Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Horn,Marimba,Trombone,Tuba - Level 2 - Digital Download SKU: A0.871350 Composed by Dave Grusin. Arranged by Clara Obsidian. Contemporary. Score and parts. 4 pages. Clara Obsidian #5719317. Published by Clara Obsidian (A0.871350). It Might Be You, performed by singer/songwriter Stephen Bishop. The title was written by Dave Grusin, and lyrics written by Alan & Marilyn Bergman. Starring in the 1982 film Tootsie featuring Dustin Hoffman and Jessica Lange. The song was nominated for an Academy Award for Best Original Song in 1983.Arranged as a solo melody line for any instruments that uses bass clefExamples and not limited toCello, Double bass. Bass guitarBassoon, Trombone, Tuba, Marimba, Baritone Recorders

Composed by Johann Sebastian Bach (1685-1750). Arranged by Gil Garty. Baroque Period. Score, Set of Parts. 37 pages. Published by Gil Garty (S0.15360). - Score,Set of Parts - Baroque Period - Gil Garty

Composed by Johann Sebastian Bach (1685-1750). Arranged by Gil Garty. Baroque Period, Christian, Sacred. Score, Set of Parts. 21 pages. Published by Gil Garty (S0.42009). - Score,Set of Parts - Baroque Period,Christian,Sacred - Gil Garty

Voices, Orff-instruments and cello; recorder, guitar or timpani - Digital Download SKU: S9.Q53153 Composed by Margaret Murray. This edition: Sheet music. Orff-Schulwerk. Downloadable. Schott Music - Digital #Q53153. Published by Schott Music - Digital (S9.Q53153). English.Settings of well-known carols for Orff instruments and cello, or in some instances with additional recorders, guitar or timpani.

Composed by John Dowland (1563-1626). Arranged by Gil Garty. Baroque Period. Score, Set of Parts. 8 pages. Published by Gil Garty (S0.79839). - Score,Set of Parts - Baroque Period - Gil Garty

Composed by Heinrich Isaac (1450-1517). Arranged by Gil Garty. Renaissance. Score, Set of Parts. 6 pages. Published by Gil Garty (S0.104095). - Score,Set of Parts - Renaissance - Gil Garty

Composed by Cesario Gussago (1579-1612). Arranged by Gil Garty. Baroque Period. Score, Set of Parts. 10 pages. Published by Gil Garty (S0.89279). - Score,Set of Parts - Baroque Period - Gil Garty

Composed by Johann Sebastian Bach (1685-1750). Arranged by Gil Garty. Baroque Period, Christian, Sacred. Score, Set of Parts. 17 pages. Published by Gil Garty (S0.15072). - Score,Set of Parts - Baroque Period,Christian,Sacred - Gil Garty

Composed by Giovanni Gabrieli (1553-1612). Arranged by Gil Garty. Baroque Period, Early Music. Score, Set of Parts. 6 pages. Published by Gil Garty (S0.78713). - Score,Set of Parts - Baroque Period,Early Music - Gil Garty

Recorder,Tambourine - Level 2 - Digital Download SKU: A0.1366663 Composed by Anon. Arranged by Tom Toriello. Children,Early Music,Instructional. 6 pages. Thomas C Toriello #950986. Published by Thomas C Toriello (A0.1366663). This is a very nice arrangement of Twinkle, Twinkle... as a waltz, for two recorders and a tambourine. It will work very well for middle and high school students and could be a culminating performance for a unit of study. Lessons could scaffold the following content: Fingerings for challenging phrases, 3/4 time, warm air (tone), syncopation, ties, and articulation. A few examples of academic language are dynamics, repeat signs, and ostinato. The parts are differentiated for level of musicianship and physical ability. The arrangement is very adaptable.

Composed by Jacob Obrecht (1450-1505). Arranged by Gil Garty. Renaissance. Score, Set of Parts. 5 pages. Published by Gil Garty (S0.16023). - Score,Set of Parts - Renaissance - Gil Garty

Cello,Tenor Recorder,Viola,Violin - Level 2 - Digital Download SKU: A0.1274666 By Gary Wolk. By Traditional. Arranged by Gary Wolk. Christmas,Holiday,Medieval. 10 pages. Gary Wolk Music #866837. Published by Gary Wolk Music (A0.1274666). An instrumental arrangement written for 2 Tenor Recorders and String Quartet. Some Re-harmonization.

String Quartet String Quartet - Level 2 - Digital Download SKU: A0.990228 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #595907. Published by Colin Kirkpatrick Publications (A0.990228). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody parts are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.

Composed by Johann Kaspar Ferdinand Fischer (1670-1746). Arranged by Gil Garty. Baroque Period, Christian, Sacred. Score, Set of Parts. 30 pages. Published by Gil Garty (S0.16434). - Score,Set of Parts - Baroque Period,Christian,Sacred - Gil Garty

String Ensemble - Level 2 - Digital Download SKU: A0.953397 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Holiday,Renaissance. Score and parts. 16 pages. Colin Kirkpatrick Publications #559136. Published by Colin Kirkpatrick Publications (A0.953397). Following from the success of the Hits of the Renaissance for Strings, featuring well-known dances from Terpsichore by Michael Praetorius, this arrangement is from another classic book of dances from the same period. Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file incudes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. An additional melody part is provided in treble clef and the chords (for optional guitar) are shown in both keyboard and bass parts. In the spirit of the original publication of 1571, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A piano is distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.