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Vocal, Solo medium voice solo, key of G - Digital Download

SKU: H1.8825DP

Composed by Buryl Red and Ragan Courtney. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. General Worship, Communion, Sacred. Vocal score. 8 pages. Hope Publishing - Digital #8825DP. Published by Hope Publishing - Digital (H1.8825DP).

By Ragan Courtney & Buryl Red. Luke 22:19 - 1 Corinthians 11:24 - 1 Corinthians 11:25.

Communion anthem by Ragan Courtney & Buryl Red The words from The Last Supper are beautifully paraphrased in this timeless, communion anthem from Buryl Red and Ragan Courtney, arranged by Lloyd Larson. The melody is memorable and the text is thoughtful and relevant. The reflective mood is enhanced with the addition of the optional instrumental accompaniment. This setting is included in Lloyd Larson's new collection, Easy Settings: 10 Arrangements for SAB or Two-Part Mixed Choirs (#8507; Preview Pack #8512). The Orchestration by Mark Kellner contains a Conductor's Score and parts for: Flute, Oboe, Horn in F, Cello and Bass Guitar.

In Remembrance
Ragan Courtney & Buryl Red Luke 22:19 - 1 Corinthians 11:24 - 1 Corinthians 11:25
$7.95 7.12 € PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download

SKU: A0.1068893

Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893).

Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.

LÄTTA FINGRAR

$1.99 1.78 € PDF SheetMusicPlus

SKU: M2.MOS-91043

Hofkapellmeister und Komponist zwischen Renaissance und Barock. Composed by Siegfried Vogelsanger. Möseler Verlag #MOS 91043. Published by Möseler Verlag (M2.MOS-91043).

ISBN 9783787730438.

Die Lebenszeit von Michael Praetorius fallt in jene Jahrzehnte um 1600, die zu den spannendsten in der Musikgeschichte uberhaupt gehoren: Ende der Vokalpolyphonie und Beginn der generalbassgestutzten Barockmusik, Herausbildung der Mehrchorigkeit und des konzertierenden Stils, Entstehung von Monodie und Oper. Der stets neugierige und umtriebige Praetorius war nicht nur Augen- und Ohrenzeuge dieses gravierenden stilistischen Umbruchs, sondern auch der bedeutendste Musik-Enzyklopadist seiner Zeit. Neben dem autodidaktischen Studium aktueller Musikdrucke (Claudio Monteverdis Marienvesper etwa war ihm wohlbekannt), bezog Praetorius sein umfassendes Wissen aus zahlreichen Reisen im Auftrag oder im Gefolge des Wolfenbutteler Herzogs. Diese fuhrten ihn vor allem auch nach Prag, wo er am kaiserlichen Hof wichtige Kontakte zu fuhrenden Musikern knupfen konnte. So lernte Praetorius, obgleich er Norditalien nie besucht hat, den neuen italienischen Stil in allen Auspragungen kennen und stand ihm sehr aufgeschlossen gegenuber. Prag wurde sein Venedig, um es mit Siegfried Vogelsanger zu sagen. Das kompositorische Werk zeigt eindrucksvoll, wie eigenwertig und kunstvoll Praetorius mit dem stile nuovo umzugehen vermochte. Leider hat sich die Musikforschung mit Michael Praetorius nicht annahernd soviel befasst, wie mit seinem Zeitgenossen Heinrich Schutz. So blieben der musikhistorische Rang und vor allem die kompositorische Substanz des Wolfenbutteler Hofkapellmeisters bis heute unterbewertet. Um so verdienstvoller ist daher diese Monographie des in Wolfenbuttel ansassigen Praetorius-Forschers Siegfried Vogelsanger. Das unter Mitarbeit von Winfried Elsner aufschlussreich bebilderte Buch liefert bei einem uberschaubaren Gesamtumfang ein ausgezeichnetes Resumee des aktuellen Forschungsstandes und bietet somit die solide Basis fur weiterfuhrende Studien. Der in allgemeinverstandlicher Form abgefasste Text kann auf der Grundlage solider wissenschaftlicher Quellen sowohl dem Musikliebhaber als auch dem Musikstudierenden als reiches Kompendium dienen, sich uber Leben und Werk von Michael Praetorius zu informieren.

Michael Praetorius

$21.95 19.67 € PDF SheetMusicPlus

Choral, Vocal, Solo (Flute, Orchestra) - Digital Download

SKU: H1.C5565DP

Composed by Buryl Red and Ragan Courtney. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. General Worship, Communion, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5565DP. Published by Hope Publishing - Digital (H1.C5565DP).

By Ragan Courtney & Buryl Red. Luke 22:19 - 1 Corinthians 11:24 - 1 Corinthians 11:25.

Communion anthem by Ragan Courtney & Buryl Red The words from The Last Supper are beautifully paraphrased in this timeless, communion anthem from Buryl Red and Ragan Courtney, arranged by Lloyd Larson. The melody is memorable and the text is thoughtful and relevant. The reflective mood is enhanced with the addition of the optional instrumental accompaniment. This setting is included in Lloyd Larson's new collection, Easy Settings: 10 Arrangements for SAB or Two-Part Mixed Choirs (#8507; Preview Pack #8512). The Orchestration by Mark Kellner contains a Conductor's Score and parts for: Flute, Oboe, Horn in F, Cello and Bass Guitar.

In Remembrance
Ragan Courtney & Buryl Red Luke 22:19 - 1 Corinthians 11:24 - 1 Corinthians 11:25
$3.25 2.91 € PDF SheetMusicPlus

Full Orchestra - Digital Download

SKU: A0.1112703

Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703).

Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodía gregoriana del Te Deum – himno de acción de gracias – alternando la melodía del Tonus Solemnis y del Tonus Simplex. La melodía gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodía gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.

TE DEUM Reducción para piano y 4 voces mixtas - Score Only
Orchestre

$14.90 13.35 € Orchestre PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download

SKU: A0.1068892

Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892).

Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.

LOVELY THOUGHTS

$1.99 1.78 € PDF SheetMusicPlus






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