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Brass Ensemble Trombone - Level 4 - Digital Download

SKU: A0.792349

Composed by Antonio Lotti. Arranged by Philip Brink. Baroque,Classical,Renaissance,Sacred. Score and parts. 11 pages. Gordon Cherry #4806575. Published by Gordon Cherry (A0.792349).

Crucifixus by Antonio Lotti is part of his Credo in F. This motet of 8 voices is a wonderful example of polyphony with many suspensions thrown in for good measure.  The music is sweet with a beautiful sadness, making it a work that touches most listeners in a very personal way.

Mr. Brink has transposed the work down a fifth into the key of F minor (resolving to F major at the conclusion), otherwise keeping the music true to its origins.  

This 4 minute work has a range of up to high B-flat for the 1st part.  The top four parts are in tenor clef.

The mp3 sound file is from a live performance of the Rundfunkchor conducted by Sir Simon Rattle from YouTube®.

Crucifixus for 8-part Trombone ensemble
Ensemble de Trombones

$20.00 19.01 € Ensemble de Trombones PDF SheetMusicPlus

Small Ensemble Marimba,Xylophone - Level 4 - Digital Download

SKU: A0.935374

Composed by Dan Heslink. Contemporary,World. Score and parts. 41 pages. Pharaoh Publications #4855253. Published by Pharaoh Publications (A0.935374).

Andean Refrains, composed by Dan Heslink

The composing of Andean Refrains resulted from the composer’s travels in the Andes Mountains of Venezuela, where he came to know and enjoy the melodies of the indigenous Andean band. Although the marimba is not an instrument of that region, it seems to be well-suited to the music’s technical and expressive demands.

 

Requiring four marimbas and one xylophone, Andean Refrains is an original composition employing tradition Andean musical styles. Some of the five parts require four mallets, the others require two. It is best to perform the bass part on a marimba that can play two octaves below middle C, but if no instrument with that range is available octave transpositions of some notes is acceptable. In this work the marimbas imitate the wide vibrato of zampoñas, or panpipes, with rapidly alternating octaves. The notched-end wooden flute, quena, is suggested with hard mallets on the xylophone, and of course the guitars and charango (Andean ukulele) transcribe well to marimba with four mallets. The bass end of the marimba provides the register of the guitarrone. Chaccha, the rattle of llama toenails, is simulated by instructing one marimbaist to at times strike the bar with the handles of the mallet.

 

With this work the composer hopes to capture the quiet dignity and inevitability of life’s events expressed by Andean musicians.

Andean Refrains Set I

$9.99 9.49 € PDF SheetMusicPlus






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