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Guitar,Piano - Level 3 - Digital Download SKU: A0.877808 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. Score and part. 6 pages. Deborah Johnson #33115. Published by Deborah Johnson (A0.877808). Journey piano solo presents a captivating and melodious piano solo, skillfully crafted at a medium intermediate level. This composition is featured in the Wayfarers Journey album, which introduces new classically-inspired piano and instrumental solos by Deborah Johnson. Tailored for special occasions such as weddings and events, Journey spans 6 pages, encompassing the piano solo, guitar chords, and a cover. The term Journey refers to traveling from one place to another, an excursion or trip. Rooted in Middle English and originating from Anglo-French, it stems from jurnee, which referred to a day's travel. The earliest recorded use dates back to the 13th century. The combination of Wayfarers Journey further emphasizes travel on foot, creating a sense of passage or movement in this musical piece. This piano solo evokes a sense of movement and progression, making it an ideal addition to special occasions. Its emotive qualities capture the essence of a journey, adding depth and character to memorable events. Click here to download MP3 on Spotify: https://open.spotify.com/track/3zgvtLr9KskTEj7oJgMiYpAlso available is the instrumental solo score version with parts, the piano solo score version with parts and full book of piano solos from Wayfarer’s Journey. Signed copies of the CD at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: Deborah & David Johnson; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
Journey Piano Solo
Piano seul

$4.99 4.27 € Piano seul PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861789 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 pages. Mark O'Connor Musik International #6201731. Published by Mark O'Connor Musik International (A0.861789). String Quartet No. 3 Old-Time (Score – two vlns, vla, cel) MO169BViolin 1 Part (score and parts available)Music by Mark O’Connor30 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169BCopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  
String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle
Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No 2 Bluegrass) can be heard on String Quartets No
$15.00 12.83 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201733. Published by Mark O'Connor Musik International (A0.861788). String Quartet No. 3 Old-Time (violin 2 part – two vlns, vla, cel) MO169CViolin 2 Part (score and parts available)Music by Mark O’Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169CCopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  
String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle
Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No 2 Bluegrass) can be heard on String Quartets No
$15.00 12.83 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790). String Quartet No. 3 Old-Time (viola – two vlns, vla, cel) MO169DViola Part (score and parts available)Music by Mark O’Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169DCopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  
String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle
Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No 2 Bluegrass) can be heard on String Quartets No
$15.00 12.83 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.1261509 Composed by Antonio Jiménez Manjón. Arranged by Rui Namora. 19th Century,Classical,Romantic Period. Individual part. 11 pages. Rui Namora #854571. Published by Rui Namora (A0.1261509). This beautiful étude, originally written for the 11-string guitar (7+4) that Antonio Manjón used, is practically unknown today. Although it was composed as an étude for this instrument, this arrangement for the 6-string guitar doesn't fail to capture its beauty. The 7-string version is faithful to the original, regarding the bass notes. This set includes a new engraving of the original in double staff and both 6 and 7 string guitar standard notation. Antonio Jimenéz Manjón (1866-1919)Antonio Jiménez Manjón was a Spanish guitarist born in 1866 in the Andalusian city of Villacarillo. Blind from an early age, he began his musical career at the age of twelve, performing in Spain and Portugal, where he played for the Portuguese King Fernando II.Soon after, the young Antonio traveled to Paris alone, where he studied violin at the Conservatory while pursuing his guitar career. He was surrounded by musicians such as Gounod, Saint-Saëns, and Sarasate.In 1887, Manjón returned to his home country and was invited by the Spanish monarchs to perform in the Royal Palace. During those years, he toured Europe with his Torres eleven-string guitar. In 1893, he crossed the Atlantic to the Americas, settling in Buenos Aires in 1902 after performing and teaching in several Latin American countries.In Argentina, he founded a conservatory and published his work Escuela de Guitarra.Antonio Jiménez Manjón passed away in 1919 in Buenos Aires.ISMN 979-0-9007524-5-1  
Preludio in A (estudio nº15)
Guitare

$6.00 5.13 € Guitare PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part – two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark O’Connor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2007 Composed By Mark O’ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC RecordsRecorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright © 2007 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  
String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle
Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No 2 Bluegrass) can be heard on String Quartets No
$15.00 12.83 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
Saxophone Alto et Piano

$16.95 14.5 € Saxophone Alto et Piano PDF SheetMusicPlus

Guitar,Piano - Level 3 - Digital Download SKU: A0.877825 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. Score and part. 6 pages. Deborah Johnson #33199. Published by Deborah Johnson (A0.877825).  Wayfarer piano solo, featured in Deborah Johnson's Wayfarers Journey album, offers a captivating and melodious piano solo crafted at a medium intermediate level. This piece is part of a collection introducing new classically-inspired piano and instrumental solos, perfect for special occasions like weddings and events. Spanning 6 pages, including the piano solo, guitar chords, and cover, Wayfarer sets an enchanting tone for memorable moments. The term Wayfarer denotes a person who travels on foot, embarking on life's journey through various terrains—mountains, valleys, and unforeseen paths. In American folklore, Johnny Appleseed is celebrated as one of the renowned wayfarers, wandering the country and sowing apple seeds. Originating from Middle English, weyfarere stems from wey (way) and farere (traveler), rooted in the verb faren (to go). The term was first recorded in the 15th century. Wayfarer encapsulates the spirit of a journey, offering a reflective and engaging musical experience. Its emotive qualities, combined with the essence of a wayfarer's exploration, make it an ideal choice for special occasions, resonating with the diverse landscapes of life's journey. Spotify link for MP3 download: https://open.spotify.com/track/41NY3INUb0kmxROlHLYJaL Also available is the instrumental solo score version with parts, the piano solo score version with parts and full book of piano solos from Wayfarers Journey. Album released June 1, signed copies at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: Deborah Johnson; Violin: Sandy Mackinga; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
Wayfarer Piano Solo
Piano seul

$4.99 4.27 € Piano seul PDF SheetMusicPlus

Choral Choir,Choral (SA) - Level 3 - Digital Download SKU: A0.877823 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 23 pages. Deborah Johnson #33193. Published by Deborah Johnson (A0.877823). Wayfarer piano solo score, featured in Deborah Johnson's Wayfarers Journey album, offers a captivating and melodious piano solo crafted at a medium intermediate level. This piece is part of a collection introducing new classically-inspired piano and instrumental solos, perfect for special occasions like weddings and events. Wayfarer piano score includes a total of 23 pages, including score and separate parts. Parts include: Piano Solo; vocal backgrounds (1-2 parts, SA), violin bkg and flute bkg. Piano solo includes guitar chords.The term Wayfarer denotes a person who travels on foot, embarking on life's journey through various terrains—mountains, valleys, and unforeseen paths. In American folklore, Johnny Appleseed is celebrated as one of the renowned wayfarers, wandering the country and sowing apple seeds. Originating from Middle English, weyfarere stems from wey (way) and farere (traveler), rooted in the verb faren (to go). The term was first recorded in the 15th century.Wayfarer encapsulates the spirit of a journey, offering a reflective and engaging musical experience. Its emotive qualities, combined with the essence of a wayfarer's exploration, make it an ideal choice for special occasions, resonating with the diverse landscapes of life's journey. Spotify link for MP3 download: https://open.spotify.com/track/41NY3INUb0kmxROlHLYJaLAlso available is the instrumental solo score version with parts, the piano solo version and full book of piano solos from Wayfarers Journey. Album released June 1, signed copies at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: Deborah Johnson; Violin: Sandy Mackinga; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
Wayfarer Piano Solo Score
Chorale 2 parties

$6.99 5.98 € Chorale 2 parties PDF SheetMusicPlus

Flute,Guitar,Piano,Violin - Level 3 - Digital Download SKU: A0.877824 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 19 pages. Deborah Johnson #33189. Published by Deborah Johnson (A0.877824). Wayfarer instrumental solo score, written for a C instrument, violin or other, featured in Deborah Johnson's Wayfarers Journey album, offers a captivating and melodious piano solo crafted at a medium intermediate level. This piece is part of a collection introducing new classically-inspired piano and instrumental solos, perfect for special occasions like weddings and events. Wayfarer instrumental solo score includes a total of 19 pages, including score, separate parts and cover. Parts include: Instrumental (violin) solo; Instrumental (violin) bkg1; Instrumental (flute) bkg2; Piano accompaniment. Piano accompaniment includes guitar chords. The term Wayfarer denotes a person who travels on foot, embarking on life's journey through various terrains—mountains, valleys, and unforeseen paths. In American folklore, Johnny Appleseed is celebrated as one of the renowned wayfarers, wandering the country and sowing apple seeds. Originating from Middle English, weyfarere stems from wey (way) and farere (traveler), rooted in the verb faren (to go). The term was first recorded in the 15th century. Wayfarer encapsulates the spirit of a journey, offering a reflective and engaging musical experience. Its emotive qualities, combined with the essence of a wayfarer's exploration, make it an ideal choice for special occasions, resonating with the diverse landscapes of life's journey. Spotify link for MP3 download: https://open.spotify.com/track/20XgLEc95FaC4e3Y0Jyoqu Also available is the piano solo version, for intermediate players, the piano solo score with parts and full book of piano solos from Wayfarers Journey. Signed copies of CD at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: Deborah Johnson; Violin: Sandy Mackinga; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
Wayfarer Inst. Solo Score

$6.99 5.98 € PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar Tab. 7 pages. Brian Streckfus #756776. Published by Brian Streckfus (A0.1156458). IMPORTANT NOTE: You get both tablature version and sheet music version in one 7 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Also the tab version is meant for Drop D tuning and the sheet music is for standard tuning! Just be careful with your printer settings if you don't want two versions!1. Impressionism French minimalist piece arranged for guitar in Drop D Tuning.2. The composer indications in text are not my recommendations, but the original composer's. 2. Guitar tablature added with circles for half notes and whole notes.3. Measures and time signatures removed to reflect the ethos of the original composer. 4. Engraved to fit on four pages. Many of the lines themselves represent a musical phrase, making my arrangement that much easier to perform musically.  5. Courtesy accidentals added but they just look like regular accidentals. I did this especially because the piece is one gigantic measure and accidental etiquette is hard to follow under those circumstances. 6. Some overly contrived ties removed.This one is a real challenge to engrave because the original composer didn't have bar lines or time signatures. Cool idea but that can cause even the best sheet music programs to glitch out a bit when you have 16/4 hidden time signatures! This especially causes problems with accidentals, and it also causes rhythm problems when multiple voices are happening. As always, I like to try to have notes with upward stems represent the main voice, and downward stems to represent background voices, even though this leads to a bit of messiness with stem collisions. Normally the sheet music shows the rhythm the best, but dare I say the tab actually keeps track of time pretty well since all the voices are condensed into one rhythm line.
Gnossienne No. 3 (Tablature + Sheet Music)
Guitare notes et tablatures

$1.99 1.7 € Guitare notes et tablatures PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.925099 Composed by Carson Yi Zhong. Arranged by VCHS MUSE. Contemporary,World. Score and parts. 46 pages. VCHS MUSE #4355687. Published by VCHS MUSE (A0.925099). The music describe a 21st century young traveller. The opening section describes his childhood, during which he had a dream of going out to other countris and view the scene that he had never seen. The second part displayed the beginning of his journey in his young age, surrounded with joy and excitement. The third section revealed the thought of the traveller, when he starts to miss his home. The fourth section shows his nostalgia, and the thoughts in tranquility. The last part ends the music with the travelling finally back home, and he has a new perspective and view towards the future.
Dream in Foreign
Ensemble Jazz

$2.99 2.56 € Ensemble Jazz PDF SheetMusicPlus






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