Baritone Saxophone Solo - Level 1 - Digital Download

SKU: A0.605698

By Sam Smith. By James Napier and Sam Smith. Arranged by Kevin Busse. Pop,R & B. Individual part. 2 pages. Kevin Busse #4302963. Published by Kevin Busse (A0.605698).

This is an exact transcription of I'm Not The Only One by Sam Smith in the easy key of C for Bari Sax

Soprano Saxophone Solo - Level 3 - Digital Download

SKU: A0.599230

By Sam Smith. By James Napier and Sam Smith. Arranged by Kevin Busse. Pop,R & B. Individual part. 2 pages. Kevin Busse #3425783. Published by Kevin Busse (A0.599230).

This is an exact transcription of I'm Not The Only One by Sam Smith in the original key for Soprano Sax

Violin, Cello, String Trio, Violin 1, Violin 2, Cello - Intermediate - Digital Download By Ben E. King. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 13 pages. Published by Sarah Chaffee

C Instrument - Level 1 - Digital Download

SKU: A0.1139932

By John Leavitt and Traditional. By Traditional. Arranged by R. Salvario. Christian,Christmas,Holiday,Praise & Worship,Traditional. Lead Sheet / Fake Book. 1 pages. Brambilla-Morris Press #740200. Published by Brambilla-Morris Press (A0.1139932).

In Dulci Jubilo (Key of E-Flat Major). This is a simple lead sheet for the song In Dulci Jubilo and you will love how it sounds! When you download the PDF you will get the sheet music with chord symbols.

Chords,Lyrics,Melody - Digital Download

SKU: HX.397262

This edition: scorch. Children,Disney,Film/TV. Easy Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #8755. Published by Hal Leonard - Digital (HX.397262).

Violin Solo - Level 3 - Digital Download

SKU: A0.1022757

Composed by Stefano Maria Torchio. Concert,Contemporary,World. 2 pages. Stefano Torchio #3120587. Published by Stefano Torchio (A0.1022757).

Stefano Maria Torchio: Scherzino

As the title says (engl.: little scherzo), it's a small, playful, light and bouncy piece, that features a free atonal style and funny asimmetrical rhythms and metrics. It's not difficult but it could be wise to practice it slower at first, in order to check careful the intonation and the correct smooth and legato articulation between the fingers of left hand of the Violin player. The most careful precision in rhythm and differentiation between the articulations (that in general tends to a light staccato) is required.
The piece is also suitable for school pourposes and concerts and also for liturgical ones (for example at the offertory or as final piece) by special festive occasion. Primarily it was composed for a wedding ceremony and it was for Piano and Organ and for Church Bell Carillon.

Composer's data

Stefano Maria Torchio, born in Padova (Italy), studied Orchestra and Choir Conducting at the Universität für Musik und darstellende Kunst in Vienna respectively with U. Lajovic, J. Wildner, E. Ortner and T. Lang. Further studies in Conducting pursued Torchio with Z. Metha, F. Luisi, R. Muti, B. de Billy, S. Young and G. Andretta, as well as with R. Heintze for the Piano, C. Leitner for Opera Conducting and A. Huber for the Musical Analysis. He also studied Composition and Violin at the Conservatory of his home town and with A. Corghi at the Accademia Chigiana in Siena, at the Accademia L. Perosi in Biella and at the R. Romanini Foundation in Brescia. Further seminars in Composition followed with C. Ambrosini, I. Fedele, M. Lichtfuss and I. Karchim. Between his Violin teachers S. Domoustchieva, E. Porta, S. Tschakerian and G. Furini are included. He's member of S.A.C.E.M. for copyright protection.

You can find me on: facebook, instagram (stefano.mus) and twitter
e-mail: stefanotorchio84@gmail.com.

Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title.
Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of Farrenc’s melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!
These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.

Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées à s'inscrire aux cours de composition conventionnels au Conservatoire de Paris à l'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle à porter ce titre.
Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces œuvres se prêtent assez bien au montage en duo de guitares. Même si j’ai rendu assez fidèlement toutes les mélodies de Farrenc, j’ai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques à la guitare. De même, de nombreux effets dont la guitare est capable ont été mis en œuvre d’une manière qui s’écarte de l’intention originale de l’étude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée à permettre à l'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi à cet égard pour le duo de guitares !
Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés

C Instrument - Level 2 - Digital Download

SKU: A0.1499396

Composed by Joyce Silveira Moreno and Toninho Horta. Arranged by Marcelo Borba. Country,Jazz,Multicultural,Pop,R & B,World. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #1075448. Published by Marcelo Borba (A0.1499396).

Leadsheet style

## Beijo Partido is a song composed by Brazilian guitarist and composer Toninho Horta, and it has become one of the most emblematic songs in Brazilian popular music, especially within the context of the Clube da Esquina movement, of which Horta was a member. The song also gained notoriety in the voice of Milton Nascimento, one of the leading figures of this movement.

### Origin and Context
Toninho Horta composed Beijo Partido in 1973, during a period when he was involved with Clube da Esquina, a collective of musicians from Minas Gerais that mixed elements of Brazilian popular music, jazz, rock, and classical music. The song reflects this mix of styles, characterized by complex harmonies and a melancholic melody, elements that became Horta's trademarks.

### Lyrics and Meaning
The lyrics of Beijo Partido are poetic and subjective, a common trait in the compositions of Clube da Esquina. The song talks about the end of a romantic relationship, using the metaphor of a broken kiss to describe the rupture and pain of separation. Despite its melancholic tone, the song carries an intrinsic beauty in the way sadness is expressed delicately and introspectively.

### Recordings and Impact
Beijo Partido was first recorded on Toninho Horta's solo album, Terra dos Pássaros, released in 1980. The version by Milton Nascimento, which also became well-known, helped to further popularize the song. Over the years, Beijo Partido has been covered by various artists, both in Brazil and abroad, and is considered a classic of MPB (Música Popular Brasileira).
***
[Português]

Beijo Partido é uma canção composta pelo guitarrista e compositor brasileiro Toninho Horta, e se tornou uma das músicas mais emblemáticas da música popular brasileira, especialmente no contexto do movimento Clube da Esquina, do qual Horta foi um dos integrantes. A música ganhou notoriedade também na voz de Milton Nascimento, um dos principais representantes desse movimento.

### Origem e Contexto
Toninho Horta compôs Beijo Partido em 1973, durante um período em que ele estava envolvido com o Clube da Esquina, um coletivo de músicos de Minas Gerais que misturava elementos de música popular brasileira, jazz, rock e música erudita. A canção reflete essa mistura de estilos, sendo caracterizada por harmonias complexas e uma melodia melancólica, elementos que se tornaram marcas registradas de Horta.

### Letra e Significado
A letra de Beijo Partido é poética e subjetiva, algo comum nas composições do Clube da Esquina. A canção fala sobre o fim de um relacionamento amoroso, utilizando a metáfora do beijo partido para descrever a ruptura e a dor da separação. Apesar de melancólica, a música carrega uma beleza intrínseca na forma como a tristeza é expressa de maneira delicada e introspectiva.

### Gravações e Impacto
Beijo Partido foi gravada pela primeira vez no álbum solo de Toninho Horta, Terra dos Pássaros, lançado em 1980. A versão de Milton Nascimento, que também se tornou bastante conhecida, ajudou a popularizar ainda mais a canção. Ao longo dos anos, Beijo Partido foi regravada por diversos artistas, tanto no Brasil quanto no exterior, sendo considerada um clássico da MPB.

Piano Solo - Level 3 - Digital Download

SKU: A0.1281029

By Andrea Bocelli. By Enzo Gragnaniello. Arranged by Sérgio Matias da Cunha. 20th Century,Multicultural,World. Score. 2 pages. Sérgio Matias da Cunha #872366. Published by Sérgio Matias da Cunha (A0.1281029).

Arranjo claro, objetivo, conciso e acessível apresentando marcações de cifra, células rítmicas envolvendo quartos de tempo, sincopas, quiálteras, sinais de expressão, dinâmica, ornamentos e linha de oitava, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com simplicidade e harmonia. Presença de sinais de repetição e retornelo também contribuem para a praticidade e a concisão deste arranjo, distribuindo toda a música em duas páginas. Acompanhamento diversificado, valorizando cada parte da melodia através de movimentos e arpejos que melhor se integram com os diferentes momentos rítmicos e demais intensões. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Easy Piano - Level 2 - Digital Download

SKU: A0.1255464

By Folclore inglês. By domínio público. Arranged by Sérgio Matias da Cunha. Christmas,Folk,Instructional,Medieval,Wedding. Score. 1 pages. Sérgio Matias da Cunha #848966. Published by Sérgio Matias da Cunha (A0.1255464).

Arranjo cativante e delicado, com arpejos e melodia na região média e médio-aguda do teclado, porém, abrangendo notas mais graves na segunda parte, contemplando notas que vão do “la1 até sol4�. Partitura acessível com figuras rítmicas maiores que a semicolcheia e marcações de cifra e dedilhado, apresentando um acompanhamento estratégico e harmonioso, buscando o melhor efeito com simplicidade e clareza. A melodia é acompanhada por tríades perfeitas que marcam continuamente as unidades de tempo, ligando as notas entre si e provocando, além de um belo efeito sonoro, o aprimoramento técnico e de coordenação. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Piano Solo - Level 2 - Digital Download

SKU: A0.1219018

By Traditional. By Traditional. Arranged by Joan Bujacich. Holiday,Standards,Traditional. Score. 4 pages. Joan Bujacich #815432. Published by Joan Bujacich (A0.1219018).

JUNIOR/INTERMEDIATE PIANO SOLO: Looking for a great traditional song to play for your Mom or Grandmother for Mother's Day or their  Birthdays?
 M-O-T-H-E-R, A Word That Means The World To Me is from 1915 and was written by Theodore F. Morse  and the words were written by Howard E Johnson. Ms. Bujacich created a clean, easy to read version  in the original  key of F.  It also has the words included. Fun for the family to sing-a-long!  She simplified the rhythmic  reading. If you are looking for an EASY PIANO version, check out her Alpha Note  version also found  on Sheet Music Direct and Sheet Music Plus.  Ms. Bujacich also has tutorials available from Youtube, so be sure to subscribe to her channel. She has been arranging music for her students over many decades giving her an edge on creating accessible and satisfying music for all level pianists, including children, adults and professionals. She goes the extra mile to bring you professionally notated scores that sound great and are created with love and care.  Here is a link to her SMP page where you will find a lot of her other great musical arrangements:  https://www.sheetmusicplus.com/publishers/joan-bujacich/18769.

Piano,Soprano Flute - Level 2 - Digital Download

SKU: A0.1222345

By Traditional. By Traditional. Arranged by Joan Bujacich. Holiday,Standards,Traditional. Score and part. 6 pages. Joan Bujacich #818610. Published by Joan Bujacich (A0.1222345).

FLUTE and  PIANO Arrangement, Full score and Flute Part, Words, and Chords: Looking for a great traditional song to play for your Mom or Grandmother for Mother's Day or their  Birthdays?
 M-O-T-H-E-R, A Word That Means The World To Me is from 1915 and was written by Theodore F. Morse  and the words were written by Howard E Johnson. Ms. Bujacich created a clean, easy to read version  in the original  key of F.  It also has the words included. Fun for the family to sing-a-long!   If you are looking for a Solo PIano Versions, Ms. Bujacich has an Easy PIANO version, with Alpha Notes and a Junoor/Intermediate level also found  on Sheet Music Direct and Sheet Music Plus.  Ms. Bujacich also has tutorials available from Youtube, so be sure to subscribe to her channel. She has been arranging music for her students over many decades giving her an edge on creating accessible and satisfying music for all level pianists, including children, adults and professionals. She goes the extra mile to bring you professionally notated scores that sound great and are created with love and care.  Here is a link to her SMP page where you will find a lot of her other great musical arrangements for Flute and Piano and solo Piano:  https://www.sheetmusicplus.com/publishers/joan-bujacich/18769.

Piano,Vocal,Voice - Level 1 - Digital Download

SKU: A0.798311

Arranged by PJMS MUSIC. Folk. Score. 1 pages. PJMS MUSIC #5742267. Published by PJMS MUSIC (A0.798311).

M-O-T-H-E-R was a popular vaudeville song written in 1915. This is a simple one chorus arrangement for vocal-piano. .