Piano Solo - Level 4 - Digital Download SKU: A0.818289 By Stephen R Dalrymple. By Composer – Johann Sebastian Bach (piano transcription by Busoni). Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Baroque,Christmas. Score. 13 pages. Stephen R Dalrymple #4985125. Published by Stephen R Dalrymple (A0.818289). ♫ Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. ♫ From an early age, Busoni was an outstanding if sometimes controversial pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. ♫ He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach … (condensed from Wikipedia October 2022) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.

Instrumental Duet Alto Recorder,Baritone Recorder,Instrumental Duet - Level 3 - Digital Download SKU: A0.842566 Composed by James Hook. Arranged by B. Brennan. Baroque,Instructional,Standards. Score and parts. 12 pages. Bl_music #5865857. Published by bl_music (A0.842566). 2nd partThe six duets op. 58 were originally composed for two cellos. They sound amazing on deep recorders. We offer versions for2 Bass Recorders, bass clef2 Great Bass Recorders, bass clef2 Recorders in F, treble clef (2 altos, 2 sopraninos, sopranino/alto, alto/bass, 2 basses if treble clef preferred)2 Recorders in C, treble clef (2sopranos, soprano/tenor,2 tenors, tenor/great bass, 2 great basses if treble clef preferred) James Hook was born in Norwich. He displayed a remarkable musical talent at an early age, playing the harpsichord by the age of four and performing concertos in public at age six. He began performing regularly by the time he was 10 years old, including benefit concerts. He held many jobs to earn money, including teaching, composing, transcribing music and tuning keyboard instruments.In 1763/64 he moved to London where he worked as an organist, teacher and composer, and gained a reputation for composing vocal music. After the death of his first wife, he married Harriet Horncastle James in 1806.  It was at this time that he produced his best work, Tekeli, or the Siege of Montgatz.In 1820 he unexpectedly left his position at Vauxhall, after almost a half century of service, and he died seven years later in Boulogne.

Cello Solo - Level 4 - Digital Download SKU: A0.1016855 Composed by Lilianna Rolands. Contemporary. Individual part. 7 pages. Lilianna Rolands #5902961. Published by Lilianna Rolands (A0.1016855). Included are three songs for solo cello appropriate for intermediate and advanced players. The End of Summer won second place instrumental solo in the 2019 WSMA student composition competition. The End of Summer takes approximately five and a half minutes to play, while The Path We Used to Walk and Germination both take approximately three minutes to play. Follow my Facebook page Lilianna Rolands Composing for updates and check out my SoundCloud- also Lilianna Rolands Composing- to listen to some of my compositions, including The End of Summer. Not Affiliated with a PRO.

Large Ensemble - Level 3 - Digital Download SKU: A0.569830 Composed by Austin Ralphson. Instructional. Score and parts. 87 pages. Austin Ralphson #4603377. Published by Austin Ralphson (A0.569830). Melody: Question & Answer - Perform, Compose, Understand Series. This pack comprises a piece called In Conversation, worksheets and questions which relate to the piece. It is all about understanding melodic movement and direction.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.  How to use this resourceThis pack comprises three stages, the third of which should be gained from success with the first two:1. PerformingAn original performance piece is provided for mixed classroom ensemble. This piece features a musical device of some kind as its focus. There will obviously be other musical components included within the piece as well, but the main element will be very apparent.2. ComposingWorksheets are provided to enable students to develop their own compositions based on the same focus as the performance piece. Elements of the performance piece are highlighted and short, developmental activities will lead to the students developing their own musical ideas.3. Understanding          Summary worksheets are provided to enable students to demonstrate their understanding of the topic.There are two musical elements which appear in all pieces within this PCU series. They are dynamics and articulation. All performance pieces contain them and opportunity is provided to include them within the composing exercises as well.Printing and CopyingThe purchaser may print or copy all pages of this resource as required, but must not distribute to others. It is advised to produce resources for students as follows:* Print which ever parts are needed to facilitate a performance* Produce a booklet containing the title page, score and worksheets.The performance piece could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **

Piano Solo - Level 2 - Digital Download SKU: A0.940723 Composed by Julia Muench. Contemporary. Score. 2 pages. NJ Original Music #3415599. Published by NJ Original Music (A0.940723). Great for waking interest in that particular piano student and a really fun way to explore the pentatonic scale and 9th chords on the piano. Cross overs abound! I wrote this descriptive piece in particular for a student I was teaching, Elsa S., who ended up performing it on her Spring recital. Julia Muench currently resides on the piano faculty at the Monmouth Conservatory of Music (now under the Count Basie Theatre umbrella) in Red Bank, New Jersey, with a large student class.Her more recent musical activities besides composing, involve extensive piano teaching and giving piano recitals. The past two years, she has spent a good deal of time traveling in and out of the country. Italy and Chile have been among her destinations abroad. She performed a piano concert including her own composition, Nautilus Dances, as part of the Utopia Exhibit ( focusing on German Emigration to the US in the 1830's) in Washington DC's German Museum and at the Missouri history Museum in St. Louis, MO.Her latest piano concert in Red Bank, NJ featured composers Chopin, Debussy and Khatchaturian. Many of her performances may be viewed on youtube under Julia Muench. She has her own musical article blog on Wordpress under musicflower.She is a long time ASCAP member, where she was recently awarded and ASCAP writer's award for 2009/10. Julia has a MMA Degree from the University of Miami and has been composing since she was in her teens. She works regularly with ballet dancers at the Academy of Dance Arts in Tinton Falls, NJ.

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.913984 Composed by Arthur Breur. 20th Century,Contemporary. Score and parts. 15 pages. Floating Home Music #4819957. Published by Floating Home Music (A0.913984). Glacier Bay for String Trio. An audio impression of the experience of being in Glacier Bay. This is the premier performance of Glacier Bay by String Trio Black Diamonds - just one day after Arthur Breur composed the piece and provided the trio with the score and parts. They performed the piece in the atrium of the Norwegian Sun on July 3, 2016. With gratitude to Captain Richard Svardmark and the entire crew of the Norwegian Sun. Arthur Breur composed Glacier Bay in a single day on the Cruise Ship Norwegian Sun as it toured Glacier Bay, Alaska. Waking very early that day, Arthur was greeted with foggy, gray, mysterious views in an eerie northern twilight, and the mood set him immediately to composing. As he often does, he started by constructing the ten letters of the name Glacier Bay into musical notes. He divided these ten notes into three similar musical motifs, first three notes [G-E-A], then four notes [C-B-E-D], then three notes again [B-A-D]. These motifs open the piece, in a section that represents the eerie, misty, wet, half-lit morning. Then-expressing wonder and excitement upon seeing the beauty and majesty of Alaska’s glaciers-the motifs are connected with moving lines of notes that turn the original disconnected motifs into a flowing, uplifting melody. Between stops at the enormous bay’s different glaciers, the ship moved slowly through foggy vistas. The middle section of the piece represents this with a more dissonant, nervous sound. (Listen carefully for the sound of the ship’s fog horn-which really is a low F-sharp!-played by the cello.) But after passing through the fog, there was another awe-inspiring glacier, and so the music returns to the uplifting, flowing melody once again. Glacier Bay for String Trio Composed for the String Trio Black Diamonds: - Tamara Sieviieva - Mykyta Denysov - Anastasia Gorokhova  *** Upon waking to a mysterious foggy morning on the Norwegian Sun cruise ship in Glacier Bay, Alaska, I was almost immediately possessed by my Muse. (That’s the only way I can describe it; every moment that I was not composing-even WHILE looking at the beautiful, awe-inspiring glaciers! - I was hearing the melody in my head and aching to compose.)  *** Duration: 5m Composer: Arthur Breur Instruments: Violin, Cello, String Trio, String Trio (vn-vn-vc) Format: Score, Set of Parts Genres: 21st Century, Contemporary Classical, Post-Romantic, Neo-Classical Level: Intermediate https://www.floatinghomemusic.com

Instrumental Duet Alto Recorder,Baritone Recorder,Instrumental Duet - Level 3 - Digital Download SKU: A0.842565 Composed by James Hook. Arranged by B. Brennan. Baroque,Instructional,Standards. Score and parts. 12 pages. Bl_music #5865855. Published by bl_music (A0.842565). 1st partThe six duets op. 58 were originally composed for two cellos. They sound amazing on deep recorders. We offer versions for2 Bass Recorders, bass clef2 Great Bass Recorders, bass clef2 Recorders in F, treble clef (2 altos, 2 sopraninos, sopranino/alto, alto/bass, 2 basses if treble clef preferred)2 Recorders in C, treble clef (2sopranos, soprano/tenor,2 tenors, tenor/great bass, 2 great basses if treble clef preferred) James Hook was born in Norwich. He displayed a remarkable musical talent at an early age, playing the harpsichord by the age of four and performing concertos in public at age six. He began performing regularly by the time he was 10 years old, including benefit concerts. He held many jobs to earn money, including teaching, composing, transcribing music and tuning keyboard instruments.In 1763/64 he moved to London where he worked as an organist, teacher and composer, and gained a reputation for composing vocal music. After the death of his first wife, he married Harriet Horncastle James in 1806.  It was at this time that he produced his best work, Tekeli, or the Siege of Montgatz.In 1820 he unexpectedly left his position at Vauxhall, after almost a half century of service, and he died seven years later in Boulogne.

Medium-Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534413 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 38 pages. Musik Fabrik Music Publishing #3478897. Published by Musik Fabrik Music Publishing (A0.534413). 1. Plaintes d'Orphée2. Ã?pigramme à un mauvais payeur3. à Chloris4. D'une maigre dame5. Dans le fôret6. Secret Amour 7. Complients à une duègnehttps://www.youtube.com/watch?v=Uo7KQ89pzz4Gérard Souzay, French baritone, said of Jacques Leguerneyâ??s music: â??How does one describe this music which is, at the same time, classic and modern? It is pure, but colorfully nuanced; it speaks to the heart as well as the mind: at times calm; at times witty; wise, yet sensual. The music of Jacques Leguerney is un jardin à la française, both elegant and stylish.â?� Jacques Leguerney was born in Le Havre on 19 November 1906. His uncle bought his first piano and encouraged him to study and write music. He wrote chamber works, and took a few semesters of harmony with Nadia Boulanger, who arranged for a performance of his Epitaphe guerrière and Clair de lune in a concert organized by the Société musical indépendante at the Salle Pleyel. However, he decided not to continue his studies. He felt that his gift was natural and spontaneous, and that anyone who understood music should not have to do exercises to learn to compose. In 1928, Jane Bathori took an interest in Leguerney, including two songs during her tour in Argentina, and the following year at the Salle Erard in Paris. In 1932, when his father died, Leguerney took over the family business and stopped composing until the outbreak of World War II. The period extending from the German occupation of France to the end of the 1940s constitutes one of the important periods of Leguerneyâ??s musical life. He began his extended song cycle, Poèmes de la Pléiade, and wrote many songs upon poems of Paul-Jean Toulet. He also continued to compose chamber music, including the Sonatine pour violon et piano, the â??Fantasie pour pianoâ?� and the Quatuor à cordes en Ré. An important year for Leguerney was 1943. He met musical colleagues who would become his major interpreters. These included Gérard Souzay as well as his half-sister, soprano Geneviève Touraine; pianist Jacqueline Robin (Bonneau), Pierre Bernac, and Francis Poulenc. Robin (Bonneau) particularly influenced Leguerneyâ??s style. His piano accompaniments were created specifically for her virtuosic and sensitive style of pianism. Bernac observed that Leguerney wrote melodies de pianiste. In 1946, Leguerney created a ballet on the mythological story of Endymion. The premiere was at the Opéra de Paris on 27 July 1949, with choreography by Serge Lifar. The Opéra de Paris immediately commissioned a second work, which was La Vénus noire, based upon a short story by Prosper Mérimée. This ballet was never produced, due to disagreements with the choreographer. Leguerney became discouraged and this situation was to lead to the end of his interest in composing. However, the years 1950-1954 brought Leguerney widespread recognition as he created his beautiful mélodie cycles including La Nuit, La Solitude (for piano as well as an orchestration), Le Paysage, and Le Carnaval, as well as the cantata Psaume LXII de David. Gérard Souzay requested many new works for his recitals and premiered La Nuit, Le Carnaval and

Large Ensemble - Level 3 - Digital Download SKU: A0.569833 Composed by Austin Ralphson. Instructional. Score and parts. 52 pages. Austin Ralphson #4628387. Published by Austin Ralphson (A0.569833). Melody: Ornaments - Perform, Compose, Understand Series. This pack comprises a piece called Take It In Turns, worksheets and questions which relate to the piece. It is all about understanding ornamentation.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.How to use this resourceThis pack comprises three stages, the third of which should be gained from success with the first two:1. PerformingAn original performance piece is provided for mixed classroom ensemble. This piece features a musical device of some kind as its focus. There will obviously be other musical components included within the piece as well, but the main element will be very apparent.2. ComposingWorksheets are provided to enable students to develop their own compositions based on the same focus as the performance piece. Elements of the performance piece are highlighted and short, developmental activities will lead to the students developing their own musical ideas.3. Understanding          Summary worksheets are provided to enable students to demonstrate their understanding of the topic.There are two musical elements which appear in all pieces within this PCU series. They are dynamics and articulation. All performance pieces contain them and opportunity is provided to include them within the composing exercises as well.Printing and CopyingThe purchaser may print or copy all pages of this resource as required, but must not distribute to others. It is advised to produce resources for students as follows:* Print which ever parts are needed to facilitate a performance* Produce a booklet containing the title page, score and worksheets.The performance piece could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **

Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Trumpet - Level 1 - Digital Download SKU: A0.883322 Composed by Ryutaro Hirota. Arranged by Yoshie Nakayama. Children,Folk,Multicultural,World. 3 pages. Yoshie Nakayama #5033259. Published by Yoshie Nakayama (A0.883322). A traditional Japanese Doyo song, Haru Yo Koi by Ryutaro Hirota. The arrangement is made for any instruments including transposing instruments. You will find the same melody is written above the piano part in the keys of C, Bb, and Eb.

C Instrument - Level 2 - Digital Download SKU: A0.1161889 Composed by Alexandre Desplat, Guillermo del Toro, and Roeban Katz. Arranged by Pascal Hahn. Film/TV. Lead Sheet / Fake Book. 3 pages. Pascal A. Hahn #762263. Published by Pascal A. Hahn (A0.1161889). Bb-Leadsheet of the Movie Song Ciao Papa. More arrangements will follow and there are also leadsheets for transposing instruments (C, Eb) available!Please write to me, if you are interested in any special arrangements of that song!contact me through me website:https://www.pascalhahn.info/kontakt/

Instrumental Solo,Piano - Level 3 - Interactive Download SKU: A0.1314730 Composed by Carl J Ferrara. This edition: Interactive Download. Classical. Individual part. 3 pages. Duration 176. Carl J Ferrara #653ru0jSIGg8STOAQttjft. Published by Carl J Ferrara (A0.1314730). Key: C major.For any solo instrument. The same melody is repeated while transposing one pitch at a time, starting with the note that occurs least frequently and gradually moving to the pitch that occurs most often. In between, the melody morphs into subtly different forms until finally emerging in the new key.

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1465383 By Adele. By Adele Adkins and Paul Epworth. Arranged by Nathan Deverill. Film/TV. 35 pages. Superbrass Music, Music for Brass #1044083. Published by Superbrass Music, Music for Brass (A0.1465383). Superbrass Music, Music for BrassMusic for Brass Dectet 4 Trumpets 1 Horn in F 3 Trombones 1 Euphonium (or Trombone) 1 Tuba 1 Drum Kit 1 Glockenspiel (Optional)Parts also included for all Transposing Brass Instruments.

Full Orchestra - Level 5 - Digital Download SKU: A0.1152400 Composed by Ludwig van Beethoven. Arranged by Patrick Sheehan. Classical. Score and parts. 132 pages. Patrick Sheehan #752625. Published by Patrick Sheehan (A0.1152400). C-edition score with modern-day transposing instruments. INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Contrabassoon, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Triangle, Crash Cymbals, Bass Drum Timpani, Soprano, Alto, Tenor, Bass, Violin I, Violin II, Viola, Violoncello, Contrabass. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.

Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!