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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1021032 Composed by Scott Markle. Christian,Contemporary,Easter,Sacred. Octavo. 36 pages. MarcoPolo Press #5712379. Published by MarcoPolo Press (A0.1021032). Christ's Cries from the Cross is a religious choral work for SATB choir and string ensemble. There is only a piano score for the string ensemble, but a full score can be provided (at no additional cost) to anyone who purchases it. While most of the text is from the Bible, any non-Biblical text is in the public domain. The entire piece takes over 17 minutes. It consists of the 7 cries of Christ from the cross: 1. Father, forgive them, 2. Woman, behold, 3. Truly, I say unto you, 4. My God, 5. I thirst, 6. It is finished, and 7. Father, into thy hands. There is a symmetry in the 7 pieces in several ways that ties it together.
Christ's Cries from the Cross (7 Last Words)
Chorale SATB

$22.00 20.94 € Chorale SATB PDF SheetMusicPlus

Violin Duet Violin - Level 2 - Digital Download SKU: A0.1097680 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. 6 pages. Piacere Music Sheets #701619. Published by Piacere Music Sheets (A0.1097680). Opus/Catalog Number: Op.74, No.2, B.117 Key/Tone: G Minor Movements/Sections: 1 (Andantino) Year/Date of Composition: 1838 Difficulty: Grade 4/12 (Intermediate) Obs.: The 17 Polish Songs, Op. 74 were assembled posthumously and are not in chronological order. This particular song, Wiosna [Spring], although the second song in the set, was actually the fourteenth Chopin wrote. It was composed in 1838 and first published in Berlin in 1857. It is thus contemporary with the Op. 33 mazurkas and Op. 40 polonaises. Chopin's Polish song Wiosna is set on a text by the composer's friend and Polish poet Stefan Witwicki (1801-1847). Witwicki's descriptions of blossoming flowers and animals in green pastures contrast with gloomy ruminations. The music is beautifully simple and quite melancholic. This piano piece Wiosna is in fact the piano part of the song Wiosna. Chopin arranged it for piano solo several times for his friends between 1838 and 1848.Franz Liszt also transcribed it for the second of his Chants polonais. This is an arrangement for 2 Violins.
Chopin - Andantino from Wiosna (Spring) in G Minor - Intermediate
2 Violons (duo)

$4.95 4.71 € 2 Violons (duo) PDF SheetMusicPlus

Viola Duet Viola - Level 2 - Digital Download SKU: A0.1097678 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score. 6 pages. Piacere Music Sheets #701617. Published by Piacere Music Sheets (A0.1097678). Opus/Catalog Number: Op.74, No.2, B.117 Key/Tone: G Minor Movements/Sections: 1 (Andantino) Year/Date of Composition: 1838 Difficulty: Grade 4/12 (Intermediate) Obs.: The 17 Polish Songs, Op. 74 were assembled posthumously and are not in chronological order. This particular song, Wiosna [Spring], although the second song in the set, was actually the fourteenth Chopin wrote. It was composed in 1838 and first published in Berlin in 1857. It is thus contemporary with the Op. 33 mazurkas and Op. 40 polonaises. Chopin's Polish song Wiosna is set on a text by the composer's friend and Polish poet Stefan Witwicki (1801-1847). Witwicki's descriptions of blossoming flowers and animals in green pastures contrast with gloomy ruminations. The music is beautifully simple and quite melancholic. This piano piece Wiosna is in fact the piano part of the song Wiosna. Chopin arranged it for piano solo several times for his friends between 1838 and 1848.Franz Liszt also transcribed it for the second of his Chants polonais. This is an arrangement for 2 Violas.
Chopin - Andantino from Wiosna (Spring) in G Minor - Intermediate
2 Altos (duo)

$4.95 4.71 € 2 Altos (duo) PDF SheetMusicPlus

Brass Quintet - Level 3 - Digital Download SKU: A0.775348 Composed by Ben Pollack, George Bruies, Leon Roppolo, Mel Stitzel, Paul Mares, and Walter Melrose. Arranged by Bill Wilson. Blues,Jazz. 33 pages. Alexander Wilson #6674641. Published by Alexander Wilson (A0.775348). Tin Roof Blues, by Walter Melrose, Leon Roppolo, Paul Mares, Ben Pollack, George Brunies, and Mel Stitzel of the New Orleans Rhythm Kings, is a classic Dixieland Blues tune. Arranged for brass quintet (two Bb trumpets, French horn, trombone, tuba) and optional drum set. Includes world parts (horn in Eb, trombone in Bb TC, tuba in Eb TC, and tuba in Bb TC). Performance time is approximately 3:23. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
Tin Roof Blues
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$4.00 3.81 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Bass Guitar,Bass Voice - Level 3 - Digital Download SKU: A0.1453115 By Florence. By Florence. Arranged by Florence. 21st Century,Rock. Full Performance. Duration 240. Florence #1032349. Published by Florence (A0.1453115). Running This Realm is a high-energy song that celebrates individuality, resilience, and unapologetic self-expression. With a blend of confidence and defiance, the lyrics paint a vivid picture of a protagonist who refuses to conform to societal norms. Here’s what makes this song stand out:Unapologetic Attitude: The verses introduce a character who rolls into the beat with ice-cold confidence. They’re unafraid of the spotlight, and their rebellious spirit sets them apart. The lyrics emphasize self-reliance and a refusal to compromise.Rule Breaker: The chorus serves as a rallying cry. The protagonist claims ownership of their world, asserting that they dictate the terms. The use of “punks” and “fools” highlights their disdain for those who question their authority.Mystery and Intrigue: In the second verse, we learn about the protagonist’s MVP status. Their enigmatic persona keeps listeners guessing—what’s their backstory? The reference to “mining my own gold” hints at hidden depths and untold stories.Wild Energy: The bridge amplifies the intensity. The protagonist defies haters, flaunting their bling and grinding relentlessly. The song’s energy mirrors a wildfire, untamed and unstoppable.Empowerment: Overall, “Rebel Anthem” empowers listeners to embrace their uniqueness, rise above adversity, and create their own path. It’s a sonic declaration of independence.
Running This Realm
Florence
$15.00 14.28 € PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1021041 Composed by Scott Markle. 20th Century,Contemporary,Instructional. Score. 3 pages. MarcoPolo Press #5733669. Published by MarcoPolo Press (A0.1021041). Dolor (Parting's Sorrow) is an early intermediate piece, a little over 3 minutes long, that is written for piano solo. In it's simplicity, it is the melody that reawakened my drive to compose after years of silence. So it is part of a piano solo album called Reawakening. Pay attention to the rise and fall (swell) in each slur. The sustain pedal is used for each entire bar, but it is important to lift and press after the first note is played in each bar. It should be played gently, even in the forte sections, and expressively. .
Dolor (Parting's Sorrow) for Piano solo
Piano seul

$2.00 1.9 € Piano seul PDF SheetMusicPlus

Small Ensemble - Level 1 - Digital Download SKU: A0.890779 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Folk,Jewish,World. Score and parts. 32 pages. Sneakwood Editions #5799897. Published by Sneakwood Editions (A0.890779). Georg Philipp Telemann – Polish Dances from the Rostock Manuscript TWV 45 (Danse d`Polones / Danse Polonie)Telemann was seduced by Polish music, especially by his dances and popular musicI became acquainted there and also in Krakau with Polish and Moravian music in its true, barbaric beauty […] […] it is impossible to imagine the fantastic musical ideas they presented between dances when the dancers rested and the musicians improvised music together [‘jammed’] to fill out the time. Anyone who paid very close attention could pick up in 8 days sufficient musical ideas to last a lifetime.(Telemann’s autobiography, published in Mattheson’s Ehren-Pforte, Hamburg, 1740)It is easy to understand, through Telemann’s own words, the great influence that Polish music and Polish dances had on Telemann. It was in 1705 when Telemann become Kapellmeister for the court of Count Erdmann II of Promnitz at Sorau (now Å»ary, in Poland), His career there was cut short in early 1706 by the hostilities of the Great Northern War but his contact with Polish music marked him for life.These Polish dances found in Rostock are a reflection of the music that Telemann heard and transcribed. A reflection of that barbaric beauty.The manuscript was discovered in 1986 at the University of Rostock. It consists of two volumes. One of the volumes contains the violin part and the other the bass part.
Telemann – Polish Dances from the Rostock Manuscript TWV 45

$18.00 17.13 € PDF SheetMusicPlus






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