technical demands and expressive qualities. It is one of the repertoire's most famous and challenging keyboard suites.
Bach: Partita No. 5 BWV 829 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$42.95 36.65 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus






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