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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1315612 Composed by Adrienne Inglis (ASCAP). 21st Century,Latin,Multicultural,World. 24 pages. Adrienne Inglis (ASCAP) #904350. Published by Adrienne Inglis (ASCAP) (A0.1315612). To celebrate Hispanic and Indigenous peoples, enjoy this easy, catchy tune in the ancient Andean language of Aymara (pronunciation guide included) in the style of an expressive Bolivian yaraví or lament. No worries if you don't have a charango — it can easily be performed with a string quartet.Wari (2023)SATB and string quartet with optional charango, composed in the style of a Bolivian yaravíText — excerpts from the Aymara poem Uma (2002) by Pedro Humire Loredo (1935-2020) — used with permissionDuration — about 2’Difficulty 2 (High school)World premiere:21 Oct 2023Jester King — Brewery, Kitchen, Farm & Event Hall — 13187 Fitzhugh Rd, Austin, TX 78736Panoramic Voices presents “Folk Yeah†with Invoke that includes two world premieres, Wari and Uma, both Andean folk settings in Aymara.Commissioned by Panoramic Voices for its “Folk Yeah!†concert October 21, 2023, Wari for SATB and string quartet with optional charango is written as a lament in the style of a Bolivian yaraví. The text in the indigenous language of Aymara comes from the poem “Uma†written by Chilean poet Pedro Humire Loredo. Wari means vicuña, a native wild camelid species considered to be the ancestor of the domesticated alpaca. The harsh life of the Andes takes its toll on vicuña young, leaving behind grieving vicuña mothers. The Aymara people suffer similar losses and also cry for their lost loved ones. This yaraví lament includes expressive cadenza sections for both violin and cello, traditional key and rhythm, and a choral setting of Humire’s poignant poetry.
Wari (Vicuña) for SATB + string quartet with optional charango
Chorale SATB

$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1255012 By Matheus Travassos. By Matheus Travassos. Classical,Contemporary,Romantic Period. Score. 3 pages. Matheus Travassos #848601. Published by Matheus Travassos (A0.1255012). I present to you Rêveries agitées, an expressive ballad for piano solo. As the composer, I wanted to explore the contrasting moods within this composition.  The sheet music for 'Rêveries agitées' was meticulously created using Sibelius software, ensuring accurate representation of the musical score. The MIDI sample, played by Note Performer, offers a respectable rendition of the piece.  Drawing upon my knowledge of traditional harmony acquired in the first semester of 2018, I crafted this short composition. 'Rêveries agitées' employs the evocative sounds of the natural minor and harmonic minor scales, showcasing a compelling interplay of melody and accompaniment.  The piece follows an A B A' form: the A section establishes a serene and tender atmosphere, while the B section introduces an intense and aggressive dynamic with a falling melody that ends in suspension. Fast passages punctuate this section. Finally, the A' section returns, concluding the composition in a poignant and melancholic mood.
Rêverie agitées
Piano seul
Matheus Travassos
$5.99 5.12 € Piano seul PDF SheetMusicPlus

Pedal Harp - Level 4 - Digital Download SKU: A0.1495265 By Anna-Maria Ravnopolska-Dean. By Parashkev Hadjiev. Arranged by Anna-Maria Ravnopolska-Dean. 20th Century,Classical,Instructional,Traditional. Score. 32 pages. Arpa d'Oro #1071783. Published by Arpa d'Oro (A0.1495265). The 12 pieces in Bulgarian Rhythm by the great Bulgarian composer Parashkev Haddjiev were written originally for piano. The composer had a special gift for composlng brief character pieces that convey a specific mood or illustlate a glven musical problem. Such are the pieces in this collection where the main issue is rfurthmic. Bulgarian Rhyhm, as Bartok calls it, is uneven. It alternates duple and triple beats within each measure. The pieces are fresh and cute in a typical folk-like style. Ravnopolska-Dean’s arrangement uses specific harp techniques and effects.   Mastering the rhythrnic patterns found in this colleetion enhances inner rhyhmic stability and provides a valuabie bridge to solving more complex rhytmic problems. As an additional teaching aid Ravnopolska-Dean’s performances of all of them are available on youtube.
12 pieces in Bulgarian Rhythm
Harpe
Anna-Maria Ravnopolska-Dean
$41.99 35.92 € Harpe PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.913682 By Adele. By Adele Adkins and Paul Epworth. Arranged by Myriam Darme, Maia Darme. Pop,R & B. 16 pages. Myriam & Maia Darme #3416107. Published by Myriam & Maia Darme (A0.913682). Theme song of the James Bond motion picture Skyfall, Adele’s iconic hit won multiple awards at the Oscars, Grammys, Brits and Golden Globes.Flutist Myriam Darme and harpist Maia Darme adapted the British singer’s single for a quartet of 2 flutes and 2 pedal harps. This is the arrangement heard in their Youtube video: https://youtu.be/30EhGIy5fu4An audience-favorite, this version captures the dark and powerful atmosphere of the spy movie. It is fun to play and suitable for intermediate level students as well as professionals. The PDF file includes a score and four parts (flute 1, flute 2, harp 1 and harp 2). Performance time: ca. 2’40 More arrangements and recordings are available at www.ensembletraversees.com/en/shop (flute & harp duet Traversées), www.myriamdarme.com (Myriam Darmé, flute) and www.maiadarme.com (Maia Darmé, harp).Générique du James Bond Skyfall, la chanson éponyme d’Adèle a gagné de multiple prix aux Oscars, Grammys, Brits et Golden Globes.Myriam Darmé (flûtiste) et Maia Darmé (harpiste) l’ont adaptée pour un quatuor de 2 harpes et 2 flûtes. Cet arrangement correspond à la version enregistrée sur leur vidéo youtube: https://youtu.be/30EhGIy5fu4. Elle transmet particulièrement bien l’atmosphère trouble et envoûtante du film d’espionnage.La partition est adaptée aux élèves à partir du début de deuxième cycle, tout comme aux musiciens professionnels souhaitant enrichir leur répertoire de concert d’une pièce puissante aux accents pop appréciée du public. Le fichier PDF contient un conducteur et 4 parties: flûte 1, flûte 2, harpe 1, harpe 2. Durée: environ 2’40. D’autres arrangements et enregistrements sont disponibles sur: www.ensembletraversees.com/boutique (duo flûte et harpe Traversées), www.myriamdarme.com (Myriam Darmé, flûte) et www.maiadarme.com (Maia Darmé, harpe).
Skyfall
Adele
$12.99 11.11 € PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.1499396 Composed by Joyce Silveira Moreno and Toninho Horta. Arranged by Marcelo Borba. Country,Jazz,Multicultural,Pop,R & B,World. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #1075448. Published by Marcelo Borba (A0.1499396). Leadsheet style ## Beijo Partido is a song composed by Brazilian guitarist and composer Toninho Horta, and it has become one of the most emblematic songs in Brazilian popular music, especially within the context of the Clube da Esquina movement, of which Horta was a member. The song also gained notoriety in the voice of Milton Nascimento, one of the leading figures of this movement. ### Origin and ContextToninho Horta composed Beijo Partido in 1973, during a period when he was involved with Clube da Esquina, a collective of musicians from Minas Gerais that mixed elements of Brazilian popular music, jazz, rock, and classical music. The song reflects this mix of styles, characterized by complex harmonies and a melancholic melody, elements that became Horta's trademarks.### Lyrics and MeaningThe lyrics of Beijo Partido are poetic and subjective, a common trait in the compositions of Clube da Esquina. The song talks about the end of a romantic relationship, using the metaphor of a broken kiss to describe the rupture and pain of separation. Despite its melancholic tone, the song carries an intrinsic beauty in the way sadness is expressed delicately and introspectively.### Recordings and ImpactBeijo Partido was first recorded on Toninho Horta's solo album, Terra dos Pássaros, released in 1980. The version by Milton Nascimento, which also became well-known, helped to further popularize the song. Over the years, Beijo Partido has been covered by various artists, both in Brazil and abroad, and is considered a classic of MPB (Música Popular Brasileira).***[Português] Beijo Partido é uma canção composta pelo guitarrista e compositor brasileiro Toninho Horta, e se tornou uma das músicas mais emblemáticas da música popular brasileira, especialmente no contexto do movimento Clube da Esquina, do qual Horta foi um dos integrantes. A música ganhou notoriedade também na voz de Milton Nascimento, um dos principais representantes desse movimento. ### Origem e ContextoToninho Horta compôs Beijo Partido em 1973, durante um período em que ele estava envolvido com o Clube da Esquina, um coletivo de músicos de Minas Gerais que misturava elementos de música popular brasileira, jazz, rock e música erudita. A canção reflete essa mistura de estilos, sendo caracterizada por harmonias complexas e uma melodia melancólica, elementos que se tornaram marcas registradas de Horta.### Letra e SignificadoA letra de Beijo Partido é poética e subjetiva, algo comum nas composições do Clube da Esquina. A canção fala sobre o fim de um relacionamento amoroso, utilizando a metáfora do beijo partido para descrever a ruptura e a dor da separação. Apesar de melancólica, a música carrega uma beleza intrínseca na forma como a tristeza é expressa de maneira delicada e introspectiva.### Gravações e ImpactoBeijo Partido foi gravada pela primeira vez no álbum solo de Toninho Horta, Terra dos Pássaros, lançado em 1980. A versão de Milton Nascimento, que também se tornou bastante conhecida, ajudou a popularizar ainda mais a canção. Ao longo dos anos, Beijo Partido foi regravada por diversos artistas, tanto no Brasil quanto no exterior, sendo considerada um clássico da MPB.
Beijo Partido
Instruments en Do

$3.99 3.41 € Instruments en Do PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1505968 Composed by Oreste Ravanello. 19th Century,20th Century,Classical,Contest,Festival,Romantic Period. 13 pages. R?sFacta Editions #1081349. Published by R?sFacta Editions (A0.1505968). Vision!, Op. 11, No. 2 is a composition for string orchestra by Italian composer Oreste Ravanello, a notable figure in late 19th and early 20th-century Italian music. Known primarily for his contributions to organ music and sacred works, Ravanello’s Vision! stands out as a piece that captures a sense of atmospheric lyricism and expressive emotional depth. The work reflects Ravanello’s rich harmonic language, with lush string textures and a romantic, meditative character, emblematic of his style.  Score and parts.  Duration: approx. 3'06
Vision! for String Orchestra, Op. 11, No. 2
Orchestre à Cordes

$28.00 23.95 € Orchestre à Cordes PDF SheetMusicPlus






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