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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1374409 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 7 pages. Han-Ki Kim #959013. Published by Han-Ki Kim (A0.1374409). Korean traditional Song Cheonan Three-way Intersection has been a very important transportation hub since the Joseon Dynasty as a three-way road that must be passed to go to Hanyang, Gyeongsang-do, and Jeolla-do. The song captures the scenery of the three-way intersection, where there was a lot of traffic between people and goods and the willow trees were beautiful. This song was sung to reflect the sorrow of the people who had difficult lives, in keeping with Korean sentiment. This music is arranged for Violin and Piano. Attached music file is recorded in a string Quartet, It’s just for a reference.
Chonan-Samgeori (For Viola and Piano)
Violon et Piano

$4.50 3.86 € Violon et Piano PDF SheetMusicPlus

Piano Quartet - Level 3 - Digital Download SKU: A0.548651 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. 17 pages. Jmsgu3 #3408091. Published by jmsgu3 (A0.548651). A unique arrangement of Jingle Bells arranged for a piano quartet (piano, violin, viola, cello, and optional sleigh bells). The first verses are based on the traditional version. After an abrupt modulation, the third verse explores an augmentation canon, while the viola pursues a wild sleigh ride passage. Meanwhile, the tune is fragmented and sequenced in the piano. It gets wild but straightens out for the final refrain. Score: 7 pg, 68 ms. String parts: 2 pg. Sleighbell part: 1 pg. Piano part: 3 pg. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the song One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus.   
Jingle Bells for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle

$39.95 34.3 € Piano Quatuor: piano, violon, alto, violoncelle PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014305_TX1 B-flat Tenor Saxophone. Composed by Jerry Brubaker. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014305_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014305_TX1). UPC: 038081351186.This piece for symphonic band by Jerry Brubaker is a musical excursionA into the American driving experience. From majestic mountain vistas and wide open spaces to the hustle and bustle of rush hour traffic. There is even a section about the beloved covered bridge. Find one and there's bound to be an interesting little two lane country road leading up to it. The piece is designed around just two themes which are tied together in the final section which the composer calls Our Favorite Road. This can be the road to the beach, to the mountains or just simply cruisin' with the top down on a summer afternoon! Enjoy this delightful taste of Americana. (7:11) This title is available in SmartMusic.Concert/Contest.
The American Road: B-flat Tenor Saxophone
Orchestre d'harmonie

$3.00 2.58 € Orchestre d'harmonie PDF SheetMusicPlus

B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1167948 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Fabio Eduardo de Oliveira. Jazz,Pop,Standards. Individual part. 2 pages. Fabio Eduardo #768304. Published by Fabio Eduardo (A0.1167948). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadFeeling Good (also known as Feelin' Good) is a song written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint – The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour and by Gilbert Price in 1965 with the original Broadway cast.Nina Simone recorded Feeling Good for her 1965 album I Put a Spell on You. The song has also been covered by Sammy Davis Jr., Traffic, Michael Bublé, John Coltrane, George Michael, Victory, Eels, Joe Bonamassa, Eden, Muse, Black Cat Bones, Bassnectar, Sophie B. Hawkins, Leslie West, Avicii, Chlöe and Lauryn Hill among others. It was also performed by John Legend as part of the Celebrating America performance marking the inauguration of Joe Biden and Kamala Harris on January 20, 2021.
Feeling Good
Trompette
Michael Buble
$4.99 4.28 € Trompette PDF SheetMusicPlus

Small orchestra - Digital Download SKU: S9.Q3137 Concert Suite. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q3137. Published by Schott Music - Digital (S9.Q3137). Henze also wrote the music of the successful film Die verlorene Ehre der Katharina Blum, co-produced by Volker Schlöndorff and Margarethe von Trotta from the novel by Heinrich Böll: 'Böll's novella is about a young woman whose life is ruined because of the persecution and slander of the German yellow press. The story is set in Cologne and its surroundings and casts a light on Germany in the Seventies: estrangement, destruction of the environment, triumph of the middle classes, use of force by the police. The music comments on these circumstances, rather than describing them. Everything that sounds soft and sentimental refers to Katharina and her friend who is pursued by the police and suspected of being a terrorist. Scenes of violence, traffic chaos and, right in the middle, the carnival of Cologne are subjects of the other pieces.'1 (auch Picc., Altfl. u. Bassfl. mit Kontaktmikr.) · 1 (auch Engl. Hr.) · 1 (auch Es-Klar. u. Bassklar.) · 1 (auch Kfg.) - 1 · 1 · 1 · 0 - P. S. (I: 3 hg. Beck. · Tamt. [mit Kontaktmikr.] · 2 Tamt. [ohne Kontaktmikr.] · 3 Bong. · Log Drums · Loo-jon · Vibr.; II: 3 hg. Beck. · Tamt. [mit Kontaktmikr.] · Trinidad Steel Drum · Flex. · Watergong · Lotosfl. · Boo-bam) (2 Spieler) - Klav. (auch Cel.) - Str.
Katharina Blum

$33.99 29.18 € PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger Aldridge #441219. Published by Roger Aldridge (A0.979653). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. The ensemble (including horn players) can improvise backgrounds and interactions with the soloist. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. Note: There are differences between the score and the demo recording. The small group recording was made (from a lead sheet) several years before my mid-size ensemble score was written. For this new recording, the horn parts from my score were added to the earlier recording. The video syncs the pages of the score with the recording as closely as possible. PARTS: The set of parts is available at CONNECTICUT AVENUE SUVS PARTS (S0.84821). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/82TWCuIcjso WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
Connecticut Avenue SUVs
Ensemble Jazz

$10.00 8.59 € Ensemble Jazz PDF SheetMusicPlus


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