2 soloists, SSA choir, cello, organ, and synthesizer - Moderately Easy - Digital Download SKU: MQ.56-0023-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 10 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0023-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0023-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For two soprano soloists and SA treble chorus (marked Soprano I and Soprano II in the score), cello, organ, and synthesizer, the music has a light, ethereal feeling. The Beatitudes text is set here entirely in Latin. Beginning in a meditative chant-like style, the music moves to a sort of dialogue duet, sometimes between the two soprano sections and sometimes between the two soloists. The music is sweet, lyrical, and calm. Duration 4:10Instrumentalists play from the choral score.

Flute Solo - Level 2 - Digital Download SKU: A0.919772 Composed by W.S. Gilbert & Arthur Sullivan. Arranged by Michael Bleiweiss. Concert,Musical/Show,Opera,Romantic Period. Individual part. 5 pages. Michael Bleiweiss Music #5373199. Published by Michael Bleiweiss Music (A0.919772). This is an arrangement of the song Poor Wandering One from the Gilbert & Sullivan operetta Pirates of Penzance for solo flute. It includes an original cadenza at the end.

Flute Solo,Soprano Flute - Level 2 - Digital Download SKU: A0.1510080 By Michael Bleiweiss. By W.S. Gilbert & A.S. Sullivan. Arranged by Michael Bleiweiss. 19th Century,Chamber,Classical,Opera,Romantic Period. Individual part. 5 pages. Michael Bleiweiss Music #1085263. Published by Michael Bleiweiss Music (A0.1510080). This is a solo flute reduction of the song Poor Wandering One from the opretta Pirates of Penzance.Run Time:  3:30.

Instrumental Duet Flute,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.919771 Composed by W.S. Gilbert & Arthur Sullivan. Arranged by Michael Bleiweiss. Broadway,Musical/Show,Romantic Period. Score and parts. 10 pages. Michael Bleiweiss Music #5372995. Published by Michael Bleiweiss Music (A0.919771). This is an arrangement of the song Poor Wandering One from the Gilbert & Sullivan operetta Pirates of Penzance for flute and voice. It includes an original cadenza for the singer at the end.

(Full Performance) - Digital Download SKU: HX.403573 Composed by Heather Sorenson. Arranged by Heather Sorenson. Sacred. Choral. Duration 170. Published by Hal Leonard - Digital (HX.403573).

Piano and voice - easy - Digital Download SKU: S9.Q45921 From ‘The Pirates of Penzance’. Composed by Sir Arthur Seymour Sullivan. Arranged by Barrie Carson Turner. This edition: performance score. Classical. Downloadable. 4 pages. Schott Music - Digital #Q45921. Published by Schott Music - Digital (S9.Q45921). English. William Schwenck Gilbert.Digital publication of the piece found in the following print music collection: 20 Sad, Happy and Humorous Songs from the World of the Victorian Operetta.

Tenor Voice - Level 2 - Digital Download SKU: A0.1052018 By Stephen DeCesare. By Stephen DeCesare. Broadway,Children,Christmas,Musical/Show. Full Performance. Duration 256. Exultet Music #10349. Published by Exultet Music (A0.1052018). Moving Christmas song that is based on the story of the Little Match Girl by Hans Christian Anderson.  It is featured in: Noel Candle: A Christmas Musical which can be found on this site. Can be sung at any concert or cabaret style setting.  Scored for Solo with Piano accompaniment.

Small Ensemble Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823929 Composed by Ancient Irish Air. Arranged by Richard Giszczak. Celtic,Folk,Holiday,Irish,Multicultural,World. Individual part. 2 pages. Singing Winds Music Company #6795243. Published by Singing Winds Music Company (A0.823929). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 3 variations, and a D.S. al Fine.The ancient Irish tune may be used any time throughout the year, but especially for St. Patrick’s Day or an Irish-themed performance.

(Full Performance) - Digital Download SKU: HX.452178 Arranged by John Leavitt. Concert,Sacred,Spiritual. Choral. Duration 245. Published by Hal Leonard - Digital (HX.452178).

High Voice,Vocal Solo - Digital Download SKU: A0.953244 Composed by H. Leslie Adams. 20th Century,Romantic Period. 9 pages. American Composers Alliance Inc. #4731031. Published by American Composers Alliance Inc. (A0.953244). A song from the cycle Daybirth for high voice and piano on text by Joette McDonald - PDF download includes score.

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884802 Composed by Gilbert and Sullivan. Arranged by Jonathan Prentice. Opera,Romantic Period. 8 pages. Jonathan Prentice #5865819. Published by Jonathan Prentice (A0.884802). Mabel's wonderfully exuberant aria from Gilbert and Sullivan's, The Pirates of Penzance. Having had his pleas rejected by her sisters, Mablel takes pity on the reluctant pirate, Frederick (Here a semitone lower than the original in G Major).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.670371 Composed by Bantock. Arranged by MSM. Classical,Romantic Period. Score. 9 pages. Open Cloud #4576269. Published by Open Cloud (A0.670371). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Bantock (Bantock Granville), 1868-1946, for Voice and Piano.

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.884801 Composed by Gilbert and Sullivan. Arranged by Jonathan Prentice. Opera,Romantic Period. 8 pages. Jonathan Prentice #5865817. Published by Jonathan Prentice (A0.884801). Mabel's wonderfully exuberant aria from Gilbert and Sullivan's, The Pirates of Penzance. Having had his pleas rejected by her sisters, Mablel takes pity on the reluctant pirate, Frederick (Here in the original Ab Major).

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1182606 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782353. Published by Zedas Couve (A0.1182606). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.

Oboe,Piano - Level 1 - Digital Download SKU: A0.1182613 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,March,Patriotic,Traditional. Score and part. 2 pages. Zedas Couve #782358. Published by Zedas Couve (A0.1182613). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chant—which had emerged in the 1980s—to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.