Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.

Small Ensemble Double Bass - Level 5 - Digital Download SKU: A0.977047 Composed by Johann Sebastian Bach. Arranged by Paul SanGregory （桑磊栢）. Baroque. Score and parts. 9 pages. Distant Engraver Music #5723341. Published by Distant Engraver Music (A0.977047). In this arrangement of J. S. Bach’s famous Air, the four parts of the original string orchestra are played by four solo contrabasses. The two upper bass parts take turns playing the soaring primary melody while the two lower parts alternate in playing the famous bass line. With only slight modifications and an occasional omission, all of Bach’s original counterpoint is used in a way that preserves clarity and lightness even though the overall range has been compressed for the basses. Both the 1st and 2nd bass parts require performers to play in the high solo register, playing up to high Eb and D respectively. The original key of D major has been transposed to F major for this arrangement.

B-Flat Trumpet,Cello,Instrumental Duet - Level 1 - Digital Download SKU: A0.1255657 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Classical,Romantic Period,Traditional. 3 pages. Arezzo Music #849169. Published by Arezzo Music (A0.1255657). Ode to joy for trumpet and cello sheet music in c arrangement   Immerse yourself in the captivating harmonies of Beethoven's Ode to Joy with our sheet music arrangement for Trumpet and Cello in C. Designed by the skilled artisans at Arezzo Sheet Music Engraver, this arrangement showcases the seamless blend of the trumpet's bright and expressive tones with the cello's rich and resonant sound. Whether you're a seasoned trumpet player or an accomplished cellist, our sheet music provides clear and precise notation, guiding you through the enchanting journey of Ode to Joy in the key of C. Explore the uplifting melodies and triumphant harmonies as they intertwine between the trumpet and cello, creating a mesmerizing and awe-inspiring musical experience. This arrangement allows for a beautiful dialogue between the two instruments, highlighting their distinct voices while harmonizing effortlessly. Elevate your musical performances and captivate your audience with our exceptional sheet music, meticulously crafted to honor Beethoven's vision. Order your copy today and embark on a musical adventure filled with the resounding beauty of Ode to Joy for Trumpet and Cello in C, courtesy of Arezzo Sheet Music Engraver. Let the harmonies soar and the melodies resonate, creating an unforgettable and inspiring musical experience.ode to joy for trumpet and cello sheet music in c arrangement.

Marimba Solo - Level 5 - Digital Download SKU: A0.977026 Composed by Paul SanGregory. Contemporary. Individual part. 9 pages. Distant Engraver Music #3534565. Published by Distant Engraver Music (A0.977026). This piece was composed for percussionist Kevin Romanski, who also provided advice on some technical matters. The title refers to its initial inspiration: the contemplation of different color combinations of the notes in a C13 chord. In terms of character, it begins with a slow meditative repetition of two melodic ideas. One is played as single-handed rolls by the right-hand while the other is a slowly developing melody played by the left-hand. Because the phrases of these two ideas do not align, their interaction creates a kaleidoscopic shifting of harmonic colors. A faster middle section continues developing both the harmonic and rhythmic interaction between the two hands, but in a more active and syncopated way. After a series of dramatic outbursts, the original meditative quality returns and the piece ends quietly with a return of material from the first section.

Easy Piano - Level 1 - Digital Download SKU: A0.829752 Composed by Traditional. Arranged by Amanda Dills. Children,Folk,Holiday,Instructional,Traditional. Score. 8 pages. Amanda Dills #3681577. Published by Amanda Dills (A0.829752). This songbook contains 7 easy piano arrangements for beginning players, all minor-key adaptations of popular folk songs, customized for easy piano. PERFECT FOR HALLOWEEN!*Note: All songs are also available for individual purchase on Sheet Music Plus.1. Trick or Treat2. Over the Graveyard and Through the Wood3. Oh I Come from Sleepy Hollow4. The Spooky Scary Spider5. Black Bat, Black Bat6. All Around the Halloween Pyre7. Oh When the GhoulsView more of my Halloween-themed Arrangements on Sheet Music Plus!   (Just copy/paste the item number into the search box)Beginning Piano- ADDAMS FAMILY THEME (H0.422913-4800)- All Around the Halloween Pyre (S0.423083)- Black Bat, Black Bat (S0.423067)- Oh, I Come From Sleepy Hollow (S0.423009)- Oh, When the Ghouls (S0.426079)- Over the Graveyard and Through the Wood (S0.423055)- RADIOACTIVE (H0.194611-227204)- Spooky (Baby) Shark (S0.885725)- The Spooky, Scary Spider (S0.422885)- Trick or Treat (S0.422997)Intermediate Piano- Pumpkin Spiced Piano [variation of Tchaikovsky's Arabian Dance] (S0.883763)- Tenth Piano Suite [Dr. Who - themed Piano Solos] (S0.26571)Choral:- Facebook Fugue/What Scares You [SAB] (S0.200665)

Piano Solo - Level 3 - Digital Download SKU: A0.896284 Composed by Alex Baker. Children,Concert,Contemporary. Score. 9 pages. Alex Baker #3690751. Published by Alex Baker (A0.896284). A spooky waltz that is perfect for Halloween. Skeleton Waltz starts slow and distant as we look at an empty graveyard and suddenly the music becomes loud and exhilarating as the Skeletons appear and perform their dances. The main theme represents all the skeletons in unison and each individual section represents solo dances. The piece ends with a slow version of the main theme as each skeleton disappears and we are left alone in an empty graveyard once more.

Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.

By Carl Raven. By Traditional. Arranged by Carl Raven. 163, Classical, Folk, Traditional, Wedding. 11 pages. Carl Raven #715374. Published by Carl Raven

By Carl Raven. By Charlotte Elliott (1835). Arranged by Carl Raven. 150, Jazz. 15 pages. Carl Raven #722098. Published by Carl Raven

Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407778 Composed by Igor Stravinsky. Arranged by Robert Stevens. 20th Century,Chamber,Classical. 36 pages. SAXpress.com #990402. Published by SAXpress.com (A0.1407778). Suite for Saxophones Igor Stravinsky (1882 – 1971) Saxophone Quintet SAATB Suite for Saxophones based on piano music of Igor Stravinsky, arranged for saxophone quintet SAATB. Between 1915 and 1917, as an amusement for his two children, Stravinsky wrote a series of eight easy piano duets based on a variety of dance forms. Later, he orchestrated the pieces for small orchestra and arranged them into suites of four movements each. The results are outrageous, witty, and utterly charming. As always, Stravinsky outdoes himself in the inventiveness of his orchestrations, which are filled with unusual instrumental juxtapositions and surprising changes in rhythm and texture. Some of those surprising changes and textures are evident in the arrangement for saxophone quintet.The Suite for Saxophones includes the following movements:March, from Three Easy Pieces, 1915Andante, from Five Easy Pieces, 1917Balalaika, from Five Easy Pieces, 1917Galop, from Five Easy Pieces, 1917.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1453916 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque. 18 pages. RayThompsonMusic #1033104. Published by RayThompsonMusic (A0.1453916). Arranged wind quintet.This music was originally attributed to Giovanni Pergolesi, as they were so described in a Mr R. Bremner's original 1780 London publication. They were also arranged later by Hugo Riemann, and were again wrongly attributed to Giovanni Pergolesi.They are actually  3 movements from 2 of Domenico Gallo's Trio SonatasThey were used by Igor Stravinsky as a basis of the third movement (Scherzino) of his Neo Classical Ballet Pulcinella.The Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. But even though Stravinsky used Gallo's (Pergolesi's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.My arrangement is of the the original Gallo pieces:The only change I have made is to move the bar lines so that my piece starts, as does Stravinsky's, with a quaver pickup, rather than Gallo's half bar and a quaver pickup.My arrangement uses Gallo's classical/baroque harmonies.It does not sound too dissimilar to Stravinsky's which sadly will be in copyright for many years.Check out my other arrangements of other music used by Stravinsky in his Pulcinella Suite.

Drum Set,Drums - Level 1 - Digital Download SKU: A0.1378850 By Lenny Kravitz. By Lenny Kravitz. Arranged by Will Beavis. Pop,Rock. Score. 2 pages. Will Beavis #963565. Published by Will Beavis (A0.1378850). Download the drum score for California by Lenny Kravitz, from his 2004 album: Baptism. This is a transcription of Lenny Kravitz's recorded drum parts.

Drum Set,Drums - Level 1 - Digital Download SKU: A0.1504844 By Lenny Kravitz. By Lenny Kravitz. Arranged by Felipe Gonçalves. Rock,Soul. Score. 3 pages. Felipe Gonçalves #1080264. Published by Felipe Gonçalves (A0.1504844). Drums simplified arrangement sheet transcription music Fly Away by Lenny KravitzDrums easy Lenny Kravitz.

Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.

Piano - Level 3 - Digital Download SKU: A0.1296164 Composed by Gilson Peranzzeta and Ivan Lins. Arranged by Sérgio Matias da Cunha. 20th Century,Jazz,Latin,Pop,Wedding. Score (Chords/Lyrics). 2 pages. Sérgio Matias da Cunha #886409. Published by Sérgio Matias da Cunha (A0.1296164). Partitura clara, objetiva, concisa e acessível apresentando marcações de cifra, introdução, acordes elaborados e quiálteras,  buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com harmonia e equilíbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão desta partitura, distribuindo toda a música em duas páginas. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).