Easy Piano - Level 1 - Digital Download SKU: A0.553024 Composed by Traditional. Arranged by Scott Camp. Christmas. Score. 1 pages. Scott Camp #2917705. Published by Scott Camp (A0.553024). Good King Wenceslas, arranged for second year piano studentsNow available!30 Christmas Piano Favorites for First Year Piano30 Christmas Piano Favorites for Second Year Piano 30 Christmas Piano Favorites for Third Year PianoCLASSICAL PIANO LITERATURE VOLUME 1 (perfect collection of classical piano literature for after the holidays!)Find all the scottnotes/V arrangements on my Publisher Page on Sheet Music Plus: http://www.sheetmusicplus.com/publishers/scott-camp/5034 Pop/Rock21 Guns (GREENDAY) http://www.sheetmusicplus.com/title/20317666Apologize (ONEREPUBLIC) http://www.sheetmusicplus.com/title/20317663Best Day of My Life (AMERICAN AUTHORS)Boulevard of Broken Dreams (GREENDAY)

Piano Solo - Level 5 - Digital Download SKU: A0.1025672 Composed by Ryan Wiseman. Rock. Score. 6 pages. Ryan Wiseman #5024541. Published by Ryan Wiseman (A0.1025672). I apologize in advanced for this. This is currently the piano music for an unreleased song in the works that features some of my most rhythmically complex ideas. This represents the closest physical form that exists to this concept. .

Easy Piano - Level 1 - Digital Download SKU: A0.552998 Composed by Traditional. Arranged by Scott Camp. Christmas. Score. 1 pages. Scott Camp #2917629. Published by Scott Camp (A0.552998). I Saw Three Ships on Christmas Day, arranged for first year piano studentsNow available! This selection is included in:30 Christmas Piano Favorites for First Year Piano30 Christmas Piano Favorites for Second Year Piano 30 Christmas Piano Favorites for Third Year PianoCLASSICAL PIANO LITERATURE VOLUME 1 (perfect collection of classical piano literature for after the holidays!)Find all the scottnotes/V arrangements on my Publisher Page on Sheet Music Plus: http://www.sheetmusicplus.com/publishers/scott-camp/5034 Pop/Rock21 Guns (GREENDAY) http://www.sheetmusicplus.com/title/20317666Apologize (ONEREPUBLIC) http://www.sheetmusicplus.com/title/20317663Best Day of My Life (AMERICAN AUTHORS)Boulevard of Broken Dreams (GREENDAY)

Easy Piano - Level 1 - Digital Download SKU: A0.552988 Composed by Traditional. Arranged by Scott Camp. Christian,Christmas. Score. 1 pages. Scott Camp #2917607. Published by Scott Camp (A0.552988). Away in a Manger (Cradle Song) arranged for first year piano students.Now available! This selection is included in:30 Christmas Piano Favorites for First Year Piano30 Christmas Piano Favorites for Second Year Piano 30 Christmas Piano Favorites for Third Year PianoCLASSICAL PIANO LITERATURE VOLUME 1 (perfect collection of classical piano literature for after the holidays!)Find all the scottnotes/V arrangements on my Publisher Page on Sheet Music Plus: http://www.sheetmusicplus.com/publishers/scott-camp/5034 Pop/Rock21 Guns (GREENDAY) http://www.sheetmusicplus.com/title/20317666Apologize (ONEREPUBLIC) http://www.sheetmusicplus.com/title/20317663Best Day of My Life (AMERICAN AUTHORS)Boulevard of Broken Dreams (GREENDAY)

String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.998994 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio Tudurí. Baroque,Instructional,Standards. Score and parts. 17 pages. Antonio Tuduri #5310841. Published by Antonio Tuduri (A0.998994). Händel's Opera pieces - Voice 1 for violinFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1    Violin, flute, oboe or clarinet.Voice 2    Violin, viola, flute, oboe or clarinet.Voice3    Violin, viola, cello, bassoon, flute, oboe or clarinet.  They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1.    L’ultimo ballo (Alceste)2.    Menuet (Almira )3.    Final Gavotte of act I (Arianna in Creta)4.    Overture Mussette (Alcina)5.    Overture Andante (Berenice)6.    Gavotte7.    Symphony of act III (Xerxes)8.    Il primo ballo (Alceste )9.    3d movement of overtura (Arianna in Creta)10.    3d movement overture (Ottone Re di Germania)11.    Menuet I of organ concerto HWV 308 .12.    Menuet II of òrgan concerto HWV 30813.    Final Chorus (Lucio Cornelio Silla)14.    Final Chorus ( Siroe Re di Persia)15.    Overture menuet (Alcina)16.    Menuet I of organ concerto HWV 310 17.    Duetto Il vostro maggio (Rinaldo)18.    Overture menuet of acte I (Arminio)19.    Act II Symphony (Arminio)20.    Act III Symphony (Deidamia)21.    Act I Symphony (Giustino).22.    Passacaglia.23.    Menuet from Tamerlano24.    Scene 3 prelude (Agrippina)25.    Act I Symphony (Xerxes)26.    Overture 3d movement (Faramondo).27.    Scene 3 act II (Teseo - Arianna in Creta)

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.996129 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 16 pages. Erik Cole #4793083. Published by Erik Cole (A0.996129). This is a transcription of the complete Pictures at an Exhibition for double reed choir. It is all in the original keys and based on the well-known Ravel orchestration, which is quite difficult. As a result, this arrangement is even more challenging. It is designed with at least 2 players per part in mind, and all of the oboe and bassoon parts are divisi throughout. The attached MP3 recordings are multi-track recordings of me playing all the parts. This was, by far, the most daunting recording I have put together for any of my arrangements, and I apologize for any minor imperfections in timing or pitch. In many places, this really stretched the limits of what I am capable of on bassoon. Both of these movements are fairly short and unlikely to be performed unless the entire piece is being performed, so I bundled them together. Con Mortuis functions as the final Promenade for the whole piece, and features high tremolos and the harp, which made for some transcription challenges. The first oboe part is quite difficult, and the high octave can be omitted if necessary.

French Horn Solo - Digital Download SKU: A0.1025113 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4727665. Published by Benjamin Giesbrecht (A0.1025113). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Horn and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score. Use whatever combination of fingerings/grace notes, lip bends, and right hand technique you are comfortable with to achieve the closest effect to a trombone slide for the section at 21.Program Notes from the score:Transcribed from the original for trombone, Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futilityfeatures an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the performer struggles against is both musically and literally commercial. The performer begins with some tentative entrances, moving towards an emulation of the electronic background.  Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)

Trombone Solo - Level 4 - Digital Download SKU: A0.1025109 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4365582. Published by Benjamin Giesbrecht (A0.1025109). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Trombone and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score.Program Note from the score:Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futility features an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the trombonist struggles against is both musically and literally commercial. The trombonist begins with some tentative entrances, moving towards an emulation of the electronic background. Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)

Woodwind Ensemble - Level 5 - Digital Download SKU: A0.996127 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 22 pages. Erik Cole #4793079. Published by Erik Cole (A0.996127). This is a transcription of the complete Pictures at an Exhibition for double reed choir. It is all in the original keys and based on the well-known Ravel orchestration, which is quite difficult. As a result, this arrangement is even more challenging. It is designed with at least 2 players per part in mind, and all of the oboe and bassoon parts are divisi throughout. The attached MP3 recordings are multi-track recordings of me playing all the parts. This was, by far, the most daunting recording I have put together for any of my arrangements, and I apologize for any minor imperfections in timing or pitch. In many places, this really stretched the limits of what I am capable of on bassoon. This is easily the most technically challenging of the movements, though I didn’t wind up having to add much more in difficulty over what Ravel already wrote in his orchestration.

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.996124 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 15 pages. Erik Cole #4793071. Published by Erik Cole (A0.996124). This is a transcription of the complete Pictures at an Exhibition for double reed choir. It is all in the original keys and based on the well-known Ravel orchestration, which is quite difficult. As a result, this arrangement is even more challenging. It is designed with at least 2 players per part in mind, and all of the oboe and bassoon parts are divisi throughout. The attached MP3 recordings are multi-track recordings of me playing all the parts. This was, by far, the most daunting recording I have put together for any of my arrangements, and I apologize for any minor imperfections in timing or pitch. In many places, this really stretched the limits of what I am capable of on bassoon. This movement is the only one with enough low notes to really need two contrabassoons. Many groups won’t have that, and the harmonies actually work better leaving out the lowest note in those spots. The prominent contra parts in this movement make it pretty obvious that the MP3’s were made without access to one at all.