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B-Flat Instrument, C Instrument - Digital Download SKU: H1.C6041PDP Arranged by Anne Krentz Organ. Piano with Optional Congregation & Instruments. Thanksgiving, General Worship. Instumental Parts. 4 pages. Hope Publishing - Digital #C6041PDP. Published by Hope Publishing - Digital (H1.C6041PDP). Fred Pratt Green. Matthew 20:1 - Matthew 20:2 - Matthew 20:3 - Matthew 20:4 - Matthew 20:5 - Matthew 20:6 - Matthew 20:7 - Matthew 20:8 - Matthew 20:9 - Matthew 20:10 - Matthew 20:11 - Matthew 20:12 - Matthew 20:13 - Matthew 20:14 - Matthew 20:15 - Ma.Classic hymn Appropriate for Thanksgiving or for any celebration on community, creation, growth, or gifts of the Spirit, this setting by Anne Krentz Organ is designed to include the congregation on the final verse, with a reproducible part included. The addition of a treble and bass instrument adds charm and interest to the piano accompaniment, which combine in a quasi-baroque style using the Welsh melody Ar hyd y nos. Instrumental parts: C Instrument (Treble), B-flat Instrument (Treble) and C Instrument (Bass).
For the Fruit of All Creation

$10.95 10.42 € PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download SKU: A0.1012873 Composed by Dean H. Hamill and Orson Pratt Huish. Arranged by Dean H Hamill. Christian,Sacred,Spiritual. Octavo. 6 pages. D H Hamill #6025819. Published by D H Hamill (A0.1012873). For general worship services, this anthem combines an original setting of LDS scripture from the book of Jacob and the beautiful 19th Century hymn providing both a calming and refreshing message that lifts listener's spirits.  Set for SATB with piano accompaniment it does have some challenging rhythmic treatments in the hymn.  Performance time is five minutes.  Please contact me with comments and reactions to your performance.  My email is dean.hamill@hushmail.com.
You Who Are Pure In Heart / Come Unto Jesus
Chorale SATB

$2.95 2.81 € Chorale SATB PDF SheetMusicPlus

Rhythm Parts - Digital Download SKU: H1.C6115RDP Composed by Joel Raney. General Worship. Rhythm Parts. 35 pages. Hope Publishing - Digital #C6115RDP. Published by Hope Publishing - Digital (H1.C6115RDP). Fred Pratt Green. 1 Corinthians 14:26 - Colossians 3:16 - Ephesians 5:19 - John 5:13 - Mark 14:26 - Matthew 26:30 - Psalm 124:1 - Psalm 124:2 - Psalm 124:3 - Psalm 124:4 - Psalm 124:5 - Psalm 124:6 - Psalm 124:7 - Psalm 124:8 - Psalm 137:3 - Psalm 150.Original anthem The familiar words of When in Our Music God Is Glorified are the basis of this distinctive gospel anthem. The piano accompaniment sets the groove and builds to the choir singing a strong, rhythmic chorus of Alleluias! The combination of a fabulous hymn text with an inventive, new melody makes this a sure winner. Rhythm parts: Conductor's Score, Piano, Synth (B3 Organ Patch), Acoustic Guitar, Electric Bass, Percussion & Drums.
A Gospel Alleluia

$34.95 33.26 € PDF SheetMusicPlus

Piano/vocal - Digital Download SKU: S8.AC0300-1000070 Composed by Paul Pratt. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 1.2: Transportation - Automobiles, Box 8, Folder C, Archives Center, National Museum of American History, Smithsonian Institution. Cars. 7 pages. Published by Smithsonian Institution (S8.AC0300-1000070). Sheet music published in 1913 by Frank K. Root and Co.Lyrics by J. Will Callahan. About Sheet Music from the Smithsonian CollectionThe Smithsonian Collection: These official, high-quality facsimiles have been hand-picked from the Sam DeVincent Collection of Illustrated American Sheet Music in the Archives Center of the Smithsonian Institution and are available exclusively through Sheet Music Plus.The Smithsonian name and logo are registered trademarks of the Smithsonian Institution.
Gasoline
Piano, Voix

$5.99 5.7 € Piano, Voix PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 9.51 € Orchestre à Cordes PDF SheetMusicPlus






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