Voice and piano - Medium - Digital Download SKU: MQ.8492-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-20E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-46E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-46E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-46E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-09E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Woodwind Ensemble,Woodwind Trio Clarinet - Level 5 - Digital Download SKU: A0.913622 Composed by James Marshall. Contemporary,World. 19 pages. James Marshall Music #5019613. Published by James Marshall Music (A0.913622). A new Clarinet Trio dedicated to my High School fellow Clarinet players Rod and Bill. Having reconnected as friends andproficient clarinet players, we have been playing together again whenever possible. As a composer and returning private teacher in retirement, my thoughts turned to writing us a trio. In March 2019 I traveled to London and Paris. The influences and moods of the heritage cultures are savored in the reminiscent character of this short piece. Hints of Debussy, Poulenc, Vaughn Williams and Ligeti are heard in the sonorous combination of three clarinets.

Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Piano Solo - Level 4 - Digital Download SKU: A0.1258022 By Carmen Cavallaro. By Traditional Italian Folk Song. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #851260. Published by Timothy Stapay (A0.1258022). Santa Lucia is a traditional Italian folk song; here arranged as played by the famous pianist, Carmen Cavallaro.  Mr Cavallaro was of Italian heritage, and was famous on records and in Hollywood movies as a virtuoso romantic-style piano performer.Carmen Cavallaro (May 6, 1913 – October 12, 1989) was an American pianist. He established himself as one of the most accomplished and admired light music pianists of his generation.Cavallaro formed his own band, a five-piece combo, in St. Louis, Missouri, in 1939. His popularity grew and his group expanded into a 14-piece orchestra, releasing some 19 albums for Decca over the years. Although his band traveled the country and played in all the top spots, he made a particular impact at the Mark Hopkins Hotel in San Francisco, which became a favored venue.  Other venues where he drew large audiences included New York’s Hotel Astor, Chicago’s Palmer House and the Coconut Grove in Los Angeles. In 1963 he had a million-seller hit recording of the song, Sukiyaki.Cavallaro's single best-selling recording was his pop version of Chopin's 'Polonaise', Op. 53.He was awarded a Star on the Hollywood Walk of Fame at 6301 Hollywood Boulevard in Hollywood.

Piano Quintet Piano - Level 3 - Digital Download SKU: A0.552099 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. 12 pages. Jmsgu3 #6119421. Published by jmsgu3 (A0.552099). Mozart: Ave verum corpus K. 618 for PIANO QUINTET. This is a fantastic masterpiece of music written by one of the greatest composers in our history. This famous piece by Mozart was composed only six months before his untimely death in 1791. Mozart wrote this on commission while working on the Magic Flute. Program this for Lent or Easter meditations or any Christian communion service. Also, this would be a strong recital encore showing mastery of phrasing, tone quality, and dynamics.Ave verum corpusFirst, Mozart composed a most noteworthy motet in Latin, Ave verum corpus. This translates in English as Hail, the actual body. The motet is undoubtedly listed as K.618 in the Köchel Catalog. This is a chronological catalog of Mozart’s compositions consequently published by Ludwig von Köchel. Seems like Mozart probably composed this motet in the last year of his life. Likewise, he worked on his final opera, the Magic Flute, and his Requiem Mass at the time. Mozart wrote it for the feast of Corpus Christi. He scored it for SATB choir, string instruments, and a small organ. Hence, while the Requiem is a more dramatic work, the motet expresses even more the Eucharistic thoughts with relatively simple means, well-matched for the church choir in a small town.Early YearsWolfgang Amadeus Mozart (1756 – 1791) was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he could already play the keyboard and violin at age two. He started composing at age five and performed before European royalty.Middle PeriodAt 17, Mozart was working as a musician at the Salzburg Royal Court but grew agitated from boredom and traveled to search for a more exciting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the Capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos.Final PeriodThe conditions surrounding his death have been the subject of much conjecture and mythology. He composed over 600 works, many recognized as high points of symphonic, chamber, concertante, choral, and operatic. He is among the most everlastingly famous classical composers, and his impact is substantial on succeeding Western art music.

Piano Solo - Level 2 - Digital Download SKU: A0.1212686 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 6 pages. Piano Prodigies #810006. Published by Piano Prodigies (A0.1212686). Once upon a time there was a much-loved melody that everyone knew and sang. One day, it traveled to a new dimension and when it came out on the other side, it was different: magical, mysterious, and even... mystical! Elves and fairies danced around and beckoned for it to join them, but in the end, it slowly made its way back home. (Note: be sure to listen to Edvard Grieg’s In the Hall of the Mountain King - the middle section is inspired by this piece!).

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-25E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Piano Solo - Level 2 - Digital Download SKU: A0.742391 Composed by Wolfgang Amadeus Mozart. Arranged by Arte Nova Music Lab. Children,Classical,Concert,Standards,World. Score. 3 pages. Arte Nova Music Lab #3002445. Published by Arte Nova Music Lab (A0.742391). Wolfgangus Theophilus Mozart,[2] was a prolific and influential composer of the Classical era.Born in Salzburg, Austria, he showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of 5 and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death.The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.He composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classicalcomposers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: posterity will not see such a talent again in 100 years. Taken from https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart

String Ensemble,String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.965707 Composed by Turlough O'carolan. Arranged by Sandy McIntire. Baroque,Celtic,Classical,Contest,Festival,Instructional,Irish. Score and parts. 13 pages. Sandy McIntire #571408. Published by Sandy McIntire (A0.965707). CAROLAN'S CONCERTO is a popular tune played by Irish fiddlers and bands. Turlough O'Carolan (1670-1738) was a blind Irish harpist often considered to be Ireland's national composer. He was an itinerant musician who traveled throughout Ireland composing and performing his tunes. McIntire's arrangement is for a STRING ENSEMBLE (two violins and cello) of players at the INTERMEDIATE SKILL LEVEL in which all the players participate in a lively exchange of the melody and its variations. This package includes a score and separate sheet music for each instrument. Other string ensemble arrangements by McIntire include Lord Inchiquin, Sailor' Hornpipe and Banish Misfortune/Cherish the Ladies, all available at this web site.

Choral Choir (SAB) - Digital Download SKU: A0.922168 Composed by Jane Dang. Christian,Contemporary,Easter. Octavo. 10 pages. Jane Dang #5372953. Published by Jane Dang (A0.922168). An easy choir piece for Easter! What is the difference between my God and Buddha? What makes my atheistic friends believe Jesus is God? Jesus is not dead like all the other gods! His resurrection, the evidence of His victory over the power of sin, gives the unbeliever hope of eternal life and the believer hope of glorification. All the toils and loss of this life can turn to abundant joy if we choose to meditate on the truth that Christ lives in our heart. And isn’t it true that the only right response to Christ’s resurrection is to give your life as a living sacrifice to Him every moment?Slowly they traveled to the tomb. Grief hangs as black as deepest night. They have come to mourn Jesus’s death; But the dark is shattered by light!   Chorus: Jesus lives what a glorious day! Jesus lives why do you still weep? God is here! Christ arose, and He dwells with you. Give your life to honor His name!   Death claims a soldier of the cross. Don’t weep as though it were the end. Comfort draws from words filled with hope. You will meet your loved ones again.   Christ will return in glorious light. Angels and men will join to sing. All our griefs are slain by delight. When the Lord is crowned as our King.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-27E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-27E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Concert Band - Level 3 - Digital Download SKU: A0.1099084 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Children,Instructional,Jazz. Score and parts. 28 pages. Stephen R Dalrymple #702952. Published by Stephen R Dalrymple (A0.1099084). FACE for Concert Band ♫ by Stephen R Dalrymple ♫ arranged for concert band by Stephen R Dalrymple ♫ I wrote a song to teach my elementary general music classes the names of the spaces of the G Clef. I turned it into a band arrangement so his middle school band could play it for the younger students who had learned the song when they traveled across town to perform for the annual elementary school band assembly. ♫ The bottom space is F. The second space is A. The note on the third space is C. E is the note on the top space. … FACE spells face. … Under the staff the note that holds the staff up is D. ♫ sequenced by the arranger ♫ music © 2000, 2014 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes Flute/Oboe, Clarinet 1, Clarinet 2, Bass Clarinet, Alto Sax 1 & 2 /Alto Clarinet, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, French Horn, Trombone/ Euphonium/Bassoon, Treble Clef Baritone, Tuba, Electric Bass, Bongos/Wood Block/Shakers, and Drum Set. ♫ The YouTube video contains the full recording.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-34E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.