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Concert Band - Digital Download

SKU: A0.733220

Composed by Samuel Coleridge-Taylor. Arranged by Michael Shaw. Romantic Period. Score and parts. 161 pages. Ayotte Custom Musical Engravings #6341569. Published by Ayotte Custom Musical Engravings (A0.733220).

Samuel Coleridge-Taylor was born in Holborn, London on August 15, 1875 and died from pneumonia at the age of 37 in Croy- don, England on September 1, 1912.  At an early age his grandfather began teaching him how to play the violin. His musical ability was obvious and at the age of 15, his extended family arranged for Taylor to study at the Royal College of Music. While at RCM he changed from violin to composition, working under professor Charles Villiers Stanford. His classmates included Ralph Vaughan Williams and Gustav Holst. He was later helped by Edward Elgar in 1898, who described Coleridge-Taylor as far and away the cleverest fellow going amongst the young men.  By 1896, Coleridge-Taylor was earning a reputation as a composer and was also accepted as an excellent conductor. In 1898 at the age of 23 he composed the African Suite. Danse Nègre is the last of the four movements that make up the African Suite, Op. 35 (proceeded by Introduction, A Negro Love Song, and Valse). Coleridge-Taylor saw it as his mission in life to help establish the dignity of the black man. He was greatly influenced by black American poet P. L. Dunbar. He made three successful visits to the United States to great acclaim. In 1904, on his first USA tour he was received by President Theodore Roosevelt at the White House. Above all, though, Samuel Coleridge-Taylor was known as a man of great dignity and patience.

Coleridge-Taylor Danse Negre from the African Suite Op. 34, No. 4 transcribed for Concert Band by Mi Orchestre d'harmonie
1896, Coleridge-Taylor was earning a reputation as a composer and was also accepted as an excellent conductor In 1898 at the age of 23 he composed the African Suite
$79.99 75.96 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.1435234

Composed by Ralph Vaughan Williams. Arranged by Brian Harris. 20th Century,Contest,Festival,Instructional,Standards. 4 pages. Bandroom.com Publications #1015321. Published by Bandroom.com Publications (A0.1435234).

A classic for the wind band, SEA SONGS is a delightful piece to play. But due to early 20th century scoring practices, the Bass Clarinet part is written very high in range – almost like a 4th Clarinet part. And most of what it plays is doubled in other voices (saxes, euphonium, etc.). This means today's band loses the added sonority of the low register of the Bass Clarinet. 

This special part puts the Bass Clarinet back in the low register and doubles the Tuba line. Much more enjoyable for your Bass Clarinetist! Also included is a second specially-constructed part which includes most of the Bassoon 2 line interwoven with the Tuba line. Choose which one works best for your player/band. 

NOTE: this Digital Download is assembled with two complete parts for Bass Clarinet. When you download/print the full document (4 pages, total), the first page to print will be marked SAMPLE, the second page will be the Bass Clarinet strictly doubling the Tuba line, and the last two pages will be the Bass Clarinet doubling the Bassoon 2 and Tuba line. (BcP-AB)

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COMPOSER/ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years. 

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SEA SONGS by Ralph Vaughan Williams – special low-register Bass Clarinet part (concert band) Orchestre d'harmonie

$6.00 5.7 € Orchestre d'harmonie PDF SheetMusicPlus

Fl(C Inst),Handchimes 3-5(Cello) - Level 4 - Digital Download

SKU: C7.CGB645

Composed by Kevin McChesney and Ralph Vaughan Williams. Arranged by Kevin McChesney and Ralph Vaughan Williams. Christmas, General. Master Ringer. With Flute (C Instrument), 3, 4, or 5 octaves handchimes, cello. Score and parts. 20 pages. Chorister's Guild - Digital #CGB645. Published by Chorister's Guild - Digital (C7.CGB645).

UPC: 749193015117.

Level 3 * Flexibly designed, this piece may be used as a congregational hymn accompaniment with brass quintet, timpani, organ, and mixed chorus, or the vocal and instrumental forces may be omitted and the handbell part played alone. The arrangement includes an introductory fanfare, four musical verses with an interlude between the third and fourth, and an optional ending. The setting of the third stanza is particularly descriptive of the war-like text, using dissonant chords, martellato lifts, and shaking, then ending triumphantly.

Fantasia on Greensleeves - Score and Parts
$13.95 13.25 € PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download

SKU: A0.1291782

By Ralph Vaughan Williams. By Ralph Vaughan Williams. Arranged by Erin Dyvig. Classical,Early Music,Film/TV,Religious,Renaissance. 19 pages. Erin Dyvig #882393. Published by Erin Dyvig (A0.1291782).

This is an abridged arrangement of Ralph Vaugham Williams' Fantasia on a Theme of Thomas Tallis. The theme is based on a melody written by the 16th century English composer Thomas Tallis. Vaughan Williams Fantasia on a Theme of Thomas was featured in the 2003 film The Master and the Commander: Far Side of the World.

This arrangement is for four C flutes, alto flute, bass flute, and an optional contrabass flute. A transcription of the alto flute part written for C flute is included.

Fantasia on a Theme of Thomas Tallis Ensemble de Flûtes
Ralph Vaughan Williams
$20.00 18.99 € Ensemble de Flûtes PDF SheetMusicPlus

Piano,Trombone - Level 3 - Digital Download

SKU: A0.726086

Composed by Traditional French Carol. Arranged by Todd Marchand. Christian,Sacred. Score and part. 8 pages. Con Spirito Music #4775413. Published by Con Spirito Music (A0.726086).

Let All Mortal Flesh Keep Silence is a eucharistic hymn translated from the fifth-century Liturgy of St. James and set to a 17th-century French carol.

In this particular liturgy (attributed to St. James the Less, first bishop of Jerusalem), a hymn of preparation and adoration is sung by the celebrating priest as the communion bread and wine is brought to the altar of the Lord. The Anglican priest and hymnodist Gerard Moultrie (1829-1885) translated and paraphrased the hymn, whose opening words are based on the words of the prophets Habakkuk (But the Lord is in his holy temple; let all the earth keep silence before him. 2:20) and Zechariah (Be silent, all flesh, before the Lord, for he has roused himself from his holy dwelling. 2:13).

Ralph Vaughan Williams, editor of the English Hymnal of 1906, adapted a French carol dating from the 17th century and published in Chansons Populaires des Provinces de France (1860) for Moultrie's text, naming the hymn tune PICARDY for the region of France from which it is thought to originate.

Contemporary, jazz-flavored harmonies characterize this arrangement for trombone and piano.

©2019 Todd Marchand / ConSpiritoMusic.com

Let All Mortal Flesh Keep Silence - trombone and piano Trombone et Piano

$6.00 5.7 € Trombone et Piano PDF SheetMusicPlus


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