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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)

$19.95 17.49 € PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet

$4.99 4.38 € PDF SheetMusicPlus

Piano - Digital Download SKU: B8.EB-2618 Volume 2: Opp. 9-13. Composed by Robert Schumann. Edited by Clara Wieck-Schumann and Wilhelm Kempff. Edition Breitkopf. Schumann's Spirit from the Hands of KempffIn 1925, Breitkopf & Hartel approached the young pianist Wilhelm Kempff to prepare Clara Schumann's Instructive Edition of her husband's works for the new engraving. Romantic. Score. 160 pages. Breitkopf and Haertel - Digital #EB-2618. Published by Breitkopf and Haertel - Digital (B8.EB-2618). ISBN 9790004161227. 9 x 12 in inches.[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation - all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann.The present edition thus conveys the reading of one of the most important pianists of the twentieth century, which we make fully accessible in time for the 200th birthday of Clara Schumann.
Complete Piano Works
Piano seul

$32.95 28.89 € Piano seul PDF SheetMusicPlus

Piano - Digital Download SKU: B8.EB-2620 Volume 4: Opp. 20-23, 26, 28, 32. Composed by Robert Schumann. Edited by Clara Wieck-Schumann and Wilhelm Kempff. Edition Breitkopf. Schumann's Spirit from the Hands of KempffIn 1925, Breitkopf & Hartel approached the young pianist Wilhelm Kempff to prepare Clara Schumann's Instructive Edition of her husband's works for the new engraving. Romantic. Score. 196 pages. Breitkopf and Haertel - Digital #EB-2620. Published by Breitkopf and Haertel - Digital (B8.EB-2620). ISBN 9790004161241. 9 x 12 in inches.[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation - all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann.The present edition thus conveys the reading of one of the most important pianists of the twentieth century, which we make fully accessible in time for the 200th birthday of Clara Schumann.
Complete Piano Works
Piano seul

$35.95 31.52 € Piano seul PDF SheetMusicPlus

String Ensemble Cello - Level 4 - Digital Download SKU: A0.841336 Composed by Giuseppe Verdi. Arranged by Michele Galvagno, Marcio Carneiro. Opera,Patriotic,Romantic Period. Score and parts. 33 pages. Artistic Score Engraving di Galvagno Michele #3885555. Published by Artistic Score Engraving di Galvagno Michele (A0.841336). This arrangement for cello octet (four voices very often divided in two) stems from a new collaboration with the brazilian cello master Marcio Carneiro, my personal cello teacher at the time of the HEMU of Sion, Switzerland. Its premiere, performed from manuscript paper, was given in 2012 and the wish to create a proper edition out of that has been a strong one ever since.
Verdi, Giuseppe - Va', Pensiero - for eight cellos (score + normal parts bundle)

$19.95 17.49 € PDF SheetMusicPlus

Piano - Digital Download SKU: B8.EB-2617 Volume 1: Opp. 1-8. Composed by Robert Schumann. Edited by Clara Wieck-Schumann and Wilhelm Kempff. Edition Breitkopf. Schumann's Spirit from the Hands of KempffIn 1925, Breitkopf & Hartel approached the young pianist Wilhelm Kempff to prepare Clara Schumann's Instructive Edition of her husband's works for the new engraving. Romantic. Score. 192 pages. Breitkopf and Haertel - Digital #EB-2617. Published by Breitkopf and Haertel - Digital (B8.EB-2617). ISBN 9790004161210. 9 x 12 in inches.[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation - all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann.The present edition thus conveys the reading of one of the most important pianists of the twentieth century, which we make fully accessible in time for the 200th birthday of Clara Schumann.
Complete Piano Works
Piano seul

$32.95 28.89 € Piano seul PDF SheetMusicPlus






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