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Piano - Level 1 - Digital Download SKU: A0.1455521 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by DecPlay Ltd. Pop. DecPlay Piano. 3 pages. DecPlay Ltd #1034610. Published by DecPlay Ltd (A0.1455521). You have great taste - this is a great song! If you’re not a DecPlay student yet, you might be wondering why the song sheet isn’t using traditional notation or chord names …..This patented form of song sheet from DecPlay® enables songs to be learnt much quicker and more easily than using traditional notation or guitar chords. The simple numbers, colours and patterns method enables rapid results on piano.The same song sheet enables beginner and advanced playing styles, in any musical key.For more details and a FREE video lesson go to https://decplay.com(This type of sheet music is known as piano tabs or PianoTabz and includes lyrics, melody and chords).
Never Gonna Give You Up
Piano seul
Rick Astley
$3.99 3.81 € Piano seul PDF SheetMusicPlus

Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo)   4 pp  (7 min.)GIULIO REGONDI  (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.
Tremolo from the Regondi Nocturne (Op.19)
Guitare

$5.00 4.78 € Guitare PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.526318 By Phillip Phillips. By Derek Fuhrmann, Gregg Wattenberg, and Todd Clark. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock. 13 pages. Sarah Cellobat Chaffee #6461761. Published by Sarah Cellobat Chaffee (A0.526318). Gone, Gone, Gone was recorded by American Idol winner Phillip Phillips for his debut album in 2013. The catchy, fun, and critically acclaimed folk rock anthem quickly became a huge commercial success; it reached #1 on eight different Billboard charts and was ultimately certified platinum. And since most people are familiar with it at this point, it's sure to be a big success in your gig books! This arrangement for violin and cello duet was originally written for a wedding ceremony and is based on the Tanner Townsend cover of the song; it has a more gentle and elegant feel rather than the barn-dance vibe of the original. This will be perfect for wedding ceremonies, receptions, cocktail hour, proposals, and any other occasion you want to get your audience singing along! Rated intermediate -- this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
Gone, Gone, Gone
Violon, Violoncelle (duo)
Phillip Phillips
$9.99 9.55 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Large Ensemble Alto Flute,Alto Saxophone,B-Flat Clarinet,B-Flat trombone,Baritone Saxophone,Bass Clarinet,Cornet,E-Flat Clarinet,E-Flat Tenor Horn,Tenor Saxophone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1043862 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Tim Curd. Pop. Score and parts. 18 pages. Tim Curd #648553. Published by Tim Curd (A0.1043862). Never Gonna Give You Up for Flexible 4 Part Ensemble A classic 80s anthem as performed by Rick Astley. Score and parts included: Part 1 in C: Flute Part 1 in Bb: Trumpet/Clarinet Part 1 in Eb: Alto Saxophone Part 2 in C: Flute/Oboe Part 2 in Bb: Trumpet/Clarinet Part 2 in Eb: Alto Saxophone Part 3 in F: French Horn Part 3 in Eb: Tenor Horn/Alto Clarinet/Alto Saxophone Part 3 in C: Trombone/Euphonium (Quite High for Trombone/Euphonium) Part 3 in Bb: Trombone/Euphonium/Tenor Saxophone (Quite High for Trombone/Euphonium) Part 3 in Bb: Clarinet Part 4 in C: Trombone/Euphonium/Tuba/Bassoon Part 4 in Bb: Trombone/Euphonium/Bass Clarinet Part 4 in Eb: Bass in Eb/Baritone Saxophone.
Never Gonna Give You Up
Rick Astley
$14.99 14.32 € PDF SheetMusicPlus

Chorus - Digital Download SKU: AX.00-PO-0002186 Finale from The Gondoliers - SATB. Composed by Sir Arthur Seymour Sullivan and W.S. Gilbert. Arranged by Sally K. Albrecht. Secular Choral. 15 pages. Alfred Music - Digital Sheet Music #00-PO-0002186. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002186). UPC: 038081187303.This popular festival finale has been a favorite of choirs and audiences for years, but the previously required four-hand piano edition has limited its use. Now Sally Albrecht has edited the piano part to to make it playable by one accompanist. The ultimate Gilbert and Sullivan finale, Dance a Cachucha is a real showpiece for your advanced choirs, and it's great for developing vocal flexibility. The SounTrax CD includes an authentic orchestration adapted from the operetta.Recorded Acc. Available.
Finale from The Gondoliers
Chorale SATB

$2.95 2.82 € Chorale SATB PDF SheetMusicPlus

Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1500810 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by David Boyd. Pop. 30 pages. David Boyd #1076879. Published by David Boyd (A0.1500810). IntroductionNever Gonna Give You Up, a classic pop anthem by Rick Astley, has been reimagined for clarinet choir, bringing its infectious melody and driving rhythm into a new, sonorous setting. This arrangement captures the essence of the original while exploring the rich timbral possibilities of the clarinet family. It aims to provide a fun and engaging performance experience for players and an entertaining piece for audiences.Instrumentation:E-flat ClarinetB-flat Clarinet 1B-flat Clarinet 2B-flat Clarinet  3B-flat Clarinet  4B-flat Clarinet  5B-flat Clarinet  6 (Alternate E-flat Clarinet)B-flat Clarinet  7 (Alternate E-flat Alto Clarinet)Basset Horn in F (Alternate E-flat Alto Clarinet)E-flat Alto ClarinetB-flat Bass Clarinet 1B-flat Bass Clarinet 2B-flat Bass Clarinet 3E-flat Contra Alto ClarinetB-flatContrabass ClarinetDrum Kit (optional)I encourage you to adapt this instrumentation to your ensemble as needed. Alternate B-flat parts are provided. The alto clarinet solo is cued in both the Basset Horn and Clarinet 7 part. The Clarinet 1 solo is cued an octave lower in Clarinet 2.Structure and FormThe arrangement retains much of the original song's form in a condensed format, including the iconic intro, verse, and chorus. It omits the bridge entirely. Careful attention has been given to the balance and texture, ensuring each section of the clarinet choir contributes to the overall sound.Performance ConsiderationsDynamics and Articulation: Players should pay close attention to the dynamic contrasts throughout the arrangement. The verses should be lighter and more articulate, while the chorus demands a fuller, more resonant sound. Articulations are marked to mimic the vocal phrasing of the original song, so accents and staccatos should be crisp and well-defined.Balance and Blend: Given the diverse range of voices in the clarinet choir, balance is crucial. The melody must always be prominent, particularly in the chorus where it may be in unison across several voices. Ensure that the supporting lines do not overpower the melody, especially in the lower clarinets.Technical Challenges: While the arrangement is accessible to intermediate players, some sections, particularly in the Eb Clarinet and 1st Bb Clarinet parts, may require attention to finger dexterity and breath control. Encourage players to practise these passages slowly, focusing on evenness of tone and clarity.
Never Gonna Give You Up
Ensemble de Clarinettes
Rick Astley
$19.99 19.1 € Ensemble de Clarinettes PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.976843 Composed by Monica Bergo. Contemporary,Spiritual. Score. 7 pages. Monica Bergo #3236681. Published by Monica Bergo (A0.976843). 2017 Holiday Contest Entry♫*´¨`*•.¸¸.♫L’UNICO LIMITE:IL CIELO (L’EQUILIBRISTA)♫*´¨`*•.¸¸.♫     Resto in bilico così Sospesa a un filo Il solo limite che ho Rimane il cielo Un’equilibrista io Tra il bene e il male Senza protezione mai Cercando il sole Ed il circo sotto me Mi sembra vuoto Facce senza volto che Tolgono il fiato Assordante quel brusio Di chi ha pagato Un biglietto per lo show Tutto esaurito Cerco invano di volare ma ho le ali rotte e non le so spiegare Intreccio i miei capelli per intrappolare tutta la tristezza e farla scomparire Sotto fiumi di parole mentre inciampo e cado sta spuntando il sole La mia vita scorre, tutta da rifare, Sabbia tra le dita, e non la puoi fermare Spiccherò l’ultimo volo io senza più rete mi avvicino al suolo prendi queste mani se mi vuoi salvare ma oramai è tardi e non mi puoi aiutare Butto via le insicurezze e quel bisogno assurdo delle tue carezze tutta la mia vita sempre a mendicare sfioro questo amore e non lo posso avere Il tuo unico limite è il cielo È la terra di mezzo che appare Quando i sogni li vedi svanire Sei bravo equilibrista Se vuoi tu volerai Il tuo unico limite è il cielo Mentre il corpo appassisce e poi muore Il rimpianto ha uno strano sapore Coraggio equilibrista Adesso puoi saltare Non devi vacillare Se vuoi potrai volare più su Giace a faccia in giù l’equilibrista gente grida e poi accorre in pista n on è più lo show per cui han pagato e un rimborso, sì, sarà gradito il circo è come la mia vita sempre in equilibrio sempre più in salita un equilibrista io ,sempre più stanco con questo sorriso che è sempre più spento mentre mi avvicino al suolo dimmi una parola e sarò ancora in volo in questa mia vita niente da salvare e ora è troppo tardi per ricominciare il tuo unico limite è il cielo l’orizzonte in cui vuoi scomparire se la morte si veste di nero la vita ha il suo colore ma grigio è il tuo torpore e rosso è il tuo dolore che non puoi colorare mai più Quando un grande artista muore È tanta la gente che spende parole Solo pochi giorni e avran dimenticato il mio equilibrista è steso sul selciato e limiti non ha….. Monica Bergo
Unico limite : il cielo (L'equilibrista)
Piano seul

$3.99 3.81 € Piano seul PDF SheetMusicPlus






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