Piano,Violin - Level 2 - Digital Download SKU: A0.1242943 By John Powell. By John Powell. Arranged by Issac Cheng. 21st Century,Film/TV. 10 pages. Issac Cheng #837996. Published by Issac Cheng (A0.1242943). Test Drive from How To Train Your Dragon arranged for VIOLIN and PIANOIntroducing a mesmerizing musical rendition that will transport you to the enchanting world of How to Train Your Dragon. Immerse yourself in the breathtaking magic of Test Drive, flawlessly arranged for violin and piano. Feel the exhilaration as the violin weaves a tale of soaring melodies while the piano sets the stage with its majestic harmonies. This exquisite arrangement captures the essence of the original composition, allowing you to experience the thrilling journey of the dragons right in your own home. Elevate your musical collection with this captivating arrangement and let the music of Test Drive ignite your imagination and awaken your sense of adventure. Indulge in the sheer beauty and passion of this exceptional piece, masterfully performed by our talented artists. Don't miss the opportunity to own this extraordinary arrangement and bring the wondrous world of How to Train Your Dragon to life through the soulful interplay of violin and piano.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1291595 Composed by Dominic McGonigal. 21st Century,Classical,Contemporary. 4 pages. C8 Music #882220. Published by C8 Music (A0.1291595). Set Me As A Seal is perhaps the most famous text for weddings. This setting celebrates a Golden Wedding, quite an achievement and a time for celebration. It marks the occasion with a moment of reflection and wonder, capturing the beauty of timely union. The lush harmonies underpin beautiful flowing melodies in each voice, all parts marking the occasion together. It can easily be rehearsed by a professional quartet in about ten minutes, making it an ideal choice for weddings, general liturgical use or concert performance. The organ part is optional.Scored for SATB Choir, optional Organ2'. More at www.dominicmcgonigal.com.

Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1257185 Composed by Nicholas White. 21st Century,Classical,Traditional. Octavo. 16 pages. Nicholas White Music #850509. Published by Nicholas White Music (A0.1257185). George Eliot's poem is given a rich and powerful setting for choir and organ.O May I join the choir invisible  Of those immortal dead who live again  In minds made better by their presence: live  In pulses stirr'd to generosity,  In deeds of daring rectitude, in scorn For miserable aims that end with self,  In thoughts sublime that pierce the night like stars,  And with their mild persistence urge man's search  To vaster issues.          So to live is heaven:  To make undying music in the world,  Breathing as beauteous order that controls  With growing sway the growing life of man.  So we inherit that sweet purity  For which we struggled, fail'd, and agoniz'd With widening retrospect that bred despair.  Rebellious flesh that would not be subdued,  A vicious parent shaming still its child,  Poor anxious penitence, is quick dissolv'd;  Its discords, quench'd by meeting harmonies,   Die in the large and charitable air.  And all our rarer, better, truer self,  That sobb'd religiously in yearning song,  That watch'd to ease the burthen of the world,  Laboriously tracing what must be,      And what may yet be better,—saw within  A worthier image for the sanctuary,  And shap'd it forth before the multitude,  Divinely human, raising worship so  To higher reverence more mix'd with love,—    That better self shall live till human Time  Shall fold its eyelids, and the human sky  Be gather'd like a scroll within the tomb Unread forever.          This is life to come,  Which martyr'd men have made more glorious       For us who strive to follow. May I reach  That purest heaven, be to other souls  The cup of strength in some great agony,  Enkindle generous ardor, feed pure love,  Beget the smiles that have no cruelty,Be the sweet presence of a good diffus'd,  And in diffusion ever more intense!  So shall I join the choir invisible  Whose music is the gladness of the world.

Instrumental Duet Guitar,Instrumental Duet,Ukulele - Level 4 - Digital Download SKU: A0.1002633 Composed by Carlos Gonçalves da Silva. Contemporary,Folk,Jazz,Latin,Standards. Score and parts. 64 pages. Carlos Goncalves da Silva #6449719. Published by Carlos Goncalves da Silva (A0.1002633). O Quarteto Brasileiro é uma formação que inclui o Bandolim, o Cavaquinho, o Violão e o Violão de 7 cordas. São instrumentos universais muito usados no Brasil, especialmente em grupos de choro. Quanto aos movimentos temos alguns ritmos universais como a Valsa, a Modinha, que é uma espécie de canção típica do Brasil e Portugal, e a Marcha, mas todos muito comuns no Brasil e também estilos tipicamente brasileiros como o Choro e o Baião, que é uma dança característica do nordeste Brasileiro.The Brazilian Quartet is a formation that includes the Mandolin, Cavaquinho, Guitar and 7-String Guitar. They are universal instruments widely used in Brazil, especially in choro groups. As for the movements we have some universal rhythms such as the Waltz, the Modinha, which is a kind of song typical of Brazil and Portugal, and the Marcha, but all very common in Brazil and also typically Brazilian styles such as Choro and Baião, which is a characteristic dance of northeastern Brazil.

Percussion Octet - Level 5 - Digital Download SKU: A0.1185106 Composed by Dan Cook. Chamber,Classical,Contemporary,Contest,Festival,Instructional. 86 pages. Pecan Valley Music #784785. Published by Pecan Valley Music (A0.1185106). For percussion octetduration; 11:05crotales / handbells / vibraphone / marimba(4) timpani / roto-toms / sand blocks / (3) flower potsrainstick / claves / (2) bongosboomwhackers (C maj. diatonic set, chromatics set, treble extension set)Dragonfly, Perseverance, and Alvin: three probes exploring very different environments to learn more about our place in the universe.Dragonfly is a rotorcraft expected to perform vertical take-offs and landings on the surface of Saturn's moon Titan in 2034. Titan is a world like our own with oceans, rivers, and lakes. On Titan though, our water cycle is replaced with hydrocarbons, it rains liquid methane, and the surface temperature averages -179 degrees Celsius. The first section of Probe features contrapuntal melodies with a set of roto-toms representing the probe, flower pots representing the possibility of something growing in such a frigid place, and a rainstick representing the potential food source for a hypothetical methanogen. Perseverance will roam the dry, dusty surface of Mars beginning in 2021 drilling and preparing samples that will, for the first time, be returned to Earth. Perseverance will also carry with it a small rotorcraft to prove the ability of flight within Mars’ thin atmosphere. In the second section, tonal harmony is replaced with sandpaper blocks, claves, and bongos with the roto-toms now playing the role of both the secondary rotorcraft and the Martian wind. Alvin has been ferrying explorers to the deepest parts of Earth's oceans and providing insights into the origins of life since the 1970s. The discovery of large tubeworms living in an environment without sunlight, thriving on the energy provided to them by hydrothermal vents on the ocean floor, changed our understanding of how life might thrive in many environments across the universe. The conclusion of Probe features Boomwhackers appearing as tubeworms.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1433870 By Hozier. By Andrew Hozier-Byrne, Daniel Krieger, Daniel Tannenbaum, George Miller, Peter Gonzales, Sergiu Adrian Gherman, and Tyler Reese Mehlenbacher. Arranged by Barry McCormick. Pop,Singer/Songwriter. Score. 10 pages. B. McCormick #1014077. Published by B. McCormick (A0.1433870). Step into the lush world of ‘Too Sweet’ with our Piano/Vocal/Guitar arrangement. Hozier’s poetic lyrics and soul-stirring melody find their home in this harmonious blend of piano, voice, and guitar. Key Features: Instruments: Piano, voice, and guitar.  Difficulty Level: Intermediate to advanced. Guitar: If playing in original key without Capo, upper intermediate level. If playing capo chords this becomes more accessible for more novice players with some playing experience.  Piano: Playing as written because of the syncopation in the bass line, the changing positions in the right hand (treble line) along with some strectches required for some of the intervals, this piece is easily in the upper intermediate to advanced range. Voice: The technique/vocal range and skill to successfully perform this piece easily makes this an upper intermediate piece at minimum. Unique Aspects: Integrated Melody in one staff: The melody seamlessly intertwines with the piano accompaniment saving page space meaning less page turning. Bass Line: The bass clef carries the full bass line, adding depth and resonance. This could also be used by a bass player to play along with. Harmony: Simple harmonies enhance the vocal part, making it a joy to sing. Guitar Chord Sheet: Two additional Guitar Chord Sheets provided. One in the original key with the related Chord Diagrams and the other in Capo III chords with those Chord Diagrams. Ideal for quick reference while playing for more novice players. Suggested strumming Patterns included. Where can you use this? Performers: Perfect for recitals, intimate gatherings, or heartfelt performances. Music Educators: Teach students about harmony, dynamics, and emotional expression. Download this arrangement and let ‘Too Sweet’ resonate within you. Share your rendition with others and spread the magic of music! Don't forget to tag us!! @resourcefularrangements.

Large Ensemble - Level 4 - Digital Download SKU: A0.911485 Composed by Daniel Hay. Classical,Contemporary. Score and parts. 31 pages. Daniel Hay Music #517515. Published by Daniel Hay Music (A0.911485). A duet between the trombone and timpani soloist with support of piano and strings. The score even has a marking for a spot where the trombonist and timpanist can insert improvisation. This piece is 6 minutes in length. Needs a strong trombonist and timpanist with five kettles or very quick pedal retuning on fewer kettles. The audio sample is generated output. The YouTube link was created for the composer by Gonzalo Ortiz Delgado at https://www.youtube.com/c/GonzaloOrtizDelgado/featured.

String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.596493 Composed by Juan María Solare. 20th Century,Contemporary,Instructional,Standards. Score and parts. 43 pages. Juan Maria Solare #3088705. Published by Juan Maria Solare (A0.596493). Six Thinking Hats for 3 violoncelli  (in the first position) The title of these six pieces for cello trio refers to the theory of the Six Thinking Hats by Edward de Bono. This is a tool that provides a means for groups to think (plan and decide) together more effectively - or at least in a cohesive way. Six distinct states are identified and assigned a hat color: * Information (white hat): considering exclusively what information is available, what the facts are. * Emotions (red hat): instinctive gut reaction or statements of emotional feeling (but not without any justification) * Bad points judgment (black hat): logic applied to identifying flaws or barriers, seeking mismatch (the cons of an issue). * Good points judgment (yellow hat): logic applied to identifying benefits, seeking harmony (the pros). * Creativity (green hat): statements of provocation and investigation, seeing where a thought goes. * Thinking (blue hat) - thinking about thinking, a control instance. In my Trio, these color hats are assigned to different characters or moods. For instance the red hat is the most emotional last piece, very rhythmical. Or the black hat corresponds to a reflexive, rational piece which is not pessimistic but rather extreme reflexive, pondering. Or the blue hat, which should reflect the thinking about thinking and is therefore a canon. Technically speaking, all pieces are written for cello in the first position (sometimes extended or stretched), which makes them quite suitable for young cellists or adult beginners. The total duration of the work is about 12 minutes. The durations of the single pieces are:   I = Enfática insistencia (white hat)           [1'00]  II = Milonga serena (yellow hat)               [1'45] III = Estado de alerta (green hat)               [1'45]  IV = Canon arcaizante (blue hat)               [4'00]   V = Coral en quintas (black hat)               [1'00]  VI = Finale arrabbiato (red hat)               [2'30] All these pieces can be performed individually. These six pieces for three cellists were composed in Bremen (and Worpswede) between 20th and 29th February 2012. They are dedicated to Juliane Dehning (who also kindly made essential suggestions about the bowings). International Standard Musical Work Code (ISWC): T-803.196.242-3 Recorded in La Rioja, Argentina by Dora Heisecke, Roque González & Mariana Alcaraz: https://www.youtube.com/watch?v=1DluACws6DE More information: http://www.juanmariasolare.com/six_thinking_hats.html

Piano Solo - Level 3 - Digital Download SKU: A0.1176814 By John Powell. By John Powell. Arranged by Elyssa Hinrichs-Nelson. Film/TV. Score. 3 pages. Elyssa Hinrichs-Nelson #776894. Published by Elyssa Hinrichs-Nelson (A0.1176814). A shorter arrangement for easy intermediate piano. Great for pianists who would like a simpler version that focuses on the theme highlight.   #howtotrainyourdragon #piano #pianosolo #johnpowell #elyssahinrichsnelson #quickstudypiano #sightreading #easypiano #dramaticpiano #httyd #dragon #howtotrainyourdragonedit #themefromhowtotrainyourdragon 

Concert Band - Level 3 - Digital Download SKU: A0.1284110 Composed by Gonzalo Hermosa and Ulises Hermosa. Arranged by Benoit BARRAIL. 20th Century,Latin,Multicultural,Pop,World. Score and Parts. 37 pages. Benoît Barrail #875343. Published by Benoît Barrail (A0.1284110). Score in portrait format, instrumental parts in landscape format. La Lambada or Chorando se foi (The tears are gone) was recorded in 1989 by the Brazilian group Kaoma on the album Worldbeat. It quickly became the hit of the summer and sold more than 5 million copies worldwide in the year of its release alone. This song is a cover of Llorando se fue from the Bolivian group Los Kjarkas. Discover this dynamic and pleasant arrangement, it can be played by incomplete ensembles because many parts are doubled. It can also be played by festive orchestras and fanfares.Conducteur en format portrait, parties séparées en format paysage. La Lambada ou Chorando se foi (Les pleurs sont partis) a été enregistrée en 1989 par le groupe brésilien Kaoma sur l’album Worldbeat. Elle est très vite devenue le tube de l’été et s’est vendue à plus de 5 millions d’exemplaire dans le monde uniquement durant l’année de sa sortie. Cette chanson est une reprise de Llorando se fue du groupe bolivien Los Kjarkas.Découvrez cet arrangement dynamique et agréable, il peut être joué par des ensembles incomplets car beaucoup de parties sont doublées. Il peut aussi être joué par des orchestres festifs de type fanfares ou bandas.

Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi...  Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. 10 pages. David Warin Solomons #985851. Published by David Warin Solomons (A0.1402627). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi...  Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.

String Ensemble,String Quintet - Digital Download SKU: A0.924037 Composed by Jerome Kern. Arranged by Dominic McGonigal. Musical/Show. Score and parts. 18 pages. C8 Music #3675583. Published by C8 Music (A0.924037). A simple arrangement with lush harmonies of the beautiful and touching The Way You Look Tonight by Jerome Kern. It's suitable for any string quintet at intermediate level (2 violins, viola, cello, plus an extra viola or cello). It will work well in any programme of lighter repertoire or as an encore. 2' duration. More at www.dominicmcgonigal.com

Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ?� by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ?� started out as a thought about the â??essenceâ?� of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?�. Goetheâ??s play, â??Faust,â?� immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â?�                THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â?�               THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â?�          THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago