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Instrumental Solo,Organ - Digital Download SKU: A0.1372217 Composed by Chris Kovarik. Classical,Praise & Worship,Sacred. Individual part. 7 pages. Chris Kovarik #956479. Published by Chris Kovarik (A0.1372217). Nettleton (composed 2017, duration ca. 3’ 20â€) is a multi-sectional work that presents the hymn tune in a variety of moods and textures, from quiet and gentle to loud and brash. Sections tend to dissolve into one another, with no breaks in the pulse, keeping the pace moving. The overall mood is quite happy, if not triumphant.Technical note: while this is generally a loud piece, fairly unambiguously intended as a postlude, it nonetheless plays easier than it sounds.
Chorale Prelude on Nettleton (Come, thou fount of every blessing)
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Organ - Level 3 - Digital Download SKU: A0.1365365 Composed by Richard E Brown. Christmas,Lent,Religious. Score. 6 pages. Dacker Music #949690. Published by Dacker Music (A0.1365365). Possibly dating from the Middle Ages, this English folk tune was first published with secular lyrics in “English County Songs,†an anthology compiled in 1893. It was first introduced as a hymn tune in “The English Hymnal†of 1906 set to the words of Horatius Bonar’s “I Heard the Voice of Jesus Say.†It is also commonly sung to Louis Benson’s Christmas carol O Sing a Song of Bethlehem and Fred Pratt Green's Passion hymn To Mock Your Reign, O Dearest Lord. The tune is named for the English town of Kingsfold. Also available scored for brass quintet. Level M - Duration 2:40.
Chorale Prelude on Kingsfold - Organ
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Instrumental Solo,Organ - Digital Download SKU: A0.1372224 Composed by Chris Kovarik. Classical,Easter,Praise & Worship,Sacred. Individual part. 10 pages. Chris Kovarik #956488. Published by Chris Kovarik (A0.1372224). O filii et filiae (composed 2017, duration ca. 5’) is a set of short variations. The variations explore sounds, textures, styles, and techniques of different organ traditions, from the German Baroque to early twentieth-century French. Harmonically, too, the variations cover a wide range, from fully diatonic to heavily chromatic. After the last variation is an extended finale, which presents the hymn tune, in augmentation, in canon between bass and soprano while the other voices provide dense counterpoint in between. The piece concludes with a blistering pedal solo under a series of unexpected and pungent chords. This is a work that strives to inspire awe and wonder.Technical note: the variety of textures and styles in this piece requires a well-rounded technique. Likewise the variety of sounds and styles will be better served by a larger instrument.
Chorale Prelude on O filii et filiae (O sons and daughters, let us sing)
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