Piano - Digital Download SKU: LV.19413 Composed by Charles Coote. Shoes, Travel. Lester S. Levy Collection. 11 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19413). Coote's Lancers. Somebody's Luggage. (1) His Boots; (2) His Umbrella; (3) His Black Bag; (4) His Writing Desk; (5) His Portmanteau; Martha the Milkman's Daughter; Old Rosin the Beau; The Soldier's Joy. Composed by Charles Coot. Published [n.d.] by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of five sectional movements, and figures with piano instrumentation. Subject headings for this piece include Shoes, Travel. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.18982 Composed by George W. Meyer. Railroads, Portraits, Travel, Homecomings, Families. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18982). Make That Engine Stop At Louisville. Words by Sam. M. Lewis. Music by Geo. W. Meyer. Published 1914 by Maurice Richmond Music Co., Inc. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Railroads, Portraits, Travel, Homecomings, Families. First line reads Hear that engine rattle out a melody, Hear it singing ain't you coming home to me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano - Digital Download SKU: LV.19115 Composed by A. Wallerstein. Railroad passenger cars, Storms, Travel. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19115). Le Train de Plaisir. Polka. Par A. Wallerstein. Published [n.d.] by G. & J. Meynne, Editeurs, rue St. Jean in Bruxelles. Composition of da capo with trio with piano instrumentation. Subject headings for this piece include Railroad passenger cars, Storms, Travel. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano - Digital Download SKU: LV.19626 Composed by Preot Lee. Globes, Clouds, Travel. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19626). Around the World Galop. By Preot Lee. Published 1875 by A.G. Slade & Co., 605 Fulton St. in Brooklyn, N.Y. Composition of sectional with piano instrumentation. Subject headings for this piece include Globes, Clouds, Travel. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano Solo - Level 2 - Digital Download SKU: A0.868095 Composed by John Henry Hopkins. Arranged by Phoebe Chen. Christian,Christmas,World. Score. 2 pages. Phoebe Chen #3238355. Published by Phoebe Chen (A0.868095). We Three Kings of Orient are is a Christmas Carol written by John Henry Hopkins Jr. in 1857 ; based upon a story from the Bible, telling of men who traveled a long distance (most likely from Persia) guided by a star to see the baby Jesus , the promised Messiah.

Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.752839 Composed by Traditional. Arranged by Kevin Love. Folk. Score and parts. 20 pages. Kevin Edward Love #28503. Published by Kevin Edward Love (A0.752839). Streets of Laredo (Guitar Quartet) This Irish tune traveled to the New World in the 18th century and the lyrics were adapted to suit the new locale, giving us the 'Cowboy' song we know today. The score can stand alone with four guitars, but there are optional parts for a 'Fife (or any melody instrument) and Drum' band to join in on the last chorus. This would be very effective if they played off-stage.

Piano Solo - Level 2 - Digital Download SKU: A0.1212686 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 6 pages. Piano Prodigies #810006. Published by Piano Prodigies (A0.1212686). Once upon a time there was a much-loved melody that everyone knew and sang. One day, it traveled to a new dimension and when it came out on the other side, it was different: magical, mysterious, and even... mystical! Elves and fairies danced around and beckoned for it to join them, but in the end, it slowly made its way back home. (Note: be sure to listen to Edvard Grieg’s In the Hall of the Mountain King - the middle section is inspired by this piece!).

C Instrument - Level 4 - Digital Download SKU: A0.1207558 Composed by Scott Walker. Folk. Lead Sheet / Fake Book. 40 pages. S'got Possiblities #805726. Published by S'got Possiblities (A0.1207558). This is a collection of fiddle tunes that I have written at different points since I began playing Irish music over 3 decades ago. The collection includes typical types of tunes, including reels, jigs, hornpipes, waltzes. There are a few tunes that don't fall exactly into those catagories, including an old time tune, a quasi cajun tune, a slow tune that is quasi Scottish, and one air that was originally written for solo cello, and is more of a concert piece for cello and fiddle, in a folk style. There are short descriptions of the tunes that tell a bit about my life, where I lived and traveled, and what I was doing.  Most of the tunes were written at a specific place, some on trips, and some at home. Memories of the places and the people there are woven into the sound. I sincerely hope you enjoy this music!

Piano Solo - Level 4 - Digital Download SKU: A0.1258022 By Carmen Cavallaro. By Traditional Italian Folk Song. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #851260. Published by Timothy Stapay (A0.1258022). Santa Lucia is a traditional Italian folk song; here arranged as played by the famous pianist, Carmen Cavallaro.  Mr Cavallaro was of Italian heritage, and was famous on records and in Hollywood movies as a virtuoso romantic-style piano performer.Carmen Cavallaro (May 6, 1913 – October 12, 1989) was an American pianist. He established himself as one of the most accomplished and admired light music pianists of his generation.Cavallaro formed his own band, a five-piece combo, in St. Louis, Missouri, in 1939. His popularity grew and his group expanded into a 14-piece orchestra, releasing some 19 albums for Decca over the years. Although his band traveled the country and played in all the top spots, he made a particular impact at the Mark Hopkins Hotel in San Francisco, which became a favored venue.  Other venues where he drew large audiences included New York’s Hotel Astor, Chicago’s Palmer House and the Coconut Grove in Los Angeles. In 1963 he had a million-seller hit recording of the song, Sukiyaki.Cavallaro's single best-selling recording was his pop version of Chopin's 'Polonaise', Op. 53.He was awarded a Star on the Hollywood Walk of Fame at 6301 Hollywood Boulevard in Hollywood.

Voice and piano - Medium - Digital Download SKU: MQ.8492-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-13E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-13E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-28E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano - Level 5 - Digital Download SKU: A0.1316925 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 33 pages. White Piano International Publishing #905605. Published by White Piano International Publishing (A0.1316925). THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands 33 Pages(Piano I Original Piano Score)                      &(Piano II Orchestra Adaptation)Advanced Approx. Duration 13 minutes; 30 secondsBy ROBERT VAN HORNE Composing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto, capturing the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression of seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.�After many years of offering the original Conductor’s Piano & Orchestra Score of the concerto with instrumental parts (currently available at Sheet Music Plus and Sheet Music Direct), the Duo Piano Score of THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands is now also available at those two websites.Both Piano I and Piano II parts are clearly notated with phrasing, dynamics, accents, suggested fingerings and musical word descriptions for 2 Pianos, 4 Hands performances. THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands makes a wonderful and memorable performance piece for two piano recitals as well as a score for practicing with an orchestra, since Piano I is the original piano part.A 2 Pianos, 4 Hands recording or video of THE GREAT WALL CONCERTO is not available at this time, however, a 2006 recorded version with Piano & Orchestra is available for demo purposes only. Except for the piano, all other instruments included are digital samples. A YouTube video can be viewed at: http://www.youtube.com/watch?v=S_Zr10XMnJc In conclusion, THE GREAT WALL CONCERTO For Piano and Orchestra is not only a tribute to the Great Wall of China, but also to the power of music in expressing the inexpressible.Published by White Piano International Publishing Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com

SATB choir and Piano - Medium - Digital Download SKU: MQ.7955-E Composed by Gwyneth W. Walker. Instrument part. 13 pages. E. C. Schirmer Music Company - Digital #7955-E. Published by E. C. Schirmer Music Company - Digital (MQ.7955-E). English.Freight Train combines the speed of the train with nostalgic remembrance of places traveled. There's one more place I'd like to see...to watch those Blue Ridge Mountains climb while I ride Old Number Nine. The rider, perhaps a drifter, feels the most at home when riding the train. For his final resting place, he wishes to be buried where he can hear the train rumbling by. The accompaniment (the train) is particularly lively and mobile in this song. Duration: 3:00.

Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.954668 By Public Domain. By Alex E. Arranged by Alex E. Children,Christmas,Classical,Multicultural,Traditional,World. 9 pages. Müller Publishing company #4848861. Published by Müller Publishing company (A0.954668). This musical arrangement is for a two-voice choir with a lively piano accompaniment of the song De Tierra Lejana Venimos (Song of the Wise Men). With this arrangement, singers can come together to perform the melody and harmony of this traditional Puerto Rican Christmas song, while the piano provides a vivid and engaging accompaniment.De Tierra Lejana Venimos is a Christmas song that celebrates the story of the Three Wise Men who traveled to see baby Jesus. The song features Spanish lyrics like we came from a distant land to see the baby born in Bethlehem. The gentle and emotional melody of this song evokes a feeling of contemplation and reverence fitting for the story it tells.This two-voice choir arrangement with piano accompaniment brings a new level of musical interest to this already-known song. The piano accompaniment is lively and cheerful, complementing the voices of the singers and creating a festive and joyful atmosphere. The result is an exciting and inspiring performance of De Tierra Lejana Venimos, which is sure to be enjoyed by all.In summary, this two-voice choir arrangement with piano accompaniment of the song De Tierra Lejana Venimos is an exciting and inspiring way to celebrate the Christmas season and experience traditional Puerto Rican music on a more advanced level.